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'A masterpiece' from the winner of The 2023 Folio Prize

Kretser M: Theory & Practice

Theory & Practice

After years spent outrunning her past, Cecília reexamines the case of a close family friend killed by a colleague and rival: her father. In 1988, shortly after Brazil reestablishes democratic rule, a state congressman is shot and killed in Porto Alegre. The main suspect: a close friend and colleague in congress, Representative Raul Matzenbacher. Many years later, Cecília Matzenbacher, his daughter, migrates from Southern Brazil to California, where she finds work as a taxidermist. Her temperament is ideally suited to this type of restoration and the careful reconstruction of a world frozen in time. But as Cecília confronts her own history and the memories of the investigation surrounding her father, her knack for composition frays. When news arrives that Raul has suffered a stroke and Cecília's chances to see him again may be limited, her past can no longer stay put, posed like a specimen behind glass. Her story emerges, the past stalking her present, threatening to derail the life she's made for herself in the United States. In sleek, arresting prose imbued with the suspense-filled edge of a true-crime thriller, Diorama cements Carol Bensimon's status as one of the most dynamic voices in contemporary Brazilian literature and demonstrates her narrative gifts at their apex. Fusing police procedural, coming-of-age story, and family drama, Diorama is a moving mystery about what and how we remember, a novel that endangers our notions of what is or isn't still alive inside all of us.

Diorama

'Of course I'm starting my screenplay. I'm just going to Hoover the stairs first.'If you are at all interested in the nuts and bolts of story-telling and the curious workings of the entertainment industry, then this is the most informative, inspiring and funniest book on writing you will ever read, by someone who's been nominated for every showbiz award going (and then lost them all).Covering four decades in an ever-changing industry, John O'Farrell shares his writing journey from unsolicited radio sketches to huge Broadway musicals, crafting stories that have made people laugh, cry or sneak out to the pub in the interval. Here he reveals the inside secrets of every genre from sketches to sitcoms, novels to screenplays - as John kept swapping industries just before they noticed the missing Post-It Notes.Maybe If I Changed The Font? is packed with invaluable advice on structure, character, theme as well as guidance on how to get your work read by professionals and produced to great acclaim from millions - or maybe just several members of your family - you never know which way it's going to go. But you must read this book before you start - it's the perfect avoidance.'The most honest book about writing I have ever read' William Shakespeare

Some Things I Learned Writing Every Genre Except Poetry and Panto

Maybe If I Changed The Font?

INTERNATIONAL BESTSELLER. Finalist for the 2026 Barnes &amp; Noble Discover Prize. A New York Times Book Review Editors' Choice. Dua Lipa's Service95 Book Club Pick for August 2026. Longlisted for the Center for Fiction First Novel Prize. "Extremely smart, impossibly funny, and just plain fun to read-this book hums with a brilliant, lunatic energy all its own. I finished it in a day." -Caro Claire Burke, #1 New York Times bestselling author of Yesteryear "Laugh-out-loud funny and unexpectedly moving. Lost Lambs is both a blistering satire of our present moment and a compassionate portrait of a family trying to stay human in Musk's America." -Paul Murray, bestselling author of The Bee Sting "Madeline Cash is a voice like no other." -Lena Dunham Rippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic orbits: Abigail, the eldest, is dating a man in his twenties nicknamed War Crimes Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone-or something-is monitoring the town's citizens. Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container exposes a criminal conspiracy that unwittingly endangers her family-a crisis that just may bring them closer together. Irreverent and addictive, pinging between the voices of the Flynns and the characters around them, Madeline Cash's Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. In it, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.

A Novel

Lost Lambs

"Say Yes to the Dress meets Rosemary's Baby" (Margie Sarsfield) in this fresh, darkly funny horror novel in which a woman finally agrees to marry the man of her mother’s dreams. . . only to discover that wedding planning will eat you alive.&nbsp; If Ophelia Cohen learned one thing from her parents, it’s that getting married is a bad idea.&nbsp;But if she’s learning anything from her widowed mother’s dementia, it’s that dying alone is worse. So when she meets Luke—the man of her mother’s dreams—marriage suddenly doesn’t seem so crazy. But none of Ophelia’s obsessive scrolling on wedding forums can prepare her for the nightmare of planning her own. Why is her mother-in-law going crazy over every detail? Why is Luke’s family so eager to host the wedding in their vineyard’s ancient chapel? And what exactly will Ophelia have to sacrifice if she and her mother both hope to survive her special day? Shot through with wicked humor, pitch-black horror, and unexpected romance,&nbsp;Until Death&nbsp;is a deliciously dark and funny send-up of the wedding industrial complex—and a mother-daughter story unlike any you’ve read before. "Recognizes the Gothic horror inherent to planning a wedding and creates from it a painfully incisive and genuinely haunting fever dream.” —Kay Chronister, author of The Bog Wife&nbsp; “Completely unique, deeply unnerving, and deviously funny.” —Samantha Allen, author of Patricia Wants to Cuddle “Grabbed me like a creeping vine and wouldn't let go." —Kerry Cullen, author of House of Beth “Glistens with humor and horror. An electrifying and affecting debut.” —Samantha Hunt, author of The Seas

Until Death

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Is This a Cry for Help?

Mathilde ist jung, schön, voller Träume - und entschlossen, in den sechziger Jahren ein anderes Leben zu führen. Zusammen mit vier Studenten gründet sie in Hamburg eine WG, in der Besitz, Treue und Familie abgeschafft gehören. Freie Liebe, Kunst und Revolution sollen das alte Denken vertreiben. 1967 wird Johanna geboren - das "Gemeinschaftskind" einer Generation, die glaubte, die Welt neu zu erfinden.
Fünfzig Jahre später fragt sich Johanna, was von all den Idealen geblieben ist. Sie sieht ihre Mutter altern, die Männer verschwinden, die Träume verfliegen - und spürt, wie schwer es ist, das eigene Leben zu begreifen.
Carin Abicht erzählt mit Witz, Zärtlichkeit und präziser Ironie vom Glanz und Scheitern einer Zeit, in der alles möglich schien - und von den Töchtern, die mit den Träumen ihrer Eltern weiterleben müssen.

Ich bin ein Glanz

The runaway New York Times bestselling Today Show Read With Jenna Book Club Pick, with more than 1.5 million copies sold, about an unexpected wedding guest and the surprising people who help her start anew. Named a Best Book of the Year by The Guardian, Time, Chicago Tribune, Elle, Real Simple, and Glamour It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she's actually the only guest at the Cornwall who isn't here for the big event. Phoebe is here because she's dreamed of coming for years-she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him, at rock bottom, and determined to have one last decadent splurge on herself. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan-which makes it that much more surprising when the two women can't stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach's The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined-and the chance encounters it sometimes takes to reroute us.

The Wedding People

35 Jahre DDR treffen auf 35 Jahre "Westen": Mit 112 DM, einem Leitzordner und großen Erwartungen startet Bollfeger 1987 ins Abenteuer jenseits des Eisernen Vorhangs - und muss viele Vorurteile überraschend korrigieren.

Eine deutsch-deutsche Fluchtkoffervisite

Johannes Bollfeger nimmt sich das Leben (und noch ein bisschen mehr)

Ariadne Literaturbibliothek

Bei Doris Gercke, Grande Dame des politischen Kriminalromans, waren Fiktion und Realität eng miteinander verschlungen. Die Arbeit an Texten hat sie so sehr geliebt wie das Lesen und hätte gern noch mehr geschrieben, wir gern mehr verlegt, doch zuletzt fehlte ihr die Zeit. Ihre verbliebenen paar Texte gab sie uns kurz vor dem Tod: ein Hefter, teils handschriftlich, betitelt mit den Worten Von den Bewohnern der Städte. Es sind kurze Szenen, einige Prosagedichte, auch drei Geschichten dabei. Ihr finsterer Realismus, nüchtern und unbotmäßig, nie humor- oder zahnlos, schimmert in allen Formen durch, der vertraute, entschiedene Ton hallt nach.

Von den Bewohnern der Städte

"There's a long drive. It's gonna be. I believe. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant." —Russ Hodges, October 3, 1951 On the 75th anniversary of "The Shot Heard Round the World," Don DeLillo reassembles in fiction the larger-than-life characters who on October 3, 1951, witnessed Bobby Thomson's pennant-winning home run in the bottom of the ninth inning. Jackie Gleason is razzing Toots Shor in Leo Durocher's box seats; J. Edgar Hoover, basking in Sinatra's celebrity, is about to be told that the Russians have tested an atomic bomb; and Russ Hodges, raw-throated and excitable, announces the game—the Giants and the Dodgers at the Polo Grounds in New York. DeLillo's transcendent account of one of the iconic events of the twentieth century is a masterpiece of American sportswriting.

The Prologue to Underworld

Pafko at the Wall

On the Calculation of Volume

We're a little more than halfway through Balle's hypnotic, monumental seven-volume novel about a woman set adrift within the walls of November 18th. Balle's riveting project continues to wring ever more fascinating dimensions from time and its hapless, mortal captives. In Book III we saw the addition of a handful of new characters to Tara's world-fellow travelers within November 18th-and now Book IV heralds the arrival of many others, and soon to be even more, roaming uncertainly through the same November day. Could this be the first stirrings of an alternate civilization? The big house in Bremen turns into the headquarters for this growing group of time-trapped individuals. But who are they and what has happened to them? Are they loopers, repeaters, or returners? A brilliant modern spin on the myth of Babel in the Book of Genesis, Book IV asks urgent questions, concerning the naming of things, of people, and of the functions of language itself-must a social movement have a common language in order to exist? Snatches of conversation, argument, and late-night chatter crowd onto the pages of Tara's notebooks. Amid the buzz and excitement of a new social order coming into being, Book IV ends with a sudden, unexpected, and tantalizing cliffhanger that no one-not even Tara, our steady cataloger and cartographer of the endless November day-could have foreseen.

On the Calculation of Volume (Book IV)

"An astounding achievement." --Megha Majumdar, bestselling author of A Burning "Her best book yet." --Paul Yoon, award-winning author of Run Me to Earth From the bestselling author of Mary Coin comes a rich family saga set in midcentury America centered on two fierce and competitive matriarchs whose intertwined lives reflect the complexities of family, tradition, and personal ambition, told with "Silver's signature combination of toughness and grace" (Laird Hunt, bestselling author of Zorrie).Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning, and unwavering in their conflicting beliefs about marriage, responsibility, and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. Weaving together the lives of Helene and Evelyn--from their vastly different childhoods through the pivotal events that define them--At Last paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Both intimate and expansive while capturing the complexities of ambition and love with humor and insight, At Last is a testament to what happens when an unintended, even unwanted relationship turns out to be a central one that defines a life.

At Last

Theory & Practice

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