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Solomon Rosalind Fox: Them

Them

In a new body of work, a critically acclaimed photographer retraces Berenice Abbott's 1954 photographic journey along the Eastern Seaboard, documenting dislocation, loss, and a shifting American dream. In 1954, American photographer Berenice Abbott set out to document the historic US Route 1, already predicting seismic changes to small towns and major cities along the route brought by the rapidly expanding Interstate Highway System. Spanning all thirteen original colonies and beyond--from Fort Kent, Maine, to Key West, Florida--US Route 1 formed over the course of three hundred years from connecting sections of what was once known as the Atlantic Highway. Inspired by Abbott's acute and poetic observations on life along Route 1 and on the seventieth anniversary of her project, Florida-based photographer Anastasia Samoylova ventures on her own journey to revisit those communities forever transformed by the interstate. Working in color and black and white, Samoylova provides a closer look at the American landscape irreversibly altered by the unrelenting expansion of industry, commerce, and development, as well as the displacement and tenacity of people and wildlife.Copublished by Aperture and Norton Museum of Art.

Anastasia Samoylova: Atlantic Coast, Photographs along Route 1

The first monograph to present Roger Ballen's work in colour: a visual revelation that remains grounded in the chaotic, absurd psychological space of the Ballenesque. Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening up to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and Art Brut-like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts. The new colour images in Spirits and Spaces, created in conjunction with Ballen's artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy and tragedy apparently exist side by side. Both a visual revelation and an artistic evolution by one of contemporary photography's most unique voices, Spirits and Spaces is an essential and much anticipated photobook for all Roger Ballen fans.

Roger Ballen – Spirits and Spaces

A comprehensive survey of a prolific photographer who fearlessly charts the dreams and dystopias of Mexico today. Ground Rules is the first comprehensive, fully bilingual survey charting the career of the prolific photographer Alejandro Cartagena, author of the celebrated photobooks Carpoolers and A Small Guide to Homeownership. Cartagena is known for his formally engaging and socially incisive images that span the politics of the US-Mexico border, suburban sprawl, and the increasing wealth disparities in North America--and his prodigious output is unified by a commitment to addressing Mexico's most pressing social and environmental issues. In Ground Rules, Cartagena deploys a diverse array of photographic formats, from documentary and collage to the appropriation of vernacular photographs and AI-generated imagery. His work amounts to an urgent statement full of humor and pathos about the mechanisms of power across nations and cultures and the network of images that shape our perception of the world today.

Alejandro Cartagena: Ground Rules

Graphis Journal Magazine

The Graphis Journal issue #383 is packed with top-tier creative talent that's changing the game across design, advertising, photography, and beyond. These aren't just names-they're industry disruptors and trailblazers who push boundaries and redefine what's possible in visual communication. This Journal is more than just a magazine-it's a masterclass in creativity, with insights from award-winning talents who are shaping the future of design and advertising. Why These Talents Matter:- David Carson (USA): Known for his groundbreaking work with Ray Gun magazine, David is the rebel of graphic design and one of today's biggest influencers in the industry today. His rule-breaking approach has led him to work with some of the biggest brands, including The Macallan, Nike, Stussy, a Dubai skatepark, and more, proving that pushing creative boundaries leads to success. &nbsp;&nbsp;- Ron Taft (USA): His design philosophy goes beyond visuals-it makes people feel something. Ron's work, including his recent ad campaigns, proves that great design isn't just seen; it's experienced. - Goodby, Silverstein &amp; Partners (USA): The legendary advertising firm behind iconic campaigns like "Got Milk?" These guys continue to raise the bar in creative storytelling and are revered across the industry for their ability to balance humor and impact. - Colin Douglas Gray (USA) and Lindsay Siu (CA): These photographers are capturing the essence of their subjects in a way that moves the viewer. Colin's work has been seen everywhere, from the New York Comic Con to high-end editorial shoots, while Lindsay brings a unique, multicultural perspective to her advertising and portrait photography. - SEAN &amp; EVE (UK/CA): This dynamic duo blends typography, illustration, and CGI like nobody else. Their ability to bridge digital and analog techniques sets them apart as true innovators in the field. - Simon Johnston (USA): A respected designer and professor at the ArtCenter College of Design, Simon isn't just creating beautiful work-he's shaping the next generation of design thinkers. His work combines intellectual depth with visual beauty, making him a leader both in and outside the classroom. Why Your Clients Will Love It:This Journal offers more than just stunning visuals. It's packed with in-depth exclusive Q&amp;As, where these creative icons share their stories, processes, and what drives them to succeed. It's a chance for customers to learn from the best-whether they're creatives themselves or simply appreciate the artistry behind award-winning work. Make It Relatable:Your clients who cater to creative minds are constantly seeking inspiration and insight into what's working in today's competitive market. The Graphis Journal issue #383 delivers exactly that-exclusive access to the thoughts and methods of today's industry leaders who are driving the biggest trends and innovations. It's not just a resource, it's a competitive advantage. What's In It for You:When you sell The Graphis Journal issue #383, you're not just selling a quarterly magazine-you're sharing insights that can only come from the world's top creative minds. Key Selling Points to Drive Home:- Exclusive interviews with today's industry leaders who shape global trends. - Stunning, full-page visuals of award-winning work. - Insights that can fuel the creative process. &nbsp;&nbsp;Get your clients excited about The Graphis Journal issue #383-because if they're serious about creativity, this is the ultimate resource they can't afford to miss!

Graphis Journal Magazine 383

Tokyo After Dark&nbsp;documents photographer Eren Sarigul's decades-long love affair with Japan's capital city and its vibrant culture at night. Eren's love for photography sprung to life following a 2014 trip to Japan. Since that first 2014 trip, Eren has traveled to Japan from his native London every year, capturing the people, sites, and feelings that make Tokyo such a magical city. Eren's upbringing as a Londoner from an ethnic background who grew up in a working-class south London council estate exposed him to a myriad of different cultures. Despite feeling like an outsider, he was accepted into the melting pot that is London, and this feeling of being "outside" drove him to think outside the box and beyond the norms. Eren brings this desire and drive to his photography, capturing the feeling of being an outsider looking in through his images of people and places around Tokyo.&nbsp;Eren's long-standing appreciation of Japan's geography, its cultures, and its people are evident on every page.

Across Tokyo

Fifty years after first publication, one of the most important photobooks of the 20th century returns, offering an intimate glimpse into the daily lives of the Roma community in the 1960s and 1970s. Josef Koudelka's Gypsies remains one of his best-known series, offering a unique survey of the lives of the Roma community across then-Czechoslovakia, Romania, Hungary, France and Spain between 1962 and 1971. Originally published in 1975, five years after Koudelka left Prague following the Soviet Union's invasion, Gypsies is a classic of documentary photography. Now returning in its original, hardback format, this timely new edition is as much a pioneering photoessay as it is a lesson in book making. Carrying only his equipment, a rucksack and sleeping bag, Koudelka journeyed between different village and encampments. His nomadic existence, defined by a sense of displacement, allowed him to gain the trust of the Roma communities he encountered. The resulting series eschews the often-derogatory depictions of the community to instead provide unparalleled insight into their world, shining a light on their traditions, struggles and routines. The Roma in these images were photographed mostly in a state that no longer exists, ruled by a regime that dissolved in 1989. With such few historical depictions, Gypsies is not only a testament to the beauty of photography, but a vital historical document of a community often relegated to the shadows. Arriving at a moment of contemporary unrest and social marginalization, Gypsies is a poignant reminder of the often bleak reality of the disenfranchised, and the power of photography to bear witness.

Gypsies

Tyler Mitchell: Wish This Was Real

Above and Across Philadelphia

"Art has poisoned our life", proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

Unmoored from any sense of definite place, Di Giovanni's landscapes reveal a universal tension between landscape and civilizationFrom 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni's landscapes seem intimate and mythic, while the still lifes are vast and open--interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."

Matteo Di Giovanni: True Places Never Are

Immerse yourself in the thrilling life of 007. Darker than the Sun is an atlas of the countless exotic locations Bond visits.

The Bond Movie Atlas

Darker than the Sun

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Them

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