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Sam Beam, the Grammy-nominated singer-songwriter behind Iron &amp; Wine, has captured the emotion and imagination of listeners with his distinctly cinematic songs.

Beam S: Love and Some Verses

Love and Some Verses

A Collection of Lyrics, Photos, Art, and Ephemera from Iron & Wine

Voice Junction

Fingernail Moon

Essential Musicals

What links the shows Of Thee I Sing, South Pacific and A Strange Loop? Did you know that the Pulitzer Prize for Drama has been awarded to just 10 musicals since the award's inception in 1917? Why have certain musicals captured the imagination and hearts of the Pulitzer Prize committee? Essential Musicals: The Pulitzer Prize Winners takes a chronological look at the ten musicals that have won the prestigious Pulitzer Prize for Drama sine 1917. Looking at the inception and development of each show, this accessible study unpacks the creation, production and reception of each musical in order to draw parallels within the wider American dramatic canon. Pulling from multiple primary resources, each chapter traces the show from its inception to its opening night. It introduces the reader to each musical's key creators and company members and places them in the larger context of Broadway history. After examining the contemporary reception of each show and its cultural impact - both when it opened and now - it answers the question as to what what made it so appealing to the Pulitzer Board in an attempt to articulate, if possible, the qualities most likely to make a Pulitzer Award-winning musical. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway's biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre's unique brand of magic.

Of Thee I Sing to A Strange Loop

Pulitzer Prize-Winning Musicals

Oxford Three-part Repertoire

Take This Gift

Beyond the Sea

A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society - especially Immigrant, Jewish, Queer, African American, and female artists.

How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Broadway Nation

Christian Gerhaher, one of the most import contemporary singers, writes vividly of his performing life and the experiences that he has had in over thirty years with the great works of the history of the Lied, from Beethoven's 'An die ferne Geliebte' via Schubert's great cycles, Schumann's varied Lieder, and art songs from Gustav Mahler to Othmar Schoeck and Wolfgang Rihm. He reflects on what these Lieder mean, what makes each of them unique and how they should be performed. An essential addition to the canon of writing on singing.

Lieder from Franz Schubert to Wolfgang Rihm

Lyrical Diary

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

for upper voices, SATB, and piano or chamber ensemble This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

Lyrics for Stacey Kent

The Summer We Crossed Europe in the Rain

Elements in Twenty-First Century Music Practice

This Element explores ELT songs from the authors' insider perspective as songwriters. It describes the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made.

Songs for the Language Classroom

More Than Words

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

New Horizons

A Song for St Cecilia

Love and Some Verses

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