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Draesner U: Sich ein Herz fassen

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Research in Creative Writing

Writing Human in the Age of AI

Why do organizations keep causing harm? And how do we cure toxic cultures? "A timely, rigorous, and deeply unsettling book."—Amy C. Edmondson, Novartis Professor of Leadership and Management, Harvard Business School, and author of The Fearless Organization Not a week goes by with out yet another major organizational scandal: Open AI’s agents going rogue, Volkswagen’s emissions cheating, Boeing’s persistent safety issues, endemic police misconduct at the Oakland PD, and sexual abuse at yet another Roman Catholic Church. So why do do organizations keep causing these harms? Benjamin van Rooij and Nicholas Lord argue that to truly understand and address the impacts of dysfunctional organizations we must look beyond leadership and understand the deeper problems in the organization itself. To do so, Toxic uses dozens of in-depth case studies to connect the dots between various scandals and illustrate the deeper toxic patterns within organizations that lead to them. Each chapter recounts compelling stories of individuals caught within these toxic systems and addresses urgent societal challenges such as environmental degradation, the opioid epidemic, the harms of social media, and police abuse. Stories include:<ul><li>Facebook sought to grow from 1 billion to 5 billion users, leading it to enter Myanmar’s volatile ethnic context without having the knowledge or capacity to do proper content moderation, and thus contributing to genocide.</li><li>Don Parus, a BP engineer made an all-out effort to warn company leaders to invest in safety, just months before a major explosion killed fiteen and injured hundreds at its Texas City Refinery.</li><li>Keith Batt, a rookie at the Oakland Police Department, was made to witness, condone and participate in falsifying arrest records, planting evidence, and even in unsanctioned violence, all within two weeks on the job.</li></ul>Revealing, accessible, engaging, and unsettling, Toxic breaks down the core characteristics of toxic organizations and shows readers how to recognize and address toxicity in their everyday lives.

How Organizations Go Bad

Toxic

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

'I loved it' KIT DE WAAL, author of The Best of Everything'Generous, intelligent, full of wisdom and insight' LILY DUNN, author of Sins of My Father*A transformative guide to creative writing and the power of paying attention.The way we use language to tell stories reveals a lot about who we are and what matters to us. In Between the Lines, Julia Bell draws on almost thirty years of teaching to take us inside the writing workshop, where students from all over the world meet to share and discuss their work. She finds that in this space a kind of alchemy occurs, where&nbsp;paying real attention to one another and what we have to say - the ultimate challenge in our atomised, 'always-on' society - becomes a profound emotional education.&nbsp;Weaving philosophy, psychology and politics together with stories from the workshop, and featuring wise, practical advice on how to go about writing, this generous and thought-provoking book is about the transformative practice of noticing and slowing down. It shows how bad writing teaches us good things, how creativity helps us to see and be seen, and how reading and writing together fosters connection, tolerance, more expansive ways of thinking, richer access to language, new perspectives - and a better understanding of ourselves and others.*'What&nbsp;appears to be a guide to creative writing is actually a brilliant manual for how to exist in groups, to handle painful material, to grow together. Could anything be more necessary or inspiring?' Olivia Laing, author of The Garden Against Time

Life Lessons from the Creative Writing Workshop

Between the Lines

Carcosa

Ein Raumschiff strandet auf einem fernen Planeten, buchstäblich am Ende des Universums. Die kleine Gruppe von Frauen und Männern findet sich in einer lebensfeindlichen Einöde wieder und muss versuchen, auch nur die ersten Tage gemeinsam zu überstehen. Als die Männer stattdessen hochfliegende Pläne schmieden, wie diese Welt zu 'kolonisieren' sei, kommt es zur Katastrophe ... 
Mit ihrem erstmals 1976 erschienenen Roman "Wir, die wir sehr bald ..." verfasste Joanna Russ die definitive Antithese zu den Werken ihrer männlichen Kollegen: Hier tragen keine strahlenden Helden die Zivilisation in die Weiten des Weltraums hinaus. Hier stellt sich eine Frau den existenziellen Fragen des Daseins. Bis zur letzten Konsequenz. // Der abschließende Band unserer Russ-Werkausgabe enthält außerdem zwei längere Erzählungen, eine Folge repräsentativer Buchkritiken und einen Essay aus der dritten Schaffensphase der Autorin.

Werke 3

Jenseits der Grenzen

Ist die Hoffnung auf eine bessere Zukunft aufgebraucht? Wie bewahrt man innere und äußere Freiheit, wenn sie unter Druckgerät? Die Bestseller-Autorin und Journalistin Sabine Rennefanz erlebt ihren 50. Geburtstag als Wendepunkt: Sie blickt zurück auf ihr Leben und die Träume des Kindes, das sie gewesen ist. Sie erzählt von den Müttern und Vätern, von Herkunft und Identität. Von ihrer großen Liebe, dem Zeitungmachen, die sie beinahe ihre andere Liebe gekostet hätte. Und sie erinnert sich an den Moment 1989, den sie lange für den wichtigsten ihres Lebens hielt. Ein berührendes und schonungsloses Buch über Gespenster, die sich nicht abschütteln lassen, und das, was von der Wut geblieben ist.

Von Wut, Hoffnung und Abschied | Was ist aus den Hoffnungen der Wendegeneration geworden?

Deutsche Gespenster

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

Multi-Genre Creative Writing

A Writer's Craft

Ein etwas anderes Frankreich-Porträt | "Ein sehr kenntnisreiches, sehr lustiges und wirklich informatives Buch über das Frankreich von heute." Nils Minkmar

Das Camembert-Diagramm

“A compact, intricately patterned story of unrequited erotic obsession, focused on the relationship between a closeted English novelist and a beautiful Italian philosopher . . . Among the novel’s daring ideas is its suggestion that closetedness and English taciturnity are part of a common condition, each an art of concealment.” —Charlie Tyson, Harper’s Magazine

A witty, heartbreaking tale of unrequited love by “one of the finest and most remarkable English novelists of our time.” (The Scotsman)

Antonio Valli, a gifted Italian philosopher in his thirties, has left his wife and children behind in Florence for a one-year research fellowship at a provincial English university. Handsome and charming, Antonio is irresistible to men and women both—and he knows it. One who falls under his spell is Dick Thompson, a successful middle-aged novelist from whom Antonio rents a room. For the first time in years, Dick finds himself desperately, passionately in love, but the games the manipulative Italian plays with him throw the older man’s life into chaos.

Published only three years after the decriminalization of homosexuality in the UK, A Domestic Animal is Francis King’s most intimate and daringly autobiographical novel: a “wry, anguished study . . . of love and jealousy [that] is hard to forget” (Robert Baldick, The Daily Telegraph).

A Domestic Animal

'Daisy Buchanan is the big sister of the writing world ... everything you need to know, from one of the most prolific writers working today' Emma Gannon'Generous and deeply inspiring' Katherine May'This book is like a calm and reassuring friend. A must-have for any writer' Andrea McLean'Daisy makes you believe in the power of your own words, even if no one else is reading them, because she totally gets the discovery and confidence that laying it out on a page brings' Lou Beckett'Smart and encouraging. Like having your own personal writing coach and cheerleader' Alice Wilkinson------Experience the therapeutic power of writing with Write Yourself Happy. Join the author of Read Yourself Happy and host of the popular You're Booked podcast Daisy Buchanan as she explores how to use writing as a tool for healing, stress reduction, and emotional well-being.Through journaling, creative expression, and thoughtful reflection, you'll uncover your authentic self, learn how writing can help to process emotions, and cultivate a more positive mindset. You'll learn practical techniques to find a writing practice that works for you, overcome challenges including imposter syndrome, and build a supportive writing community.In a culture that too often threatens the 'humanness' of many stories told, Write Yourself Happy shows you how to use your voice to create positive change in your life and the world around you.

Building a Creative Habit That Will Bring Joy and Boost Your Wellbeing

Write Yourself Happy

Sich ein Herz fassen

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