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Shteyngart G: Vera, Or Faith

Vera, Or Faith

In this riveting domestic thriller, a standalone sequel to Mothers’ Instinct, a recent divorcée and her two children befriend their new neighbors, only to realize there's something dangerously unsettling about the couple next door.After separating from her work-obsessed husband, Nora Depardieu is ready for a fresh start. With her vivacious teenage daughter and eight-year-old son in tow, she moves into half of a cozy two-family house in a tranquil suburb and goes to work as a teacher’s aide.Being a working single mother is a challenge, and Nora is grateful when her new next-door neighbor, Tiphaine Geniot, offers to watch the kids. The arrangement thrills Nora’s daughter, who has begun a mutual flirtation with Tiphaine’s fifteen-year-old son, Milo.But Nora doesn’t know that the Geniots are a disturbed couple whose lives were destroyed by a devastating loss. She also doesn’t know a tragic secret about Milo that is also connected to her new house.As the truth of the past come to light, what Nora doesn’t know could kill her. . . .Translated from the French by Natasha Lehrer

A Novel

After the End

'Of course I'm starting my screenplay. I'm just going to Hoover the stairs first.'If you are at all interested in the nuts and bolts of story-telling and the curious workings of the entertainment industry, then this is the most informative, inspiring and funniest book on writing you will ever read, by someone who's been nominated for every showbiz award going (and then lost them all).Covering four decades in an ever-changing industry, John O'Farrell shares his writing journey from unsolicited radio sketches to huge Broadway musicals, crafting stories that have made people laugh, cry or sneak out to the pub in the interval. Here he reveals the inside secrets of every genre from sketches to sitcoms, novels to screenplays - as John kept swapping industries just before they noticed the missing Post-It Notes.Maybe If I Changed The Font? is packed with invaluable advice on structure, character, theme as well as guidance on how to get your work read by professionals and produced to great acclaim from millions - or maybe just several members of your family - you never know which way it's going to go. But you must read this book before you start - it's the perfect avoidance.'The most honest book about writing I have ever read' William Shakespeare

Some Things I Learned Writing Every Genre Except Poetry and Panto

Maybe If I Changed The Font?

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

'Very little makes me laugh. I would say the one exception is anything by David Sedaris' GRAHAM NORTON'Sedaris is the God of the comic essay... Sedaris' only rule: be funny or perish' LENA DUNHAM In The Land and Its People, David Sedaris investigates what it means to be a traveller, a brother, a lifelong friend. Trying on the role of carer after his boyfriend Hugh's hip-replacement surgery, he both succeeds and fails. He covers ground with his friend Dawn and challenges her to eat a truck tire. An ambivalent Duolingo bot becomes his unlikely confidante as he attempts to describe his family in a foreign language. Ever adding to his list of 'Countries I Have Been To,' he rides a horse named Tequila in Guatemala, buys a bespoke priest's cassock in Vatican City, and goes on safari in Kenya without taking a single photo. Time takes its toll: Scrolling through his address book, he counts those he couldn't bear to outline and realizes how many are already gone. He is bitten by a dog and insulted by a wee train passenger. A woman on the street late at night either sexually harasses him or doesn't. It's easy to agree with the lady waving a sign that reads, 'Enough is Enough.' And yet, life holds much to delight in: the massive testicles of a ram, a trip abroad with his sisters, a really excellent reptile video, a pair of well-made cotton underpants.Throughout these essays - at once acerbic and tender, playful and profound - Sedaris shows how much there is to marvel at when you keep your head up and your eyes open, observing with warmth and curiosity our fascinating human species and the lands we inhabit.'Sedaris is the premier observer of our world and its weirdness' ADAM KAY 'Wonderful' IAN McKELLEN 'Unquestionably the king of comic writing' HADLEY FREEMAN 'The funniest writer alive today' JONATHAN ROSS

The Land and its People

Picador

Another Man in the Street

Crypto crises examines how the cryptocurrency industry has become a powerful force in global capitalism. Far from the promise of decentralisation, it reveals how crypto is deepening social inequality, fuelling environmental destruction, and reshaping political power. Drawing on extensive research and vivid examples, the book traces the rise of a new class of "crypto-capitalists" - from billionaire investors and mining conglomerates to populist politicians - who are embedding digital assets at the heart of finance and governance. It exposes the hidden networks of influence linking crypto to Wall Street, Big Tech, and the Global South, where exploitation is reframed as innovation. Provocative and timely, the book offers a critical account of how cryptocurrency's dream of liberation became one of the defining engines of twenty-first-century capitalism.

How digital currencies accelerate global instability

Crypto crises

'Shane is the Indiana Jones of the running world' - Damian Hall, ultra marathon runner Rejuvenate your mindset and unlock your running potential In The Lost Art of Running, Shane Benzie discovered how reconnecting with the human body can revolutionise our running and how we live our lives. Moving his focus from our 'hardware' to our 'software', he now embarks on a journey to illuminate the secrets of the human mind. Shane once again travels the globe in search of answers, discovering the minds and techniques of individuals who push the extreme limits of human performance. He meets big wave surfers and free solo climbers, observes ultra-runners crossing the mountain ranges of Kyrgyzstan, seeks wisdoms from Buddhist monks in Myanmar and even swims with orcas in the freezing depths of the Norwegian fjords. Along the way, he will introduce you to powerful tools - like body and mind mapping - that will transform the way you approach your training, bring your running into sharper focus and ensure that the best coach for your mind and body is none other than you. Part narrative, part coaching session (and always full-time adventure), Shane dives deep into the inner workings of the human mind. He shows how we can rediscover our lost ability to learn, rejuvenate our running, take ownership of our movement and, ultimately, reach our own limitless potential.

Discover the Mindset to Limitless Performance

Running Enlightenment

An illuminating new life of the peerless thinker, artist and author of Ways of Seeing Tom Overton got to know John Berger around 2010, after he gave his archive to the British Library: a kind of homecoming to the city of his birth, after a life lived mostly in self-imposed exile in Switzerland and France. Curious about the origin of a piece of writing or art, Tom would scan something in and email it. Then there'd come a call, very early, very late. 'Hello? Is that Tom? This is John. John Berger. Can I tell you a story?' Tom realised he was bringing this archive back into John's life, peering together through holes in time, remembering things he couldn't himself. And then, at the beginning of 2017, John died.In this extraordinary new book, Overton explores the life and work of one of the great cultural figures of the last century, who came of age in a world threatened by nuclear apocalypse, and grew old in a world dominated by the idea that human life should be ordered with the logic of profit, always looking forward, never back. Berger's work reimagined the relationship between art and technology; charted the disappearance of peasants from the world and documented migrant labour; explored with huge compassion the AIDS crisis; was trenchantly opposed to the new world order that emerged in the 1990s and the War on Terror and passionately committed to the Palestinian cause. There were so many different subjects to his work; so many precisely chosen forms. Cutting through the reverence that can build around any writer of his scope of achievement and drawing on both personal memory and a vast and previously unseen trove of material, Overton comes face to face with John Berger, showing the continued importance of a figure, whose work focused on the creating and recreating of communities past and present. For at the centre of this book, above all, is the idea that John Berger wants our company, and we need his.

Vera, Or Faith

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