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True D: Memoirs of a Treasury Agent

Memoirs of a Treasury Agent

Solo

One of Literary Hub's most anticipated books of 2024. Winner of the 2025 OCM Bocas Prize for Caribbean Literature. Finalist for the 2025 Zora Awards. Dionne Brand explores English and American literature, and the colonial aesthetic that shaped her sense of self and the world, of what was possible and what was not. In Salvage: Readings from the Wreck, Dionne Brand's first major book of nonfiction since her classic A Map to the Door of No Return, the acclaimed poet and novelist offers a bracing look at the intersections of reading and life, and what remains in the wreck of empire. Blending literary criticism and autobiography-as-artifact, Brand reads Aphra Behn's Oroonoko, Daniel Defoe's Robinson Crusoe, and Jane Austen's Mansfield Park, among other still widely studied works, to explore encounters with colonial, imperialist, and racist tropes from the seventeenth to the nineteenth centuries-tropes that continue in new forms today. Brand vividly shows how contemporary practices of reading and writing are shaped by the narrative structures of these and related works, and explores how, in the face of this, one writes a narrative of Black life that attends to its own consciousness and expression. With the power and eloquence of a great poet coupled with the rigor of a deep and subtle thinker, Brand reveals how she learned to read the literature of two empires, British and American, in an anticolonial light-in order to survive, and in order to live. This is the library, the wreck, and the potential for salvage she offers us now, in a brilliant, groundbreaking, and essential work.

Readings from the Wreck

Salvage

The Inside Story of OnlyFans

Easy Money

San Diego Rising is the definitive biography of a man whose character was as unyielding as the stone he quarried. Henry G. Fenton's story began on the windswept Iowa prairie with a dying father's mandate to his six-year-old son: "Take care of your mother and sisters." That single promise propelled Fenton through a brief stay in a San Francisco orphanage to the rugged San Pasqual Valley, where he herded hogs while barefoot and learned survival from Kumeyaay mentors.From mule skinner to industrial titan, Fenton outworked his rivals to supply the rock, sand, and gravel that paved modern San Diego. Yet, his legacy transcends the concrete foundations of the city. He was a preservationist ahead of his time, whose insight and deep historical convictions led him to quietly reserve key acreages for future generations of Californians. Some of those locations included Mission Bay, the San Pasqual Valley, and the land that would become the Safari Park.Drawing from a treasure trove of century-old artifacts in a privately held archive, Sandra E. Bonura uncovers a visionary who turned personal grief into public joy through his legendary "Old-Timers" picnics.San Diego Rising is more than a rags-to-riches tale. It is the portrait of a boy who never broke his word and a man who built a city with his heart.

The Henry G. Fenton Story

San Diego Rising

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

The Untold Story of Terror, Diplomacy, and Murder in Khartoum

Blood in the Desert

Ein argloser Sohn kurdischer Zuwanderer, der im elterlichen Auftrag seine Schwester und deren Säugling liquidiert; drei Jugendliche, die an einem langen Samstag in der Haft einen Mitinsassen in den Selbstmord treiben; ein smarter Anästhesist, der sich an sedierten Patientinnen vergeht: In den dokumentarischen Kriminalgeschichten von Joe Bausch lösen keine Monster, sondern eher gewöhnlich erscheinende Täter und Täterinnen die größten Schrecken aus. Der populäre Schauspieler, langjährige Gefängnisarzt und Erfolgsautor setzt sich auch in seinem neuen Buch über jeden Voyeurismus hinweg, um dunkle Kammern einer immer stärker fragmentierten Gesellschaft auszuleuchten. Die packenden Geschichten setzen den menschlichen Makel in den Kontext einer brisant gewandelten Zeit.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Die Signatur des Bösen - wahre Geschichten

Totraum

As seen on Steven Bartlett's THE DIARY OF A CEO

The Making of a Permabear

Lessons on Building a Beautiful Life

Still Bobbi

What is the difference between men and women? Jennifer Finney Boylan, bestselling author of She's Not There and co-author of Mad Honey with Jodi Picoult, examines the divisions-as well as the common ground-between the genders, and reflects on her own experiences, both difficult and joyful, as a transgender American. Jennifer Finney Boylan's She's Not There was the first bestselling work written by a transgender American. Since its publication twenty years ago, she has become the go-to person for insight into the impact of gender on our lives, from the food we eat to the dreams we dream, both for ourselves and for our children. But Cleavage is more than a deep dive into gender identity; it's also a look at the difference between coming out as trans in 2000-when many people reacted to Boylan's transition with love-and the present era of blowback and fear. How does gender affect our sense of self? Our body image? The passage of time? The friends we lose-and keep? Boylan considers her womanhood, reflects on the boys and men who shaped her, and reconceives of herself as a writer, activist, parent, and spouse. With heart-wrenching honesty, she illustrates the feeling of liminality that followed her to adulthood, but demonstrates the redemptive power of love through it all. With Boylan's trademark humor and poignancy, Cleavage is a sharp, witty, and captivating look at the triumphs and losses of a life lived in two genders. Cleavage provides hope for a future in which we all have the freedom to live joyfully as men, as women, and in the space between us.

Men, Women, and the Space Between Us

Cleavage

Every object has a story to tell...Fine art. Priceless jewels. Museum-worthy masterpieces. In 1970s New York, the auction world was a velvet-rope affair--until Arlan Ettinger crashed the party.With his wife, Barbara, Arlan launched Guernsey's, a scrappy, anything-goes auction house that turned the industry on its head. Forget Old Masters--Guernsey's sold the unexpected, the irresistible, the downright bizarre. Doors from the legendary Chelsea Hotel. The entire contents of the SS United States. Personal treasures from JFK. If it had a story, Guernsey's could sell it--and suddenly, everyone wanted in.Part business adventure, part cultural time capsule, this is the story of the auction house that proved you don't need millions to own a piece of history--you just need curiosity, a sense of humor, and a willingness to see value where others don't. Because the real magic isn't just in what things are worth--it's in what they mean. A door, a suitcase, a scrap of paper: objects carry the lives, legends, and moments that shaped us. This book is a celebration of that invisible thread between people and things--and the surprising, often joyful ways our stories live on through what we leave behind.

Inside the Auction House That Made the Impossible Possible

The Art of the Unusual

Visionary Creator of Coral Gables

George Merrick, Son of the South Wind

Memoirs of a Treasury Agent

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