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Fragments: Ian Hamilton Finlay

A history of Black poets in Washington, DC, reveals how they have reflected and transformed American cultural discourseWashington, DC, has long been home to a dynamic and vibrant African American literary community, despite often being overshadowed by the literary worlds of New York and Chicago. In No More Worlds to Conquer, the local poet Brian Gilmore uncovers the buried legacy of Black poets in Washington. He traces the literary life and politics of Black poets in the nation's capital since Paul Lawrence Dunbar, showing how well-known American poets, such as Sterling Brown and Jean Toomer, were mentored in DC by poets like May Miller and Georgia Douglas Johnson and making the case for the city as a center of American literature.Gilmore draws on meticulous research, personal interviews, and his own deep knowledge of the local literary community to connect generations of writers and document a poetic community that transcends Washington. He reveals the intricate intersections, networks, and influences that have shaped the city's poets and how they have influenced American poetry for a century.More than a historical account, No More Worlds to Conquer is a personal exploration that bridges the past and the present. Gilmore, who was born and raised in DC, illuminates this history and reflects on his own place in its literary tradition. This multigenerational account will resonate with poetry enthusiasts, local DC scholars, and anyone interested in the rich traditions of African American literature.

The Black Poet in Washington, DC

No More Worlds to Conquer

Blood Goddess

The Palgrave Encyclopedia of Early Modern Women's Writing

What are the conceptual correspondences and gaps between theories of nature, ecology, environment, and aesthetics? This volume addresses the ecological and aesthetic dimensions of human interaction with geographical, geological, botanical, zoological, astronomical, and climatic formations. Other than literary ecocriticism which led to heated debates, this book deals with the ecological turn in visual studies, a territory of research still in its infancy. Art history is thus engaging in the crucial exchange between ecological and aesthetic studies. The contributions adopt a historical as well as a transcultural perspective reaching from the earliest known human interaction with the natural environment to the present day.

Ecologies, Aesthetics, and Histories of Art

Collins Road Atlas

Folded Road Map

2027 Collins Road Map of Scotland

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

The Wickedest

Slags

The Jewel Hunters

gripping historical fiction about the search for lost crown jewels, from the author of The Fair Botanists

The Jewel Keepers

The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages

Studien aus dem Warburg-Haus

Die Auseinandersetzung mit Positionen des Skeptizismus wurde in der Kunstgeschichte bisher geführt, indem man Thesen aus der Philosophie auf die Ikonographie von Gemälden bezog. Forschung, die sich mit Skepsis beschäftigte, fragte danach, wie philosophische Texte ihren Niederschlag in Kunstwerken fanden. "Visuelle Skepsis" analysiert stattdessen, wie Bilder aufgrund der ihnen eigenen medialen Struktur zum Ort von performativen Prozessen werden können, die mit den dialogischen Strategien des Skeptizismus vergleichbar sind. Eine Hauptthese lautet, dass dabei Widersprüche und Negationen auftreten, die den Charakter einer medialen Selbstbefragung haben. Bilder können ihren eigenen Status als Erkenntnismedien problematisieren - zum einen ausstellen, zum anderen aber auch in Zweifel ziehen.

Wie Bilder zweifeln

Visuelle Skepsis

Poems

The Negroes Send Their Love

Fragments: Ian Hamilton Finlay

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