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Hachi & Maruru – Streuner halten zusammen!

Tsure-neko Maruru to Hachi

Sonoda Y: Hachi & Maruru – Streuner
halten zusammen! 1

Hachi & Maruru – Streuner halten zusammen! 1

The Japanese Way of Whisky

Set in the last days of the Samurai, old ghosts and new loves coincide in this romantic timeslip adventure&nbsp;

Gate to Kagoshima

Mitch and Yonko haven't spoken in a year. As children, they were inseparable, raised together in an orphanage outside Tokyo-but ever since the sudden death of Mitch's brother, they've been mourning in their private ways, worlds apart. In the aftermath of the Fukushima nuclear catastrophe, they choose to reunite, finding each other in a city undone by disaster. Mitch and Yonko have drifted apart, but they will always be bound together. Because long ago they witnessed an unspeakable tragedy, a tragedy that they've kept secret for their entire lives. They never speak of it, but it's all around them. Like history, it repeats itself. Yuko Tsushima's sweeping and consuming novel is a metaphysical saga of postwar Japan. Wildcat Dome is a hugely ambitious exploration of denial, of the ways in which countries and their citizens avoid telling the truth-a tale of guilt, loss, and inevitable reckoning. 'Tsushima evades any label, her fiction transcends gender to focus on the existential loneliness that is at the heart of humanity.' Japan Times

Wildcat Dome

Meltdown at Fukushima

Integration Europas und Ordnung der Weltwirtschaft

Europäische Außenpolitik wird in besonderer Weise durch das komplexe Beziehungsgeflecht der Europäischen Union mit China geprägt. In dieser Studie werden die Entwicklung, Funktionsweise, Problemfelder und Perspektiven der europäischen Chinapolitik im Spannungsfeld von supranationaler Dynamik und realpolitischen Interessen der EU-Mitgliedstaaten beleuchtet.

Institutionalizing and Strategizing in European Foreign Policy

The EU's China Policy

Rei, Kiki and Ai are three sisters whose lives have taken them on very different paths. They have lost both parents, one way or another, and each found their own ways of carrying on. Eldest daughter Rei is spiky and sensible, distracting herself with an all-consuming job at a financial corporation in London. Big-hearted Kiki is a single mother in Tokyo, juggling the demands of her young son and the cantankerous elderly residents of the care home she works in. And Ai, the free-spirited youngest, is a Japanese pop idol who has found fame and fortune but lost herself along the way. When Ai is embroiled in a scandal and suddenly thrust into the spotlight, Rei must pick up the pieces of her family once more. Reunited for the summer in their childhood home on the Japanese coast, the sisters are forced to confront the legacy of their mother's death, the stories they have told themselves ever since and the question of how they want to live. A transporting, funny and moving novel about love and loss, this new novel from the author of Fault Lines confirms Emily Itami as a talent to watch.

Rei, Kiki and Ai are three sisters whose lives have taken them on very different paths. They have lost both parents, one way or another, and each found their own ways of carrying on. Eldest daughter Rei is spiky and sensible, distracting herself with an all-consuming job at a financial corporation in London. Big-hearted Kiki is a single mother in Tokyo, juggling the demands of her young son and the cantankerous elderly residents of the care home she works in. And Ai, the free-spirited youngest, is a Japanese pop idol who has found fame and fortune but lost herself along the way. When Ai is embroiled in a scandal and suddenly thrust into the spotlight, Rei must pick up the pieces of her family once more. Reunited for the summer in their childhood home on the Japanese coast, the sisters are forced to confront the legacy of their mother's death, the stories they have told themselves ever since and the question of how they want to live. A transporting, funny and moving novel about love and loss, this new novel from the author of Fault Lines confirms Emily Itami as a talent to watch.

Kakigori Summer

The field of philosophical inquiry into consciousness has long been divided into analytical philosophy and phenomenology, often excluding non-Western traditions. Presenting a unique global perspective, Gereon Kopf makes the case for a new method to assess diverse approaches to the philosophy of mind and introduces a new definition of consciousness.
 
Drawing on various disciplines, Philosophy of Mind around the World engages with the conception of mind in relation to cognitive science, AI research, contemplative studies, philosophy of mind, phenomenology and global philosophy, including South and East Asian perspectives. Kopf not only considers First-Person and Third-Person approaches, but the Second-Person approach proposed by dialogical philosophy and the Fourth-Person approach implied by some Mahayana Buddhist thinkers and the Kyoto School.
 
Featuring a multiplicity of methods, Kopf's interdisciplinary examination explicitly challenges the Eurocentric paradigm and introduces a new fourfold theory of the mind, defined as intelligent, conscious, self-conscious and communal.

The field of philosophical inquiry into consciousness has long been divided into analytical philosophy and phenomenology, often excluding non-Western traditions. Presenting a unique global perspective, Gereon Kopf makes the case for a new method to assess diverse approaches to the philosophy of mind and introduces a new definition of consciousness.
 
Drawing on various disciplines, Philosophy of Mind around the World engages with the conception of mind in relation to cognitive science, AI research, contemplative studies, philosophy of mind, phenomenology and global philosophy, including South and East Asian perspectives. Kopf not only considers First-Person and Third-Person approaches, but the Second-Person approach proposed by dialogical philosophy and the Fourth-Person approach implied by some Mahayana Buddhist thinkers and the Kyoto School.
 
Featuring a multiplicity of methods, Kopf’s interdisciplinary examination explicitly challenges the Eurocentric paradigm and introduces a new fourfold theory of the mind, defined as intelligent, conscious, self-conscious and communal.

A New Conception of Consciousness

Philosophy of Mind around the World

Basic Art

Von Edouard Manets Porträt des Schriftstellers Émile Zola, der inmitten seiner japanischen Kunstfunde hockt, bis hin zu Van Goghs akribisch gesammelten Hiroshige-Drucken – Pioniere der europäischen Moderne machten im 19. Jahrhundert kein Geheimnis aus ihrer Liebe zur japanischen Kunst. In all seiner sprudelnden Sinnlichkeit und Freizügigkeit schreibt man den Trend des Japonismus allein dem Holzschnitt zu, der zunächst Frankreich und später ganz Europa in seinen Bann zog – oft missverstandene, "exotische" Artefakte, die der westlichen Kreativität als Inspiration dienten.
 
 Tatsache ist, dass der japanische Holzschnitt ein Phänomen darstellt, zu dem es kein westliches Äquivalent gibt. Einige wegweisende Ideen der Moderne – darunter Karl Marx’ Diktum, dass "alles, was fest ist, sich in der Luft auflöst" – wurden im Japan des 17. Jahrhunderts entwickelt und im frühen 19. Jahrhundert erstmals in den Werken von Meistern wie Hokusai, Utamaro und Hiroshige zum Ausdruck gebracht.
 
 Dieses Buch lüftet den Schleier dieser beliebten, aber wenig verstandenen Kunstform und präsentiert die außergewöhnlichsten japanischen Holzschnitte in ihrem historischen Kontext. Die hier versammelten Werke reichen von den Anfängen über den Höhepunkt der Entwicklung im Ukiyo-e, den "Bildern der schwebenden Welt", im 17. Jahrhundert bis zum Niedergang und späteren Wiederaufleben der Drucke im frühen 20. Jahrhundert. Dokumentiert wird nicht nur ein einzigartiges Genre der Kunstgeschichte, sondern auch die sich wandelnden Sitten und die kulturelle Entwicklung Japans.
 
 Wir entdecken die vier Säulen des Holzschnitts – Schönheiten, Schauspieler, Landschaften sowie Vogel- und Blumenkompositionen – neben Darstellungen von Sumo-Ringern, Kabuki-Schauspielern oder Edelkurtisanen – Popstars, welche die "schwebende Welt" bevölkerten und deren wachsende Anhängerschaft die explosive Produktion der Holzschnitte beflügelte. Wir tauchen ein in bedrohlich-obskure Szenen, in denen Dämonen und Geister Angst und Schrecken verbreiten und die japanische Mangas, Filme und Videospiele bis heute beeinflussen. Wir erleben, wie technische Meisterschaft und das unfehlbare Auge ihrer Schöpfer diese Werke in ihrer unglaublichen Breite – von Alltagsszenen über Erotik, Kampfkunst bis hin zur Mythologie – vereint und wie Verleger und Künstler mit enormem Einfallsreichtum und Augenzwinkern gleichermaßen darum gekämpft haben, die staatliche Zensur zu umgehen.
 
 Diese Ausgabe vereint die besten erhaltenen Drucke aus Museen und Privatsammlungen weltweit und bietet Beschreibungen, die uns durch diese rasante Periode der japanischen Kunstgeschichte führen.

Xilografías japonesas

Avengers For Dummies

World Cinema

"In Japanese Cinema and Punk, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Analyzing key examples such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989), he traces the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream"--

In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry.

Drawing on first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu, Yamamoto Masashi, Tsukamoto Shin’ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by punk rock, graffiti art, street performance, animation, and evolving music technologies.

By considering the practical, phenomenological, and political ramifications of blending diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson’s Garden (1987), and Tetsuo: The Iron Man (1989). He further traces the changing sociocultural position of Japan’s punk movement throughout the 1980s—from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.

Intermedial Exchanges

Japanese Cinema and Punk

fate/

Before the most recent Holy Grail War, Shirou Emiya spent most of his days like practically every other high school teen. Growing up without his parents, however, meant his evenings were commonly spent cooking up meals for the many faces who would pass by his traditional Japanese residence. Whether friend or foe; stranger or comrade, Emiya gladly whips up classic Japanese dishes that often win over even the most seasoned warrior.

Before the most recent Holy Grail War, Shirou Emiya spent most of his days like practically every other high school teen. Growing up without his parents, however, meant his evenings were commonly spent cooking up meals for the many faces who would pass by his traditional Japanese residence. Whether friend or foe; stranger or comrade, Emiya gladly whips up classic Japanese dishes that often win over even the most seasoned warrior.

Today's Menu for the Emiya Family, Volume 6

Collecting all of acclaimed cartoonist Jordan Crane's short stories (from self-published zines and anthologies such as Non and Uptight) and more for the first time, in a gorgeously designed package.

Goes Like This

Hachi & Maruru – Streuner halten zusammen! 1

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