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Theodoridou N: Sour Cherry / B

Sour Cherry

A fiercely haunting gothic horror novel examining gender and power, reimagining the fairytale Bluebeard

The Crimson Moth

The Rebel Witch

Turning discord into dialogue and building better relationships in work and life

The Art of Disagreeing

Saltswept

A Vow Made Twice

Flesh

Bloomsbury Studies in Religion, Gender, and Sexuality

Examines how complementarianism shapes lived Anglicanism, focusing on the experiences of parishioners and ministry staff at three parishes in the Sydney Anglican Diocese.

Retelling Sydney Anglican Stories

Complementarianism, Gender and Evangelism

The feminist book we need now: it rises above cultural wars and takes feminism back to its radical roots while encompassing today's urgent concerns about economics and climate change.

Feminism for a World on Fire

A Private Man

The Case for Feminist Revolution

The Dialectic of Sex

Our Monstrous Bodies

Iceland, 1655 When a land of ice and fire, legends and sagas is swept into the Protestant Reformation, a witch-hunting craze begins. Unusually, those condemned and burned as witches are not women, but respectable men of learning. Þuríður Jónsdóttir has grown up praying to the old gods, and watching her father and brother practise rune magic. When the two men are accused of witchcraft and condemned to burn at the stake, Þuríður is helpless to save them. But as Lutheran Pastor Jón Magnússon's accusing gaze turns to Þuríður, he will find that she is a woman prepared to fight back. In an age of fear and persecution, whose side will the village take? Who will fight for justice?Set against a backdrop of sweeping religious and social change, this is a story of the most famous witch trial in Iceland - where one woman stands up to the patriarchal forces against her.

They Can't Burn Us All

'Tense, chilling' MARIANA ENRIQUEZ, author of Our Share of Night'Lays bare intergenerational horror, feminine rage and the taking back of power' STYLIST'Incredible' FINANCIAL TIMESThe house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a small-time hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. Layla Martínez's eerie debut novel Woodworm is class-conscious horror that drags generations of monsters into the sun. Translated by Sophie Hughes and Annie McDermott**Readers love Woodworm**'It draws you in and slams the door behind you''A monstrous debut''I want to read this book again and again''Biting and inventive''Shirley Jackson by way of Lina Wolff''Deeply, and wonderfully, unsettling''Evokes horrific imagery with a poetic, gnashing tongue''Extraordinary!'

Woodworm

Sour Cherry

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