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A twentieth century history of LGBTQ+ lives in suburbia

Grindrod J: Tales of the Suburbs

Tales of the Suburbs

LGBTQ+ Lives Behind Net Curtains

A Financial Times Book of the Year No other phenomenon has shaped human history as decisively as capitalism. It structures how we live and work, how we think about ourselves and others, how we organise our politics. Sven Beckert situates the story of capitalism within the largest conceivable geographical and historical framework in this fascinating new book. Capitalism, argues Beckert, was born global. Emerging from merchant communities across Asia, Africa and Europe, capitalism's radical recasting of economic life rooted itself only gradually. Then it burst onto the world scene, as European states and merchants built a powerful alliance that would propel them across the oceans. This epic drama corresponded at no point to an idealised dream of free markets. All along, state-backed institutions and imperial expansions shaped its dynamics. Capitalism decentres the European perspective, highlighting agency, resistance, innovation and ruthless coercion around the world through to the present with the rise of Asian economies, particularly China. Sven Beckert doesn't merely add up capitalism's debits and credits in this monumental book, but allows us to think afresh about the past to help us re-imagine the future.

A Global History

Capitalism

Kindheits- und Jugendgeschichte

Das Ausmaß der Kinderarbeit in Deutschland außerhalb von Fabriken war bislang weitgehend unbekannt. Manuel Schramm zeigt am Beispiel Sachsens neue Perspektiven für die historische Forschung zur Kinderarbeit auf. Dabei greift er ungelöste Fragen der bisherigen Literatur, wie beispielsweise den Einfluss des technischen Wandels oder die Ursachen des Rückgangs der Kinderarbeit, auf und behandelt auch Aspekte wie die Höhe und Entwicklung der Löhne sowie die Unterschiede zwischen Jungen und Mädchen. Es zeigt sich, dass Kinderarbeit weiter verbreitet war als bisher angenommen und sich nicht nur auf die Unterschichten beschränkte.

Von der Frühindustrialisierung bis zum Zweiten Weltkrieg

Kinderarbeit in Sachsen

The first major account of this transformative period in the history of Great Britain Between 1990 and 2020, the United Kingdom experienced tension between unparalleled social change and a pragmatic political culture which sought continuity, compromise and gradualism. Thatcher’s legacy was slowly digested, Blair’s ‘New Labour’ thoroughly scrutinized and the decision was made after forty-seven years to leave the European Union. The UK’s long-established major institutions—monarchy, parliament and the union between England, Scotland, Wales and Northern Ireland—were sorely tested. Yesterday provides the first fully documented history of this pivotal time in Great Britain. Was the UK in decline? Brian Harrison points to Britain’s unsuccessful adventures in Iraq and Afghanistan and its relative economic decline, underfunded hospitals, sink schools, over-filled prisons and terrorism of both Irish and Islamic varieties. Yet there were successes. Harrison shows how the UK’s participatory institutions outmanoeuvred terrorism and precariously surmounted regional, intergenerational, ethnic and social-class tensions. This vibrant, creative society saw major improvements in time, place and recruitment for work, as well as growth and innovation in conservation, digitization, tourism, consumerism, sport and the arts. Some changes were revolutionary: in family life and relations between the generations, and in the ever-changing electronic media. And if religious observance was in decline, immigrants were introducing new faiths and even a revived religious fervour while attitudes to health and death were changing fast. A panoramic and wide-ranging analysis by a scholar at the height of his powers, Yesterday paints an evocative, richly textured portrait of a people who were shedding their complacency and insularity and bracing themselves to face a very different but promising future.

The United Kingdom from Thatcher to Covid

Yesterday

"Dominic clearly remembers more about the 90s than I do." - Zoe BallI was in the right place at exactly the right time.I was handed a precious backstage pass to this magical period, as a chronicler of some of its most significant moments, of its wild protagonists, whether in music, entertainment, fashion, football, art or politics.I had a front-row seat for that insane decade, but it was 1996 that was the period's stunning apex. Oasis at Maine Road and Knebworth, the births of Robbie Williams the solo star and the Spice Girls, the Euro 96 football tournament and 'Three Lions', the rise of New Labour and Tony Blair.I was there for the lot.1996. Britpop ruled the airwaves.The tabloids framed reality long before Instagram.Football was finally coming home. Tony Blair was learning to play rock star - and rock stars were learning they could play politics. Everyone was partying hard, and Britain was the coolest place on earth.Showbiz reporter Dominic Mohan wasn't watching the party from afar - he was in the room.Backstage at Knebworth with Oasis. In strip clubs with Robbie Williams. On the phone to Bowie. On the receiving end of Spice Girls gossip, Gallagher gobbiness and tabloid-era chaos. From Euro '96 euphoria to Brit Awards anarchy, from rave culture to New Labour, Mohan witnessed the moment the UK went from scruffy indie island to global cultural powerhouse.Part memoir, part cultural autopsy and part riotous tour through the 90s and its greatest year, 1996 is a jaw-dropping front-row seat to the madness, the music, the football, and the politics that reshaped Britain - and created legends along the way.Three decades on, Mohan returns to the year everything peaked, and asks: what the hell happened, why did it matter, and can it ever happen again?If you were there - this book will feel like going home.If you weren't - you'll wish you had been.

My Backstage Pass to the Wildest Year of Britain’s Wildest Decade

1996

THE INSTANT SUNDAY TIMES BESTSELLER BY THE AWARD-WINNING AUTHOR OF THE FIVE In this gripping examination of one of the most infamous murders of the twentieth century, prizewinning social historian Hallie Rubenhold gives voice to those who have never properly been heard - the women. 'Popular history you devour in one sitting' Sunday Times 'Gripping' TLS 'Unbelievably addictive' LUCY WORSLEY, presenter of A Very British Murder 'I couldn't put it down' BONNIE GARMUS, author of Lessons in Chemistry 'Finely layered' Financial Times 'Breath-taking' Spectator ___________ On 1 February, 1910, vivacious music-hall performer, Belle Elmore, suddenly vanished from her north London home, causing alarm among her circle of female friends, the entertainers of the Music Hall Ladies' Guild who demanded an immediate investigation. They could not have known what they would provoke: the unearthing of a gruesome secret, followed by a fevered manhunt for the prime suspect: Belle's husband, medical fraudster, Dr Hawley Harvey Crippen. Hiding in the shadows of this evergreen tale is Crippen's typist and lover, Ethel Le Neve - was she really just 'an innocent young girl' in thrall to a powerful older man as so many people have since reported? __________ PRAISE FOR STORY OF A MURDER: 'Gripping and eye-opening' I-news, Book to Watch Out For 'Reads like a great thriller. I inhaled it' Bella Mackie, bestselling author of How to Kill Your Family 'A unique combination of sleuthing, storytelling and compassion' Lucy Worsley, bestselling author and historian 'Fascinating. It's about time Belle became the hero of her own story' Val McDermid, bestselling author of the Karen Pirie series 'As compelling as any crime drama' S J Parris, bestselling author of the Giordano Bruno series 'I had my hand over my wide-open mouth...I can't recommend it more: I will be thinking about it for a very long time. Rachel Joyce, bestselling author of The Homemade God 'Takes us beyond the world of Dr Crippen into the lives impacted by him and the society in which he moved. Terrific' Ian Rankin, bestselling author of the Rebus series 'Compelling to the very last page' Denise Mina, award-winning author of Reese's Book Club pick, Conviction 'Does for the Crippen Murder case what THE FIVE did for the victims of Jack the Ripper. Forensic research and insistent sympathetic writing. I loved it' PROFESSOR DAVID WILSON, BBC 1, The Crime Squad 'Breathtaking. Rubenhold has not only produced a thrilling reassessment of a notorious crime, but an impressive portrait of an age' Spectator

The Crime of the Century retold by the Women History Forgot

Story of a Murder

A vibrant account of the remarkable novel Lady Chatterley's Lover, tracing its life over the last centuryD. H. Lawrence's Lady Chatterley's Lover is one of the best-known and most resonant works of the twentieth century. Originally considered obscene and unpublishable in numerous countries, its scandalous story of class divide and the English countryside is infamous. But, since the 1920s, we have repeatedly re-created Lady Chatterley, from film and TV to music and tourism.Guy Cuthbertson tells the colourful story of the novel's journey through the last hundred years. He examines how the book has been read, adapted, and reimagined across the globe, from the United States to Japan, and explores the 1960 "Chatterley trial"-a key moment in the struggle for freedom of expression. It might have been burnt and derided, laughed at and defaced, but Lawrence's novel has crept into all walks of life. Whether the book, or its influence, be good or bad, we live in a world that Lady Chatterley's Lover helped to create.

The Long, Sensational Life of Lady Chatterley’s Lover

Lady C

In Devil Take the Hindmost, Edward Chancellor traces the origins of the speculative spirit back to the publicani of ancient Rome and chronicles its revival in the modern world: from the tulip scandal of 1630s Holland and 'stockjobbing' in London's Exchange Alley, to the infamous South Sea Bubble of 1720, which prompted Sir Isaac Newton to comment, 'I can calculate the motion of heavenly bodies, but not the madness of people.' This revised and updated edition analyses with characteristic liveliness and precision the end of the dot-com bubble, the property value speculations that culminated in the 2008 financial crisis, the 'Everything Bubble' of the pandemic years and the gigantic speculations of Artificial Intelligence. This is the story of human hopes and folly through the ages, populated by brokers underwriting risks that included highway robbery and the 'assurance of female chastity'; credit notes and lottery tickets circulating as money; wise and unwise investors from Alexander Pope and Benjamin Disraeli to Hillary Rodham Clinton and well-known leaders of our own time.

A History of Financial Speculation

Devil Take the Hindmost

This open access book is a cultural history of lawsuits that explains the development of French performance rights from la Belle Époque, via the roaring Twenties, and into Post-War France. It does so by analysing the ways in which performers, composers, and playwrights used French court rooms, newspaper scandals, and international conferences to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. Towards the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre, the rise of modern celebrity culture and mass media, to the French governments' management of radio entertainment in the interwar period, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime, while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emerging of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

'Equal parts gripping and scholarly... a timely book that gets to the heart of contemporary society' Katy Hessel, Sunday Times 'Utterly fascinating, beautifully written, scholarly yet entertaining' Joanna Lumley A pioneering study into how we interpret faces and what they reveal about us, from a world-renowned cultural historian What's in a face? The face is the only part of the body where all the senses come together and, over the course of human history, has come to represent who we are as individuals. We unlock our phones with facial recognition; we have our faces stamped in our passports; and although our faces may change over the course of our lives - whether through ageing, accident, illness or lifestyle - they remain a foundational marker of identity. In The Face, cultural historian Fay Bound-Alberti explores the ways humans have interpreted faces and how they have shaped our ideas of morality, social hierarchy, psychology and so much more, revealing some of the biases that inform our everyday lives. She charts how new technologies and cultural innovations have transformed our conception of selfhood over time - from the growth of portraiture in the Renaissance and the mass production of mirrors and photography in the nineteenth century, to twenty-first century developments, such as digital avatars and face transplants. Bringing together a wealth of fascinating research, interviews and illuminating personal narratives, Bound-Alberti probes beneath the surface to ask what our faces really say about us.

A Cultural History

The Face

Winner of the 2026 International Booker PrizeWinner of the 2024 National Book Award for Translated LiteratureDisguised as a translation of a rediscovered text by a Japanese writer, Taiwan Travelogue is a bittersweet story of love between two women, nested in an artful exploration of language, history and power. Set in May 1938, the young novelist Aoyama Chizuko sails from Japan to Taiwan where her interpreter proffers tantalising glimpses of island life and helps her to taste as much of cuisine as her larger-than-life appetite can bear.

Taiwan Travelogue: Winner of the 2026 International Booker Prize

Cultural Heritage Studies

Since the 2003 UNESCO Convention, cultural heritage policies have promoted diversity and grassroots participation. Deborah Sielert explores how these global discourses do and do not unfold in three small towns in northern Germany, where Portuguese, Dutch, and East Frisian minorities have shaped the cultural sphere since the 1990s - despite the absence of official heritage frameworks. Through a comparative multi-sited study, the research traces how local actors engage with symbolic boundary-making in ethnicised festivals and associations, and how global heritage regimes inform these endeavours. This study offers a fresh sociological lens on the interplay between local sensemaking and the worldmaking power of heritage discourse.

Minority Boundary-Making and the Reach of Global Frameworks in Northern Germany

Belonging Through Heritage?

The Sunday Times bestselling biography of two young geniuses who merged their talents to create one of the greatest bodies of music in history.

A Love Story in Songs – The #1 Sunday Times Bestseller

John and Paul

Tales of the Suburbs

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