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Griner D: The Armenian Genocide

The Armenian Genocide

Loss, Survival, and the Fight to Remember

This book explores how digital acceleration and algorithmic mediation have transformed the temporal structure of modern journalism. It considers journalism to be a temporal institution that must balance speed with reflection and automation with human interpretation. Drawing on sociological theories, the book examines practices such as slow journalism and local storytelling, which seek to resist the culture of immediacy. Through qualitative research and case studies, the book puts forward the "downbeat" as a metaphor for reclaiming journalistic time - an alternative rhythm through which depth, resonance and ethical awareness can once again define the meaning and public value of news in the digital age.

Downbeat Rhythms in Contemporary Journalism

Out of Time

Coming soon...The new novel

The New Novel

UNTITLED HB

Warum der Kampf für Gleichberechtigung dringender ist denn je

Zuversicht ist eine Entscheidung

"Je, vurugu za tarehe 29 Oktoba 2025 zilikuwa ni sauti ya wanyonge au operesheni ya kijasusi iliyopangwa?"
Katika kitabu cha ""Mtego wa Kafara,"" mwandishi Sado Faraji anavua kinyago cha kile kilichodhaniwa kuwa maandamano ya kawaida ya vijana. Hiki ni kitabu kinachochimba chini ya uso wa habari, kikifichua mtandao mpana wa hujuma za kimataifa zilizolenga kuisambaratisha Jamhuri ya Muungano wa Tanzania.
Kupitia uchambuzi wa kina wa kiuchumi, kijasusi, na kiteknolojia, kitabu hiki kinaweka hadharani:
 "Vita vya Kidijitali (Cyber Warfare):" Jinsi teknolojia, 'bots', na algorithms zilivyotumiwa kuchezea akili za vijana (Gen Z) na kuwafanya wawachukie walinzi wa nchi yao wenyewe kupitia mfumo wa '67% Disinformation'.
 "Siri ya Madini na Ndege za F-35:" Uhusiano wa kutisha kati ya machafuko ya kisiasa na vita ya kuwania madini ya Rare Earths kule Ngualla-rasilimali muhimu kwa majeshi ya Magharibi.
 "Mtego wa Starlink:" Ukweli kuhusu jaribio la kuingiza intaneti ya setilaiti kama 'njia ya nyuma' (backdoor) ya mawasiliano ya kijasusi ili kukwepa udhibiti wa serikali.
 "Gharama ya Uasi:" Takwimu zilizothibitishwa na Benki Kuu ya Tanzania zinazoonyesha hasara ya Trilioni 1.02 iliyopatikana kutokana na kuharibiwa kwa ofisi 756 za serikali na vituo vya polisi.
Huu si mkusanyiko wa matukio ya kihistoria tu; ni ""miwani ya kijasusi"" kwa kila mzalendo. "Mtego wa Kafara" ni onyo na fundisho kuhusu mbinu mpya za Regime Change zinazotumia simu za mkononi badala ya vifaru.
Soma kitabu hiki ili uelewe jinsi ya kuilinda akili yako na nchi yako kabla haujageuzwa kuwa kafara wa maslahi ya mataifa ya nje.

Jinsi Vijana Walivyogeuzwa Silaha Dhidi Ya Jamhuri

MTEGO WA KAFARA

This is the incredible untold story of four women who helped win World War II by generating a wave of black propaganda. Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII. Members of the Office of Strategic Services, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Working in Europe, across enemy lines in occupied China and in Washington D.C., Betty, Zuzka, Jane and Marlene forged letters and 'official' military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs and even developed rumours for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.

The Secret Women of World War II Intelligence

Propaganda Girls

Crip Love Onscreen: Representations of Love, Sex, and Disability examines how disabled people's sexual lives-including pleasure/sex, love, pregnancy, and sexual violence-are represented in popular film and television. Analyzing a variety of films and TV shows from the United States, Canada, and the United Kingdom, Sarah Rainey-Smithback traces patterns in disability representation that ignore or distort many of the realities of crip sexuality. These patterns of sexual representation tend to uphold compulsory able-bodiedness, heteronormativity, and privacy norms-what Rainey-Smithback terms "neoliberal love values," or standards that celebrate normative forms of sexual desire, bodies, and intimacy practices.
 
 As disability representation increases, though, new possibilities are emerging. Crip Love Onscreen also draws attention to the exceptional through a close reading of screen narratives (such as 50 First Dates,Love and Other Drugs,American Horror Story: Freak Show, and more) that push against neoliberal, heteronormative, and ableist values. Drawing on the work of queer/crip scholars and activists, Rainey-Smithback uncovers glimpses of what Tobin Siebers calls a "sexual culture for disabled people"-a space and way of being that expands sexual access and sexual experience.

Representations of Love, Sex, and Disability

Crip Love Onscreen

Perspectives on Process Organization Studies

Process Studies in Extreme Contexts

Organizing on the Precipice

This essay argues that observing shop windows, both from the street and from inside the stores, is the ideal way to approach understanding modern society. Since the late 19th century, shop windows have attracted the attention of passersby and transmitted the identity and cultural values ​​of modern society to children. Like little flâneurs, with all the time in the world to contemplate the displays, youngsters use these brief, informal lessons to explore the world, like wide-open illustrated encyclopedias. As impromptu exhibitions, they inspire artistic vocations and, like other forms of street art--billboards, posters, signs, and graffiti--powerfully influence popular and mainstream culture.

Escaparate. Pedagogia de la Modernidad

In diesem Buch kommen 17 Ostdeutsche aller Generationen aus verschiedenen gesellschaftlichen Bereichen zu Wort, von der Influencerin bis zum ehemaligen Bundespräsidenten, vom Popmusiker bis zur Filmregisseurin. Sie erzählen ihre Sicht auf das Erreichte und Unerreichte in dieser Region, die sie meist ihre Herkunft und oft ihre Heimat nennen oder mit der sie sich zumindest teilweise identifizieren. Denn alle eint, dass Ostdeutschland eine Rolle in ihrer Biografie spielt, sei es durch die frühe Prägung in der DDR geborener oder eine späte Zuwendung zur eigenen Ost-Identität im Zuge aktueller gesellschaftlicher Debatten. Es sind persönliche Einsichten und pointierte Draufsichten, private Erlebnisse und berufliche Erforschungen, die in ihrer Vielfalt dieses Buch so wertvoll machen, vor allem durch die Perspektiven verschiedener Generationen. Gerade in der Debatte um Gegenwart und Zukunft der Region und die Frage nach einer ostdeutschen Identität leistet die Veröffentlichung einen wichtigen Beitrag.

Was uns ausmacht

Die DNA des Ostens

The War You Never Saw exposes a hidden battlefield where influence replaces force, narratives replace weapons, and control operates without ever announcing itself. This is not a war of tanks and borders-it is a war of perception, attention, psychology, and quiet systems that shape human behavior without consent.

In today's world, power no longer needs violence to dominate. It works through media, economics, technology, institutions, and social conditioning-guiding what people believe, fear, desire, and accept as "normal." This book reveals how modern control thrives on invisibility, distraction, and engineered agreement, turning ordinary life into a silent battleground.
Inside this book, you will discover:How influence has replaced armies as the primary weapon of power
Why the most powerful systems avoid attention and accountability
How media, narratives, and selective information shape reality
How distraction, emotional manipulation, and fear are used strategically
Why authority is visible-but real power is structural and unseen
How freedom is redefined, narrowed, and quietly managed
How awareness itself becomes an act of resistance



This is not a conspiracy book. It is a clarity book.
Written in a sharp, philosophical, and psychologically grounded style, The War You Never Saw does not tell you what to think-it shows you how thinking is shaped. It does not offer villains-it reveals systems. And it does not promote panic-it builds awareness.

If you have ever felt that something is wrong beneath the surface of modern life-but couldn't fully explain it-this book gives language to that intuition.
Because the most dangerous war is not the one you fear.
 It is the one you never notice.

And once you see it, it can no longer control you.

How Power Operates in Silence

The War You Never Saw

Routledge Studies in Religion and Politics

The Politics of Catholic NGO Networks asks 'Who speaks for the Catholic Church during a humanitarian crisis?' and answers that there is no single voice; only a plurality of Catholic actors whose relationships with the Holy See differ sharply, and whose humanitarian work is shaped as much by internal organisational dynamics and Church politics as by the crises they respond to.This book offers the first comparative study of three of the world's most significant Catholic humanitarian networks: the Caritas confederation, the Jesuit Refugee Service, and the Community of Sant'Egidio, through drawing on over thirty interviews and extensive fieldwork in Rome and the Vatican. Each network occupies a distinct status (dependent, semi-dependent, and independent organisations) in relation to Church hierarchy, producing strikingly different approaches to assisting refugees and forced migrants. Moving between the internal governance of the Church and the external landscape of secular humanitarianism, the book exposes a persistent and more nuanced "religious literacy gap" among UN agencies, donors, and NGOs working alongside faith-based partners. Combining an interpretivist, practitioner-informed methodology at the intersection of IR, religion, and humanitarianism, Dr Intropido directly engaged with diplomats, humanitarian workers, and Church officials, offering both a new theoretical account of religious actors in world politics and a practical checklist for anyone partnering with Catholic humanitarian organisations.The Politics of Catholic NGO Networks will be essential reading for students and scholars of religion and politics, international relations, sociology and anthropology of religion, humanitarian, development, and migration studies, and for practitioners navigating the increasingly visible role of religion in global affairs.

Religion, Migration, and the Humanitarian Babel

The Politics of Catholic NGO Networks

A long-overdue analysis of how Black lesbians have asserted their lived experience through creative practice, pushing back against heteropatriarchal systems that deny them visibility.
 
 "We Must Document Ourselves Now" examines the essential but oft-ignored importance of Black lesbian literature and film in queer literary and film histories, arguing that Black lesbian cultural texts reflect creators' lived experiences and resist the heteropatriarchal systems that deny Black lesbians visibility in popular culture. Stephanie Andrea Allen contends that these texts have three goals: to lay bare the experiences of Black lesbians in a raced, gendered, classed, and homophobic society; to challenge the notion that claiming Black lesbian identity is marginal or forbidden; and to take care of Black lesbians by bearing witness to their experiences through creative practice.
 
 Insisting that Black feminist creative practice is an integral form of self and community care, Allen weaves analysis of cultural output spanning key sociocultural moments from 1974 to 2020 with interviews with Black lesbian cultural workers. "We Must Document Ourselves Now" examines the Black Arts / Black Power movement, the "boom" in lesbian and gay publishing, the so-called golden era of Black film, and twenty-first-century visual media to demonstrate how representations of Black lesbians, or lack thereof, were vital to constructing a cultural canon that focused on illuminating Black lesbian experiences in the United States.

Black Lesbian Cultural Legacies and the Politics of Self-Representation

"We Must Document Ourselves Now"

The Armenian Genocide

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