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Fragments: Ian Hamilton Finlay

'Gayl Jones's work represents a watershed in American literature . . . her truth-telling, filled with beauty, tragedy, humour and incisiveness, is unmatched' Imani Perry Two epic poems brimming with intimacy, history and revolution, from the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodrigues Fowler on Palmares 'Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive' Deesha Philyaw on Palmares 'Jones's writing powerfully blends narrative and lyricism' Margo Jefferson

By the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'I want to stay here, Anninho.' 'There won't be any way you can stay here. When they catch us, they'll take you back.' 'The men they kill, the women they take back.'

Song for Almeyda and Song for Anninho

Chronicle of Drifting&nbsp;enacts a restless quest for belonging, interweaving dreamlike imagery and Japanese lyricism 
Yuki Tanaka’s stunning debut, Chronicle of Drifting, explores rootlessness, its beauty and perils. Tanaka’s restless imagination roams among places and personae—a village mermaid, a geisha in the Midwest, a flâneur in Tokyo—searching for a permanent self and a sense of community. In the feverish world of these poems, inspired by the Japanese tradition of tanka and haiku, as well as by timeless surrealism, one meets a light-lashed horse, an imaginary chauffeur, an out-of-business psychic, a girl who skewers a fish with a flower stalk. In poems ranging from lyric to prose, Tanaka creates a poignant dreamlike realm where the inner and outer worlds, the self and others, merge—like the train passenger who, looking out the window and seeing the sky through his reflection, feels “empty, a blue outline.”

Chronicle of Drifting

Spanning four decades of writing--and including never-before-seen poems--The Essential C.D. Wright carries the reverence and wisecracking lyricism of poems that reshaped American poetry. The Essential C.D. Wright, with a moving introduction by Forrest Gander, gathers rare selections from across her entire oeuvre--from the first book, Room Rented by a Single Woman (1978), through the final collection, Shall Cross, which was in production at the time of her unexpected death in 2016. It also presents readers with the very first look at a remarkable selection of works that have been entirely unpublished until now. Tracing a writing life that spans more than four decades, this collection illuminates works that remain empowered by an unrelenting independence, a reverence for mentors, and wry wisecracking lyricism. It is a powerful entry in Copper Canyon's revered Essential series, which has provided reader-friendly editions of some of contemporary poetry's most important voices. C.D. Wright introduced a contemporary audience to the promise and power of docupoetics, while pushing the musical boundaries of vernacular speech and reshaping American poetry. Formally restless and energetic, The Essential C.D. Wright stands as a staple in the larger poetic landscape.

The Essential C.D. Wright

Did you love Madeline Miller's Circe? Pat Barker's The Silence of the Girls? Jennifer Saint's Elektra? Natalie Haynes' A Thousand Ships? But did you ever wonder who the real women behind the myths of the Trojan War were? Now award-winning classicist and ancient historian Emily Hauser takes readers on an epic journey to uncover the astonishing true story of the real women behind ancient Greece's greatest legends - and the real heroes of those ancient epics, Homer's Iliad and Odyssey. Because, contrary to perceptions built up over three millennia, ancient history is not all about men - and it's not only men's stories that deserve to be told . . . In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world's greatest legends. Following in their footsteps, digging into the history behind Homer's epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women - queens, mothers, warriors, slaves - were, how they lived, and how history has (or has not - until now) remembered them. A riveting new history of the Bronze Age Aegean and a journey through Homer's epics charted entirely by women - from Helen of Troy, Briseis, Cassandra and Aphrodite to Circe, Athena, Hera, Calypso and Penelope - Mythica is a ground-breaking reassessment of the reality behind the often-mythologized women of Greece's greatest epics, and of the ancient world itself as we learn ever more about it.

The Untold History of the Real Women Behind Homer’s Myths

Mythica

The only constant in life is change. Climate is a journey in embracing change both internally and externally. It guides readers through all the weather they face. From heartbreak to the storms we create inside our brain, Climate reminds readers to embrace the sun, storm, and rain. Most importantly, it emphasizes the beauty, value, and consistency of change. Readers LOVE Whitney Hanson's poetry 'This book is everything I needed and more' 5* reader review 'A phenomenal writer and she portrays the truths of life so beautifully' 5* reader review 'This book did wonders for my mental health and heartbreak' 5* reader review 'I felt like she was talking about my own experiences' 5* reader review 'Best poet out there' 5* reader review 'I felt such an emotional connection to these poems' 5* reader review 'Gave me literal goosebumps' 5* reader review

poems to celebrate change

Climate

<div>Bending genre as a planetary body might bend spacetime, Bashir’s poems live as music and film, as memoir, observation, and critique, as movement across both cosmic and poetic fields.I Hope This Helps&nbsp;reflects on the excruciating metamorphosis of an artist, “a twinkle-textured disco-ball Jenga set” constrained and shaped by the limits of our reality: time, money, work, not to mention compounding global crises. Think of a river constrained by levees, a bonsai clipped and bent, a human body bursting through shapewear. Begging the question, what can it mean to thrive in the world as it is, Bashir says, “Rats thrive in sewers so / maybe I'm thriving.” In these moving, sometimes harrowing meditations, Bashir reveals her vulnerable inner life, how she has built herself brick by brick into an artist.</div>

I Hope This Helps

"A collection of poems by Traci Brimhall"--

Love Prodigal

Bloomsbury Studies in Philosophy and Poetry

In this original study, Rachel Coventry expands Heidegger's philosophy of art to include his ontological account of poetry and technology. Following Heidegger's definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age.
 
 This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger's metaphysics.

In this original study, Rachel Coventry expands Heidegger’s philosophy of art to include his ontological account of poetry and technology. Following Heidegger’s definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age.
 
 This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger’s metaphysics.

New Aesthetics and Technologies

Heidegger and Poetry in the Digital Age

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

Oliver Cromwell is one of the most significant figures in British history - and one of the most misinterpreted. 

In this major new biography, John Morrill argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought, which was in fact a product of his religious ideas. And in this, asserts Morrill, Cromwell was entirely sincere.

With new research and insight, this exploration of his life reveals a man who never doubted that he was doing God's will - which included murdering over 3,000 people, among them Catholic clergy, after the Siege of Drogheda, ordering the religious killed on sight, and signing Charles I's execution order. Morrill also looks at the long shadow Cromwell cast over Irish history, with policies that have been accused of verging on genocide. 

He sheds exciting new light on Cromwell, both political and religious, with analysis that is based on the latest scholarship of the highest quality, arguing against contemporary critics and claiming that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

The debut poetry collection by queer writer and spoken word artist Michael Mullen. Goonie is a paean of working class life, queer triumph and the sensual power of poetry.

The debut poetry collection by queer writer and spoken word artist Michael Mullen. Goonie is a paean of working class life, queer triumph and the sensual power of poetry.

Goonie

A Home Is A Nest

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei František Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären 
 anima vegetativa
 verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

Fragments: Ian Hamilton Finlay

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