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George Frideric Handel

Collected Documents

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¼low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene - Balakirev, Glinka, Rimsky-Korsakov and others - much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner.  The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions. In addition, the articles provide fascinating glimpses into the composer's personality and an appreciation of his elegant literary style. The volume is not only of importance for elucidating a time when Russian musical life was developing rapidly, but also in extending an understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

Triumph and Tragedy at the Dawn of Mountaineering

The White Ladder

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

A definitive 'A to Z' biography of iconic rock legends Led Zeppelin.

A definitive 'A to Z' biography of iconic rock legends Led Zeppelin.

The A to Z of Led Zeppelin

Valhalla!

Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez's fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.

Music Lessons

Mindfulness for Musicians: Upbeat! is a guide to the theory and practice of mindfulness in the context of music performance.

Mindfulness for Musicians: Upbeat! is a guide to the theory and practice of mindfulness in the context of music performance. Including chapters on the importance of breath, emotions and the nervous system, this book features reflections and mindfulness practices throughout as opportunities for application. With full colour illustrations throughout and a series of audio recordings that allow readers to experience examples of mindful meditation, this book provides a unique guide to the mindfulness needs of musicians. Mindfulness for Musicians: Upbeat! is essential reading for musicians of all levels, including those learning in formal classroom settings as undergraduates.

Upbeat!

Mindfulness for Musicians

33 1/3 Oceania

A study of Eyeliner's Buy Now, a vaporwave homage to the kitsch electronic sounds of the 80s and 90s.

Brimming over with fake wind-chimes, dreamy synth pads, and hyperactive slap-bass, Eyeliner's Buy Now is an ebullient homage to the kitsch sounds of the 80s and 90s. Self-released in 2015 on Bandcamp and on cassette by US label Beer on the Rug, the album has come to be regarded as a vaporwave classic. The perfect product for an anxious, hyperreal world, Buy Now poses the question: what is the appeal of the "fake" and "uncool" sounds of the past?

 Born in 1983, New Zealand computer-musician Luke Rowell came of age as the digital revolution upturned the music industry and helped shape the outlook of the millennial generation. Buy Now epitomizes a new kind of album for our times: DIY, all-digital, free, licensed as Creative Commons, and belonging to a "virtual" genre, an internet-based scene without geographic center. Drawing on the album's production archive and interviews with Rowell, this book argues that Buy Now offers both musical pleasure and mental survival-training for an era when sincerity and irony can appear dangerously indistinguishable.

Michael Brown undertakes a thorough study of Eyeliner’s Buy Now, a vaporwave homage to the kitsch electronic sounds of the 80s and 90s.

Eyeliner's Buy Now

An Intimate History of Rough Trade

Document And Eyewitness

Black music has long played a dominant role in American music and has frequently been taken over and popularized by white musicians. This book presents an overview of this influence, as well as discussions of how white musicians, corporations, and entrepreneurs appropriated, adapted, and even stole this music. It addresses why and how this occurred throughout recent history and in a variety of musical idioms. Examples discussed include the convoluted history of the minstrel era, Black pop and rock artists, white blues, jazz, rhythm and blues, and hip-hop musicians. Further examination into American music then reveals how Black musicians rebelled against the white domination of swing music, and how African Americans have influenced classical music compositions and performance styles. The book highlights the prevalence and importance of Black music in virtually every American music style, the often-hidden or little-noticed interactions of Black and white musicians, and it answers questions about how the music business succeeded in monetizing Black musical styles to market this music to mass audiences.

A History of Black Musical Influence and Appropriation in the United States

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Voices from the War in Ukraine

Take My Grief Away

The Writer's Lot explores the working lives of eighteenth-century French authors-celebrities and unknowns-at a time when their example, if not often their ideas, changed the course of history. Taking the measure of "literary France" as a whole, Robert Darnton offers rare insight into the social ferment of the Age of Revolution.

Culture and Revolution in Eighteenth-Century France

The Writer's Lot

George Frideric Handel

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