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Fragments: Ian Hamilton Finlay

Hatje Cantz Text

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the "real world" to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds's absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade's self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art¿and much of what establishes
it as a unique period of experimentation and possibility.

Charles Simonds and the Seventies

Poems

Birthstones in the Province of Mercy

An Insider's Account of a Tumultuous Decade in Scottish Politics

Keeping the Dream Alive

'Part of me knew what the hungry ghosts wanted all along, what they still want. It is not vengeance. No, they want something else, but we refuse to listen. They want us to face up to our broken obligations.'Every spring during the Qingming Festival, people return to their home villages in China to sweep the tombs of their ancestors, making offerings of food and incense to prevent them from becoming hungry ghosts that could cause misfortune. Yet for the past century, a time ruptured by war and revolution, many tombs have been left unattended. Following a record year of wildfires, Alice Mah returns to her family's rice village in South China, and discovers that her ancestors are almost forgotten, and there are no tombs left to sweep. Instead, there are incalculable clan debts to be paid. Here Mah chronicles her journey from the rice villages of South China to her home in post-industrial England, through the Chinatowns of Western Canada where she grew up, to the isles and industry of Scotland where she now lives. As years pass and fires rage on, she becomes increasingly troubled by her ancestors' neglected graves. Her research on pollution gives way to growing eco-anxiety, culminating in a crisis of spiritual belief. A haunting blend of memoir, cultural history and environmental exploration, Red Pockets confronts the hungry ghosts of our neglected ancestors, while searching for an acceptable offering. What do we owe to past and future generations? What do we owe to the places that we inhabit?

Fragments: Ian Hamilton Finlay

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