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Hauser A: Developing New Musicals in
University Theatre Programs

Developing New Musicals in University Theatre Programs

A Practical Guide

Rowena Hawkins develops an analysis of the European Shakespeare Festivals Network (ESFN) as a productive, intercultural space that destabilises traditional hierarchies in theatre. This book argues that ESFN performances offer audiences opportunities to rethink, rewrite and, crucially, to 'network' Shakespeare through active and comparative spectatorship. Hawkins explores the locations in which Shakespeare Festivals are held and the dislocations that occur when festival Shakespeares move between them, asking what it means to host a range of global Shakespeare productions in historically-significant locations, such as castles or reconstructed early modern theatres. She considers whether festivals hosted in such sites produce different meanings for festivalgoers than those hosted in modern theatre spaces. Using two audience research studies, Hawkins draws out interesting facts about what international Shakespeare festivals mean to those who attend them, what they can offer a divided Europe and how modern retellings of early modern plays influence and complicate local political contexts.

Networking Performance across Europe

Festival Shakespeares

One Hundred Lyrics and a Poem

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.

Visions of the City

Arthur Miller’s New York

Cultural Histories of Theatre and Performance

The Victoria Theatre in Stoke-on-Trent, 1962-1986

Pioneering Theatre-in-the-Round

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

Movement Training as a Catalyst for Change

Physicality and Acting

This open access book proposes a revision of 19th-century theatre history and examines the contribution of amateur theatre practice to European theatre, by shifting the focus to theatre as a cultural, social and aesthetic practice. Non-professional theatre practice has been largely neglected due to deeply rooted prejudice about its aesthetic standards: a prejudice whose origins can be traced back to influential thinkers in the 18th century. Although it was a massive phenomenon in Europe around 1800, amateur theatre has been overshadowed by professional theatre through a privileging of literary and canonical perspectives in the writing of history. This book argues that amateur theatricals contributed to mainstreaming key concepts of aesthetic education and identity building, as well as establishing educative and aesthetic concepts of bourgeois theatre. Amateur theatres not only provide their audiences with an aesthetic experience, they also give their members the opportunity to become involved in social gatherings and performative schemes of self-learning and self-education. During the late Enlightenment, amateur theatres became an important medium to practice and promote concepts of citizenship and the idea of theatre as a key educational factor in society. Focusing on German-speaking amateur theatricals, with regard to a larger frame of European cultural history, this study investigates how citizen identities were shaped and consolidated through amateur performance practices on page, on stage and behind the scenes. The ebook editions of this book are available open access under a CC BY-NC-ND licence on bloomsburycollections.com. Open access was funded by the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme.

Drama and Utopianism in the Nineteenth Century

Performing Citizenship and German Amateur Theatricals

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Now in its fourth edition, Electricity for the Entertainment Electrician and Technician is a comprehensive, practical study guide for aspiring and working professionals in live event production.The book begins with basic electrical principles and circuits, then progresses to advanced topics such as 3-phase power, power calculations, harmonics, grounding/earthing and bonding, generators, and battery power. Throughout, it bridges the gap between theory and practical application, emphasizing electrical safety at every step. With ample photographs and illustrations, practice problems and solutions, and real-world examples from experience and first-hand accounts, it provides readers with the knowledge to safely design, set up, and monitor power distribution systems. The fourth edition includes updated technology throughout, new and expanded information on safety, DC systems, and clean energy technology, more graphics and end-of-chapter quiz questions, all with an emphasis on diversity and inclusion. Also new to this edition are appendices containing US to UK terminology and imperial to metric conversions.Covering topics that are listed in the content outline for the ETCP Entertainment Electrician Certification exam as well as the ETCP Portable Power Distribution Technician Certification exam, this book supports students and practicing technicians and provides new technicians the assistance they need for a successful career in the entertainment industry.Additional resources, including conversion tables, voltage drop spreadsheets, articles from Lighting &amp; Sound International, Lighting &amp; Sound America, and Protocol, and animations and illustrations depicting electricity and electric power distribution developed for the author's workshops, can be found on the companion website www.electrics.tech.

Developing New Musicals in University Theatre Programs

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