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Sattouf R: The End of the Arab of the
Future

The End of the Arab of the Future

A Youth in the Middle East Vol. 1

NATIONAL BESTSELLER • In this gorgeous debut graphic novel, a teenage girl tries to fall back in love with figure skating without falling for her competition. Lydia Chen knows how good she is on the ice. Technically perfect, she’s been the one to beat since her debut years ago. Except now, something is missing in her performances—a spark that’s been gone for a while. Between the constant training, appealing to sponsors to fund her, and the pressure to perform, Lydia’s passion for skating has disappeared. &nbsp; When her rival Elaine Yee starts training at the same rink, Lydia’s struck by the emotion in Elaine’s routines and unwillingly finds herself getting closer to her as they compete for a spot in the Olympics.&nbsp; As the tension between them comes to a head, Lydia’s about to find out how a competitor can become an ally and figure out how to feel alive on the ice again in this tender, compelling, and beautifully illustrated debut graphic novel.

Just Between Us: A Graphic Novel

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

For more than two decades, Marwan Barghouti has been held in an Israeli prison cell, much of that time in total isolation. Yet his voice has never been forgotten.Described by the Economist as 'the world's most important prisoner' and often referred to as Palestine's Mandela, Barghouti remains the most widely supported Palestinian political leader. As a long-standing advocate of peace grounded in justice and equality, he has become an enduring symbol of unity and hope - even from behind bars.Unbroken brings together, for the first time, a powerful and intimate portrait of Barghouti's life and struggle for a free Palestine: private letters to his family, personal writings, correspondence with global public figures, press interviews, public statements and rare personal photographs.This is his story, in his own words. Unsilenced, unbroken.

In Pursuit of Freedom for Palestine

Unbroken

THE NEW YORK TIMES BESTSELLER NEW STATESMAN, ATLANTIC AND WALL STREET JOURNAL BOOK OF THE YEAR 'A brilliant tale of greed, paranoia and hubris... a good place to start for anyone seeking to understand the current crisis' Financial Times 'If you want to understand the turmoil in Gaza, Syria and beyond, the Iranian Revolution of 1979 is a good place to start' The Times 'Excellent' Telegraph 'Exceptional' New York Times A spellbinding narrative history of the 1979 Iranian Revolution and its devastating consequences by the Sunday Times bestselling author of Lawrence in Arabia. Before the revolution, the Shah of Iran seemed invincible. The world watched in awe as he commanded a huge army and oversaw an economy awash with billions of dollars of oil revenues. The regime's secret police had crushed communist opposition and the Shah appeared to have bought off the conservative Muslim clergy inside the country. On the international stage, Iran had become an invaluable ally to the West during the Cold War. But village streets spoke of a different country - people derided the Shah as an American lackey and blamed him for economic inequality, for spending recklessly on lavish parties and for ignoring the Muslim majority. When a volcanic religious revolution erupted, led by a fiery cleric named Ayatollah Khomeini, the Shah was forced off the throne and into exile. How did it all go so wrong? Brilliantly brought to life by the Sunday Times bestselling author Scott Anderson, this gripping behind-the-scenes narrative reveals how the Iranian Revolution was as world-shattering an event as the French and Russian revolutions, and how its repercussions are still felt around the world today. In the Middle East, in India, in Southeast Asia, and now in Europe and the United States, the hatred of economically-marginalized, religiously-fervent masses for a wealthy secular elite has led to violence and upheaval - and Iran was the template. 'Gripping... Anderson does an excellent job of narrating the extraordinary events of the revolution' Spectator 'Told with clarity and directness. It is unlikely that a more authoritative account of this torrid period will ever be written' Observer 'A sweeping, gripping book, one that makes past times and dead people (often weird, complex and evil) spring to life with its narrative verve and attention to detail... Riveting... Compelling' Wall Street Journal 'Timely... a lively tale of palace intrigue' New Yorker 'The most compelling account yet of the revolution in Iran... Outstanding' Eugene Rogan, author of The Fall of the Ottomans 'Thrilling... the gold standard account of the Shah's fall... An epic and heart-breaking tragedy' Azadeh Moaveni, author of Guest House for Young Widows 'A masterfully told account... A must-read' Steve Coll, Pulitzer Prize winning author of Ghost Wars 'Delivers remarkable new insights into one of history's least understood upheavals' Kim Ghattas, author of Black Wave 'Thrilling and fully authoritative' Azadeh Moaveni, award-winning author of Lipstick Jihad and Guest House for Young Widows 'Important and riveting' Sebastian Junger, bestselling author of In My Time of Dying and Tribe

The Fall of the Shah and the Revolution That Forged Modern Iran

King of Kings

A revelatory financial history showing that today's massive Islamic finance industry was preceded by decades of Muslim interest banking across Eurasia and Africa. Since the 1970s, the now multi-trillion-dollar Islamic finance industry has offered interest-free banking to Muslims around the world. Its proponents maintain that Islamic law strictly forbids all forms of financial interest. Many academic accounts echo this perspective, assuming that before the 1970s, Muslims either avoided interest banking out of deep-seated religious hostility or practiced it in defiance of religious stricture. Yet as Michael O'Sullivan argues, these narratives overlook rich traditions of Muslim interest banking that preceded Islamic finance. In the early twentieth century, the first modern Muslim-owned interest banks appeared across Eurasia and Africa-from India to the Ottoman Empire, Tsarist Russia, Habsburg Bosnia, Tunisia, Egypt, Iran, Palestine, and Indonesia. Viewed as a solution to Muslim economic distress, these banks intensified debates among Muslims about both the Islamic legal tradition and acceptable economic practices. While interest banks raised suspicions among some Islamic legal scholars, others explicitly defended their legality and encouraged Muslim entrepreneurs. Ultimately, O'Sullivan shows that the Islamic finance industry's commitment to interest-free banking was a product of contingency as much as principle. It was a combination of bank failures, high rates of indebtedness, and changing religious interpretations that eventually led many Muslims to reject interest banking and demand a replacement more commensurate with an "Islamic economy." Even so, the religious debates inaugurated by the first Muslim interest banks persist to this day. A vibrant portrait of economic life in the so-called peripheries of capital, The Borrower's Refuge is a major contribution to the global history of finance.

Muslim Interest Banking Before Islamic Finance

The Borrower’s Refuge

'By turns bloody, sweet, bleak and joyful... It is also very, very funny' NEW STATESMANThis is a graphic memoir (like a graphic novel, but true - and also a bit graphic).It's about the delirium, chaos and strangeness of becoming a parent for the first time.It's for every one who has ever wondered if it's ok to cry when the baby cries - and also laugh, snort, lie on the floor naked and drool when the baby drools.This is definitely not a parenting manual, but it might be the only book about parenting you'll ever need.'You will cry, yes, but mainly snort with laughter' SUNDAY TIMES'The most accurate account of becoming a parent I have ever read' PHILIPPA PERRY'Bracingly truthful... very funny' OBSERVER'It made me laugh, weep, cheer and howl... essential reading for parents and their peers.' NELL FRIZZELL'So clever, so funny, so astute, so healing. Becky Barnicoat is a stone cold genius' LUCY JONES

Cry When the Baby Cries

Czechoslovak Diplomacy and the Arab-Israeli Conflict from 1948-1989

Epic in scope and personal recollection, The Music Is Black is the story of British imperial and colonial histories, the African diaspora, and contemporary British social history put into song.Black British music has been the soundtrack to periods of profound political, social, cultural, and demographic change. It is the music of identity, indefatigability, resistance, anger, celebration, love, loss; it is the music of possibility and hope.Opening with an exploration of the sound and identity of the African diaspora as shaped by the tumultuous forces of British imperialism and colonialism from the 1400s to 1900, Jacqueline Springer then surveys the black musical landscape in Britain from 1900 to 1970. Two major imports-American rap and Jamaican ragga-are singled out for their vital contributions to the homegrown genres central to the publication: lovers rock, Brit funk, 2 tone, jungle, drum &amp; bass, trip-hop, and UK garage and grime.Each genre is then considered with an academic framing of its social and political landscape and artist interviews that include Carroll Thompson, Neville Staple, Kenny Wellington, Bluey Maunick, Fabio and Grooverider, Skye Edwards and Ross Godfrey of Morcheeba, Megaman, DJ Target, and Slimzee.The Music Is Black bears witness to the resilience, ingenuity, and heart of all those who create.

A British Story

The Music Is Black

Tony Stark goes to war in three epic conflicts sparked by his greatest technology of all: the Iron Man armor! They stole his technology and now it’s war! There are an abundance of tech-based villains in the Marvel Universe: The Beetle, Stilt Man, Titanium Man, Controller, Crimson Dynamo and more use super-advanced weapons and armor to commit their crimes. Tony Stark just found out that his Iron Man technology was stolen and could be the catalyst for the suits these villains use — and he’s not happy about it! But when Stark takes drastic action, what will Steve Rogers have to say about that? Plus: The ghost of an old enemy, the machinations of a vengeful madman and a menace from within Tony’s own body will come to a head in the cataclysmic sequel! And when every single one of his armors is stolen and then turned against him, Tony must battle his greatest creations — while trying to figure out who could outsmart him! COLLECTING:&nbsp;Iron Man (1968) #219-232, 258-266; Iron Man &amp; the Armor Wars (2009) #1-4; Iron Man (2013) #258.1-258.4

Iron Man: Armor Wars Omnibus

STAGTOWN

A young woman investigates the&nbsp;strange&nbsp;events terrorizing her hometown in this heart-pounding horror graphic novel. Something mysterious is happening all around Stagtown: Cameras are appearing everywhere on the streets, and even in the corners of apartments and homes. Cutting one down only spawns more in its place. Someone is surveilling the residents and now that Frankie is back home from college, she is going to discover who—or what—is behind this. After the shocking death of her neighbor Jeremy, Frankie becomes obsessed with uncovering the truth behind these occurrences. Armed with Jeremy’s box of cryptic clues, a loyal cat companion, and the help of Jeremy’s friend Felix, Frankie embarks on a perilous journey through town. Her quest leads her to a sinister marble house, a blood-stained carousel, a dark underground cellar filled with traps, and more. Each encounter brings her closer to the horrifying truth, culminating in a desperate attempt to escape Stagtown once and for all. With beautifully haunting illustrations and a terror-filled story, Stagtown is a masterpiece of psychological horror. This volume includes the complete first season of the Webtoon comic, along with a bonus mini-comic.

Stagtown: Volume 1 [A Horror Graphic Novel]

Global Challenges in Political Economy

Centered on Algeria, Morocco, and Tunisia, this book interrogates the complex entanglements between extractivism, state power, class formation, and geopolitical reorientation in North Africa. While the global energy transition promises economic diversification and sustainable development, the international contributors to this volume show how "green extractivism" often reproduces older structures of dependency and inequality, and therefore authoritarianism consolidates.Rather than fostering transformation, rent economies adapt, stabilize, and reconfigure themselves through new sources of rent and new modes of social control. The book makes three core contributions. First, it offers a historically grounded and theoretically informed understanding of rent economies in the Maghreb, tracing how colonial legacies of resource extraction evolved into postcolonial patterns of rentier governance. Second, it introduces a class-analytical perspective to debates on extractivism, arguing that rent not only finances authoritarian regimes, but also shapes dynamic social coalitions, "state classes," and cycles of contention and co-optation. Third, the book develops a comparative approach to the political economy of green transformation, focusing on the interplay between domestic rent regimes and external pressures from global markets, international donors, and climate politics. By anchoring each case study in concrete struggles, everyday experiences, and contested claims to resources, the book reveals how global transformations are mediated, resisted, and reappropriated from the following.The book will be vital reading for those interested in political economy, development studies, and Middle East and North Africa (MENA) studies. It will particularly appeal to scholars working on extractivism, rentier states, authoritarianism, postcolonial development, and the political sociology of class and class struggle.

Class, State and Geopolitics

Extractivism in the Maghreb

Two activists: one Palestinian, one Israeli. A unique friendship and a life-changing journey across the holy land

The Future Is Peace

The End of the Arab of the Future

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