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Considine J: Guides to Foreign Languages
for Women (1537–1699)

Guides to Foreign Languages for Women (1537–1699)

A Five-Century History of Our Modern Condition

I, Wandering Jew

The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop

Everything Is Now

and the Cultural Geography of Horror

Urban Legends

Even as the great siege began it was understood by both sides to be an epic - a potentially decisive encounter between an uneasy assortment of soldiers, native Maltese, adventurers and Knights Hospitaller on a strategically crucial but near waterless island and a vast, seemingly all-powerful Ottoman armada. With three quarters of the Mediterranean's coasts already in the hands of the Sultan and his allies, all eyes were now on Malta. This superb new account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While since mistakenly recast as a climactic battle between the West and the East, it was also much more interesting and nuanced than that - both sides had many other interests and priorities beyond Malta. Süleyman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia. Drawing on a wide range of eyewitness stories, Marcus Bull gives a vivid sense of the period's technologies, values and assumptions. It was a grim world built on the labour of many thousands of disposable galley-slaves, shockingly brutal forms of warfare and religious absolutism. But it was also a world filled with the most extraordinary new discoveries and ideas. Both these worlds come together in the siege and in this book.

The Great Siege of Malta

A Coursebook on Translation

In Other Words

Oxford World's Classics

The New Oxford Shakespeare

King Lear

Essays in Austrian Literature

Silent Catastrophes

Very Short Introductions

A Very Short Introduction

Thomas More

Florence, New Year's Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation. Letters fly back and forth carrying news of political plots and speculation about the killer's identity - between Maria and her aunt Catherine de' Medici, the queen of France; between Catherine and her scheming agents in Florence; and between Vasari and his friend Michelangelo. Meanwhile, the Pope is banning books and branding works of art immoral. And the truth, when it comes to light, is as shocking as the bold new artworks that have made Florence the red-hot centre of Europe. Bursting with characters and colour, Perspectives is a mystery like no other that shows us Renaissance Florence as we've never seen it before - a dazzling, hugely entertaining novel of court machinations, murder and art.

Guides to Foreign Languages for Women (1537–1699)

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