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Broad L: Quartet

Quartet

How Four Women Challenged the Musical World

60 cute and colorful temporary Taylor Swift tattoos! &gt; Featuring dozens of tattoos, you can have all the joy of a Taylor tattoo, without the commitment of 'forever'. Illustrated by Julia Murray, these cute temporary tatts are perfect for summertime, dress-ups or festivals, or just brightening up your day. Choose from more than 60 illustrations, including multiple Taylors, friendship bracelets, cats, flowers, butterflies, and typographical tatts, each one equally perfect as a stand-alone tat or as part of a larger mix-and-match artwork. Cause you know, it's not gonna be forever…

The little book of temporary Taylor tattoos

Totally Taylor Tattoos

A dazzlingly original reassessment of the power and plurality of women's singing voices by the critically acclaimed author of Art Monsters and Scaffolding 'It took me ten years to go from shy young girl to punk rocker, if I'd had this book I'd have got there much quicker' Viv Albertine For millennia, women's raised voices have been heard as unruly, uncivilized, dangerous. Women singing were cast as sirens: mythical creatures who lured sailors to their death. In Vocal Break, Lauren Elkin seamlessly blends memoir, feminist manifesto and cultural history to explore a plurality of female singing voices - and how women have used them to defy convention, genre, capitalism, racism and sexism. Drawing on her own experiences training as a young soprano in the 1990s, Elkin reflects on the way power and identity shape our voices, focusing on the women who most excited her when she was learning to sing. A vocal break refers to the place where the voice shifts from lower to higher registers and this is a book about what kind of meanings, and sounds, can be made there. Immersing readers in an eclectic soundscape, from musicals and pop music to art punk, what follows is a full-throated tour of women's voices, including Édith Piaf, Maria Callas, Cyndi Lauper, Kathleen Hanna, Tori Amos, PJ Harvey, Beyoncé, FKA Twigs and Billie Eilish. Reflecting on what makes women's singing so powerful - to the point where others feel the need to control or manipulate it - Vocal Break is a joyous call to arms, a siren call: Girls to the front: NOW.

On Women, Music and Power

Vocal Break

This is a study of elite English men of English law and the methods they used to retain and justify their power and privilege, through controlling the story of the legal person. It looks at how these men of legal authority thought of themselves and their institution; how they studied and explained law; and how they put themselves in the middle of it, as the standard human in need of legal regulation and protection and in charge of that regulation and protection, and assigned to women an inferior legal role and being. The main strategy used to do all this was manipulation of the concept of 'the legal person'. From the 1860s to the 1920s the courts declared that women were not 'persons' who could exercise public power - to vote, to sit in Parliament, to gain degrees, to be lawyers. Up to the end of the 20th century, and into the 21st, women's personhood remained precarious in the private sphere, for rape was excused within a marriage and female reproduction remained under state control (as it still does). The book examines the active exclusion of women from the means of making legal meaning, especially the ability to shape law's central concept and shows the epistemological effects of this sex differential of legal power which are still felt today. Leading legal thinkers who helped to masculinise the concept of the person, to the detriment of women, are still revered. Law's continuing male orientation is neither seen nor acknowledged and the legal person is treated (falsely) as if he had always been and remains anyone.

Why the Legal Person Remains a Man

Manning the Law

'Two Women Living Together is a wonderfully calming and cosy read. I always adore stories of women who choose to live beyond the confines of cultural expectation-and this book might just be my new favourite!' - Emma Gannon, Sunday Times bestselling author of both fiction and non-fiction, and a former judge for the 2025 Women's Prize. 'Everything about this compelling, curious, beautiful story of two women moving in together, in midlife, is delightful ... I loved every moment!' - Clover Stroud, author of My Wild &amp; Sleepless Nights, The Red of my Blood, and The Giant on the Skyline Quietly radical, full of warmth and wit, Two Women Living Together celebrates carving out your own path, cats, female friendship, and found family. At some point between living alone and becoming single, Hwang Sunwoo and Kim Hana found each other, and decided to live together in a nice apartment where their four cats would finally have the freedom to run around. Together they redefined what family looks and feels like. At a time housing costs have skyrocketed whilst the birth rates plummets, these two independent Korean women in their late forties share their views on society and its expectations of them. And, intent neither to marry or to live alone, they reflect on the comfort of their cohabiting friendship as it blossoms into a life full of joy and meaning. 'Inspiring' - Evening Standard 'Beneath the warmth lies a radical proposition: that their partnership should be treated like any family.' - Guardian

Two Women Living Together

Routledge Studies in Sustainable Development

Addressing the big questions to advance the debate on good governance for sustainable development, this book asks: what is governance for sustainable development? What makes governance 'good'? And what are the factors that inhibit good governance?With contributions from experts in Development Studies, Economics, Geography, Management, Environmental Science, Politics, and Public Policy, this interdisciplinary volume critically engages with the Sustainable Development Goals (SDGs) whilst reflecting on the inherently political nature of good governance. Chapters draw on cases from a range of geographical contexts (local, national, supranational, and global) and diverse policy areas, including global environmental and labour governance, gender equality, decolonial governance in the Coral Triangle, supranational governance in the EU, and resource governance in the car industry. By doing so, this book provides an overview of the current challenges and possibilities for achieving good governance and sustainable development, and calls for a return to the critical spirit of the original concept of good governance, to reclaim it as the radical idea it was intended to be.This book will act as an insightful and valuable guide for academics, scholars, and students of Development Studies, Economics, Politics, Environmental Science, Geography, and Management, as well as policymakers and practitioners working in sustainable development.

Good Governance and Sustainable Development

Verso's Southern Questions

In 1960, as the Algerian War for Independence entered its sixth year, 22-year-old Djamila Boupacha was arrested for allegedly planting a bomb in a university cafeteria. While in custody, she was tortured and raped by French soldiers. Her case would have been buried like countless others had it not been for the efforts of her lawyer, Gisèle Halimi, and the philosopher Simone de Beauvoir to transform it into an international cause célèbre. Djamila Boupacha is the culmination of this campaign to expose the systemic violence of colonial rule. "To protest in the name of morality against ‘excesses’ or ‘abuses,’" Beauvoir writes, "is an error which hints at active complicity. There are no ‘abuses’ or ‘excesses’ here, simply an all-pervasive system." More than a historical document, the book is a profound exploration of morality, complicity and resistance. A classic text of anticolonialism, this is a story that demands to be read—and remembered.

Djamila Boupacha

A celebration and exploration of gossip, reclaiming it as a powerful tool for building relationships, sharing vital information and enabling women's voices to be heard.Tittle-tattle. Hearsay. Rumours. Bitching. Tea.Call it what you will: the fact remains that gossip is entwined into our daily lives. From group WhatsApp chats to click-bait headlines, social media snooping to reality television, there is nothing more devilishly delicious, scandalous, and satisfying than a juicy piece of gossip.All-too-often dismissed as the pastime of silly schoolgirls and bored housewives, there's more to gossip than meets the eye. In today's world of misinformation, where the voices and stories of women are being silenced, gossip has the power to shatter reputations and destroy credibility. Yet it can also be a vital political tool; a communication style that strengthens relationships and can even act a life-saving measure.Tracing gossip's roots from old wives' tales and the witch trials to reality TV, whisper networks and defamation lawsuits, Beyond Beliefasks, have we lost the ability to listen; to hear, and to believe women who speak up and speak out?A joyous reclamation of women's words, this book is for anyone who's ever uttered the words, 'You won't believe this...'

A Defence of Gossip and the Women Who Do it

Beyond Belief

W Communications, LLC

What happens when someone refuses to accept the limits placed upon them?Working Class to Breaking Glass: One Woman's Fight to Belong and to Lead is an inspiring, deeply personal memoir by Wanda J. Herndon that chronicles one woman's remarkable journey from a blue-collar childhood in Flint, Michigan to executive leadership and influence at Starbucks-a path shaped by perseverance, identity, and the relentless pursuit of opportunity.Herndon's story begins in Flint, Michigan, a city then fueled by the roaring engines of General Motors (GM). Her father, who dropped out of school in the eighth grade to help financially support his family in the Jim Crow South, took a life-changing bus ride North in search of freedom and a living wage. He found both at GM, but his dream for Herndon was different: "You should get an office job," he insisted-a directive to avoid the backbreaking repetition of the automobile assembly line.Herndon took that dream and ran with it. Becoming one of the first in her family to graduate from college, she defied the odds in an era when Black students were often steered away from college preparatory tracks. Yet the road ahead was far from easy. Navigating racial barriers, economic limitations, and self-doubt, she confronted the realities faced by many Black students in America during the 1960s and 1970s.At Michigan state University, Herndon discovered both opportunity and adversity. She pursued journalism while balancing work-study jobs and overcoming imposter syndrome, financial stress, and personal challenges-including difficult relationships and the emotional impact of family change. These formative experiences strengthened her resilience and clarified her purpose: to build a career that would allow her to open doors for herself and others.Entering the workforce in the mid-1970s, Wanda quickly learned that a degree was only the entry fee. The real world required a different kind of education. With unflinching candor, Herndon details the invisible weight she carried as a "first" and an "only". She shares the sting of being racially profiled at a high-end New York restaurant during her first business trip and the professional isolation of working in a company town with few faces that looked like her own. Yet, through these challenges, she developed her "Wanda-isms" a unique blend of fearlessness, honesty, and infectious joy that allowed her to say the hardest truths with a smile.A turning point came when she joined Starbucks during a period of rapid transformation and expansion. At the company's Seattle headquarters, Herndon rose through the ranks, earning a seat at decision-making tables where demographic representation had historically been absent. Her leadership extended beyond business operations-she became a cultural advocate and bridge-builder, committed to increasing opportunities for all people within corporate structures.Throughout the memoir, Herndon interweaves personal storytelling with reflections on identity, mentorship, resilience, and purpose. She explores how systemic barriers shape opportunity and how determination, preparation, and community support can positively change lives. Whether she's navigating corporate culture or confronting moments of personal loss and reinvention, her story demonstrates that leadership is not a destination but an evolving journey.Working Class to Breaking Glass is more than a career memoir-it is a story about legacy. Herndon honors the sacrifices of her ancestors and parents while encouraging future generations to claim their own place at the table. Her narrative offers both inspiration and practical insight into breaking barriers.

One Woman's Fight to Belong and to Lead

Working Class to Breaking Glass

The New York Times Bestseller An honest, heartbreaking and brutally funny memoir about losing a mother you never really had - and a comfort to anyone who knows that love can be complicated. 'I was just bowled over by this book' - Nigella Lawson 'Often rancorous, sometimes furious, never self-indulgent' - Financial Times 'Brisk and funny and beautifully done' - The Times 'Unsparing . . . but also a loving elegy' - The New York Times 'By turns hilarious and heartbreaking' - Oprah Daily 'Punchy . . . with moments of deep sadness leavened by a sardonic humour' - The Guardian 'A gripping memoir . . . exquisitely relatable' - Lori Gottlieb, author of Maybe You Should Talk to Someone 'Lines so good you won't just want to underline them, you will want to cut them out to share' - The Washington Post Molly Jong-Fast is the daughter of acclaimed writer Erica Jong. Raw, moving and seriously funny, How to Lose Your Mother is her account of a sometimes chaotic upbringing and how that can really mess you up. But with her mother's heartbreaking descent into dementia, and Molly's realization that she is going to lose this remarkable woman, it is also a story of love, loss, confusion and deep grief. Taking us behind the scenes of a fascinating and sometimes tumultuous family dynamic, it leaves us with a better understanding of our own most precious relationships.

A Daughter's Memoir

How to Lose Your Mother

THE INSTANT SUNDAY TIMES BESTSELLER BY THE AWARD-WINNING AUTHOR OF THE FIVE In this gripping examination of one of the most infamous murders of the twentieth century, prizewinning social historian Hallie Rubenhold gives voice to those who have never properly been heard - the women. 'Popular history you devour in one sitting' Sunday Times 'Gripping' TLS 'Unbelievably addictive' LUCY WORSLEY, presenter of A Very British Murder 'I couldn't put it down' BONNIE GARMUS, author of Lessons in Chemistry 'Finely layered' Financial Times 'Breath-taking' Spectator ___________ On 1 February, 1910, vivacious music-hall performer, Belle Elmore, suddenly vanished from her north London home, causing alarm among her circle of female friends, the entertainers of the Music Hall Ladies' Guild who demanded an immediate investigation. They could not have known what they would provoke: the unearthing of a gruesome secret, followed by a fevered manhunt for the prime suspect: Belle's husband, medical fraudster, Dr Hawley Harvey Crippen. Hiding in the shadows of this evergreen tale is Crippen's typist and lover, Ethel Le Neve - was she really just 'an innocent young girl' in thrall to a powerful older man as so many people have since reported? __________ PRAISE FOR STORY OF A MURDER: 'Gripping and eye-opening' I-news, Book to Watch Out For 'Reads like a great thriller. I inhaled it' Bella Mackie, bestselling author of How to Kill Your Family 'A unique combination of sleuthing, storytelling and compassion' Lucy Worsley, bestselling author and historian 'Fascinating. It's about time Belle became the hero of her own story' Val McDermid, bestselling author of the Karen Pirie series 'As compelling as any crime drama' S J Parris, bestselling author of the Giordano Bruno series 'I had my hand over my wide-open mouth...I can't recommend it more: I will be thinking about it for a very long time. Rachel Joyce, bestselling author of The Homemade God 'Takes us beyond the world of Dr Crippen into the lives impacted by him and the society in which he moved. Terrific' Ian Rankin, bestselling author of the Rebus series 'Compelling to the very last page' Denise Mina, award-winning author of Reese's Book Club pick, Conviction 'Does for the Crippen Murder case what THE FIVE did for the victims of Jack the Ripper. Forensic research and insistent sympathetic writing. I loved it' PROFESSOR DAVID WILSON, BBC 1, The Crime Squad 'Breathtaking. Rubenhold has not only produced a thrilling reassessment of a notorious crime, but an impressive portrait of an age' Spectator

The Crime of the Century retold by the Women History Forgot

Story of a Murder

Marilyn Monroe’s final formal photo session and last interview have never been released in their entirety—until now. Completed in July 1962, just a month before her passing, the interview conducted by Richard Meryman was Marilyn at her most open and honest, and the photos by Allan Grant were the only ones ever taken in her home. Now, for the first time, you can read Marilyn in her own words and see her as the world has never seen her before. "A beautifully understated look at an American icon, as she probably wished she could have been seen.” --Library Journal In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day. Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered. Marilyn: The Lost Photographs • The Last Interview is Marilyn Monroe in her own words—words that haven’t been published, until now. In this recently restored and complete transcript, Marilyn candidly talks about her childhood and life, fame, the studio system, her approach to work, celebrity, being a sex symbol, and more. At times joyous, silly, serious, philosophical and pensive, it is a Marilyn that the world has never experienced. Accompanying the interview are more than 400 of Grant’s extraordinary images, most never published until now. This beautifully produced book offers readers a glimpse into Marilyn’s mindset during her final month as she began to assert control of her career and address her relationship with celebrity. Deepening the understanding of Marilyn’s talents, humanity, and true legacy, and the appreciation of her true beauty, this is a fitting tribute to one of the most iconic figures in history.

Marilyn: The Lost Photographs, the Last Interview

Penguin Vitae

A new Penguin Vitae hardcover edition of Audre Lorde’s trailblazing biomythography that cemented the poet’s legacy as a leading voice in intersectional feminism and 20th century literature. In her 1982 genre-fluid memoir, Zami: A New Spelling of My Name, Audre Lorde reflects on how her identity was formed by her relationships with women throughout her life, from her early memories of her mother attempting to shield her from the racism and sexism ingrained in American society to the solidarity she found in lesbian communities in downtown New York in the 1950s and among women whom she worked beside. With candor and trenchant yet simple detail, Lorde paints an intimate portrait of her life, granting readers a window into the formative experiences of one of the greatest writers and feminist thinkers of the 20th century. Zami: A New Spelling of My Name is the second Lorde title to be featured in the Penguin Vitae collection and features a new foreword by award-winning poet Evie Shockley. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A Biomythography

Zami: A New Spelling of My Name

Quartet

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