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Matteo Di Giovanni: True Places Never
Are

Matteo Di Giovanni: True Places Never Are

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

"A richly illustrated history of the glittering world of queer artistic life in the 1920s and '30sIn Queer Modernism, Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized.In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the Gallery of Extraordinary Portraits, an installation of photos of his favorite celebrities-Black and white, clothed and nude. For his Carnival of Venice, he took portraits of more than a hundred friends-including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings-posed in front of a backdrop of Saint Mark's Square.Like a character from a story by F. Scott Fitzgerald, Ewing joined the party and then died tragically, unable to accept the end of his era or the lost dream of a new way of living. His story sheds new light on modernism and an artistic milieu that was ahead of its time"--

Max Ewing's Jazz Age New York

Queer Moderns

An extremely rare and intimate look into the extraordinary life and death of legendary A$AP Mob founder A$AP Yams and the internationally acclaimed music and art collective that includes luminaries A$AP Rocky and A$AP Ferg. Never before has the history been told in words and pictures. As Forbes once said, “Hanging with ASAP Mob…is unlike any other experience in music.” This is the experience. A$AP Yams is one of the most influential figures in hip hop history. From his high school-aged A&amp;R work with Jim Jones' legendary Diplomats Records, to his pioneering role at the then-nascent intersection between hip hop and the internet with his #RNT Tumblr account, to the revolutionary geographically-agnostic sound of his early production for the A$AP Mob, Yams (née Steven Rodriguez) irrevocably changed the cultural and musical landscape for generations to come. Featuring hundreds of little and never-before-seen exclusive photographs, A$AP Yams: Making of a Mob explores the founding and history of one of the most iconic collectives of this young century. Produced in concert with the A$AP Foundation charity, all royalties will be donated to the Foundation's mandate of community outreach, food security, and drug education for the youth of New York City.

Making of a Mob

A$AP Yams

The History of How Western States Came to Be
Since its founding in 1974, Western States has been predicated on the notion that in the beginning at the first sunrise, as the run begins at 5 a.m., there must always be hope that 100 miles was within a runner's grasp. And then, with the start of a second sunrise, there had to be continued determination to search out where the finish still might lie. Even if the clock ran out, the second sunrise would not fail you. The hope of a second sunrise would always be enough to get you to the finish.
This project has been a dream for Ponderosa Pine Design founder Vicky Vaughn Shea for years. Determined to make this book a reality she enlisted 11-time Western States finisher and ultra-running writer John Trent to bring the story to life. Together they crafted a beautiful coffee table book that showcases the rich history of the Western States trail and the runners who keep its traditions alive. This coffee table book details: 
<li>10 x 9.5" hardcover book
</li><li>192 full color pages printed on high quality, heavyweight paper
</li><li>175+ photographs depicting the history of the race
</li><li>End sheets that include the names of every Western States Endurance Run finisher throughout its history through 2022
Second Sunrise is perfect for:
</li><li>Gift givers shopping for runners and trail lovers
</li><li>Fans of What I Talk About When I Talk About Running by Haruki Murakami and Thirst: 2600 Miles to Home by Heather "Anish" Anderson
</li><li>People who enjoy collecting history and beautiful photographic coffee table books
</li>

Five Decades of History at the Western States Endurance Run

Second Sunrise

A personal and intimate perspective on one of Canada's most prominent 20th century multidisciplinary artists, who was once described as "abstraction’s poet-philosopher." Charles Gagnon (1934–2003) was a painter, photographer and filmmaker considered by many to be an important figure in Quebec and Canadian art in the 20th century. His early career emerged alongside the American Abstract Expressionists and his growing multidisciplinary practice broke away from the singularity of painting shared by his Montreal contemporaries of the Automatistes and the Plasticiens. The complexity and depth of his work as a painter, photographer, and filmmaker was distinguished by a probing, introspective quality. His paintings were simultaneously rigid and free-flowing, with self-imposed rules and structure contrasted by rich fracture and gestural brush work. Across all disciplines he played with multiple levels of perception, and many works evoke the liminal space of the threshold, or multi-plane spaces. In Charles Gagnon: The Colour of Time, the Sound of Space, this long-standing multidisciplinary work is brought into full view with texts that explore Gagnon’s various practices, from painting to photography to film. An English-language essay by art historian and curator Roald Nasgaard chronicles Gagnon’s artistic evolution from his early years in New York in the 1950s to his final productive years in the late 1990s in Quebec, and situates him within an expanded international historical context of artists, artworks, and art movements. Filmmaker and professor Olivier Asselin’s French-language essay engages Gagnon’s use of different media, including the role of sound and music in his artworks. Michiko Yajima Gagnon, the wife of the late artist, gives insight into the inseparability of everyday life and Charles’s creative undertakings: his friendships with other artists (Tōru Takemitsu, Lee Friedlander), travel (to New York, Japan, and, particularly, the American Southwest), and the relationship between the landscapes surrounding his studios and his artwork. Featuring more than 250 art reproductions and archival images, Charles Gagnon is an intimate portrait of an artist and the celebration of a life’s work.

The Colour of Time, the Sound of Space

Charles Gagnon

Unsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.

Unsupervised

In association with an international touring exhibition and coinciding with what would have been Bob Marley's eightieth birthday, Dennis Morris marks the first full-career retrospective for this groundbreaking photographer.

Music + Life

Dennis Morris

The vibrant capital of South Korea, Seoul is a city of contrasts, a unique blend of tradition and modernity, with futuristic skyscrapers blending with traditional, ancient architecture. But at night is when the city really shines. As the sun sets, the city transforms into a dazzling metropolis. The skyline lights up and the bustling streets come alive with bright neon lights, street food vendors, and late night shoppers.&nbsp;Photographer Bal Bhatla - better known online as Mr Whisper - has been traveling to Seoul for years, capturing the photographs in Seoul After Dark, armed only with his camera and a keen eye for detail. A specialist in low-light photography, Bhatla captures the everyday moments of Seoul in a unique and compelling way, showing the city's residents, adventurous and carefree, chasing the night.&nbsp;Whether you're a lover of photography, a fan of Seoul, or simply someone who appreciates the beauty of everyday moments, Seoul After Dark will leave you with a newfound appreciation for your city after dark.

Seoul After Dark

James Florio's exquisite black-and-white photography of sixteen important sculptural projects by Patrick Dougherty across the US. One of today’s most admired living sculptors, Patrick Dougherty composes with nature—wielding saplings and sticks to build monumental structures that echo, play, and tussle with&nbsp;the land.&nbsp;James Florio is a Montana-based photographer focused on the built environment&nbsp;and the life surrounding it. He works slowly, visiting a place repeatedly to gain a greater&nbsp;understanding of it, to ultimately deliver a thoughtful and profound interpretation. This project was inspired by Dougherty’s and Florio’s connection&nbsp;to Tippet Rise Art Center in Fishtail, Montana, where Dougherty has crafted sculptures&nbsp;from local willows, and where Florio has photographed the art and wild lands over&nbsp;many years. Dougherty’s first commission at Tippet Rise, Daydreams, was completed in 2015. He&nbsp;subsequently returned to the art center in 2022 to make a companion piece for this work.&nbsp;At the heart of both pieces is a nineteenth-century schoolhouse reproduction. The new&nbsp;work, Cursive Takes a Holiday (2022), adds an installation of intertwining branches to the&nbsp;outside of the schoolhouse, creating a series of circular spaces that visitors can step inside.&nbsp;Daydreams features woven branches that connect the indoors to the outdoors. In addition to thoughtful photographs, this book features information about the commission, creation, installation, and community&nbsp;engagement of Dougherty's work, along with essays about his practice, influence, and legacy.

Patrick Dougherty | James Florio: Sticks

Late Antiquity marked one of the most significant transitions in European history-one that saw the rise of Christianity and the transformation of the classical Mediterranean world of ancient Rome. The richness of its art and the wealth of its archaeological remains have increasingly been recognised in recent decades and new discoveries and ongoing research are currently altering the ways in which we perceive the period. These two volumes provide a wide-ranging guide to the art and archaeology of the period 300-700 CE. Key monuments and artifact-types are discussed and placed in their historical contexts, but significant attention is also paid to the main cities, regions and peoples playing a prominent role in the history of the period as well as to some key issues and debates in its study. The chapters are written by leading experts and will be invaluable for any student or scholar interested in the period.

The Cambridge Encyclopaedia of Late Antique Art and Archaeology: Volume 1, Architecture, Artifacts and Evidence

"A collection of poems by Stephen Kuusisto"--

Close Escapes

Riding the Rails to the End of the Line

Final Destination

Matteo Di Giovanni: True Places Never Are

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