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Le Guin U: No Time to Spare / B

No Time to Spare

Fugitive Tilts

The Anatomy of Love

Life’s stories are always prone to disruption and digression, thwarting the neat storybook narrative we love so much.
Almost all of our stories follow the same basic pattern: beginning, middle, end: exposition, action and climax. It’s a neat and tidy way of telling a story. But life’s not like that, is it? Life is not neat and tidy, it doesn’t obey the rules. Life’s stories—like the stories told here in But, personal and impersonal, historical and contemporary—are punctuated by disruption, derailment, and digression.
Stories where the good guys lose. Stories where the bad girls win. Stories that just stop in the middle. Stories that fizzle out or simply never get going. Stories that don’t make sense. Stories that start where they should end and end where they start. Stories that go round in a cyclical loop, forever. Unfinished stories. Unstarted stories. Stories that stutter and mumble, that cough and splutter.
That’s what we have here in this book: real stories, that do all of the above. That’s why this book is called But. Because the but is there to disrupt the easy normality of the way we tell our stories. This book is a collection of stories about real lives, real people, and real life. Stuttering, wayward, disjointed, funny, ridiculous, and unplanned.

a Roxane Gay Book Club Pick, 2024

We're Alone

We're living in a time of cultural and political crisis. A crisis like this demands more than books, but without the breadth of information, sense of history, awareness of alternatives and hope for the future that comes from books, things will not get better. Reading is a necessary part of reality, and an unavoidable part of everyday life. We live within language, and using it is as natural to us as breathing. When we think, it's what we think with. This a book about books, about the subversive power of reading, and about the strange nature of books as objects. Ever since childhood, books have been at the centre of Ian Patterson's life, as a poet, teacher, translator, bookseller and collector. As he constructs the last of many libraries, he makes a case for the radical importance of reading in our lives, from Proust to Jilly Cooper, detective novels to avant garde poetry. At once a primer and a manifesto, HOW TO BUILD A LIBRARY is an impassioned invitation into a deeper, richer world of thinking and feeling.

Or, Books: A Manifesto

How to Build a Library

Looking for Life's Meaning

On Reflection

"A memoir of journal notes, early drafts of poems, and short meditations by Marianne Boruch" --

Life Drawing, Poetry, The Cadaver Lab; A Year in Pieces

The Figure Going Imaginary

The world seems to suffocate joy---but joy is not an indulgence; it is a way of life. In Undaunted Joy, Shemaiah Gonzalez offers readers a view of the world through her lens of joy and calls on us to join her in this revolutionary and necessary work.

The Revolutionary Act of Cultivating Delight

Undaunted Joy

Angelaki Humanities

Tracing Literary Sites of Activism

Beyond Ambiguity

From celebrated French author Colombe Schneck, translated by Lauren Elkin and Natasha Lehrer, comes The Paris Trilogy; three autobiographical tales from different seminal periods throughout her life, each interrogating desire, society, love, loss, and womanhood in all its forms.

A Life in Three Stories

The Paris Trilogy

A pin-up and an oracle for millennial women.' Dolly Alderton In her remarkable literary debut, Taylor (AKA Self Esteem) will explore the devolution of a woman.

A Complicated Woman

I am sitting in bed next to Mariah Carey. She's wearing a pair of tiny boxer shorts and a belly-airing vest. "You can lie down if you want", she says. "I mean it's fine, be comfortable, " so I lean further back into the pillows, feigning being comfortable. As a young intern at Pride magazine, Diana Evans was catapulted into the role of culture editor, and so began her career as a journalist, writing about musicians, dancers and artists, interviewing the likes of Viola Davis, Alice Walker and Edward Enninful. In these portraits of contemporary icons, the author herself remains distant - always the observer. Alongside them, in essays and pieces collected here for the first time, we see her turning the lens to the personal. We watch as she dances across stages in London and travels through Cuba. We sit beside her desk as she develops her voice as a writer, shaped by her love for Jean Rhys, James Baldwin and Toni Morrison. We walk by her side as she captures herself in the world - her family and the midlife sandwich, reflections on fashion, yoga, the British monarchy and lockdowns, and the lasting impact of George Floyd and Grenfell. Crafted over twenty-five years, with the intelligence and sensitivity that Diana Evans is known for, I Want to Talk to You invites you into a conversation about literature, art, identity, and everything in between.

And Other Conversations

I Want to Talk to You

No Time to Spare

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