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Shona Morris: Physicality and Acting

Physicality and Acting

Movement Training as a Catalyst for Change

Thinking Through Theatre

Political Practices and Poetics at the Borderlands of Performance

Nonconforming Criticism

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Visions of the City

Arthur Miller’s New York

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

How Early Modern Playwrights Shaped the World's Greatest Writer

Shakespeare's Borrowed Feathers

A compendium of ideas about process and performance

Theatreness

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

Making the Rules

Elevator Repair Service

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

Shakespeare in the Theatre

The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.

Shakespeare in the Theatre: Reduced Shakespeare Company

Rowena Hawkins develops an analysis of the European Shakespeare Festivals Network (ESFN) as a productive, intercultural space that destabilises traditional hierarchies in theatre. This book argues that ESFN performances offer audiences opportunities to rethink, rewrite and, crucially, to 'network' Shakespeare through active and comparative spectatorship. Hawkins explores the locations in which Shakespeare Festivals are held and the dislocations that occur when festival Shakespeares move between them, asking what it means to host a range of global Shakespeare productions in historically-significant locations, such as castles or reconstructed early modern theatres. She considers whether festivals hosted in such sites produce different meanings for festivalgoers than those hosted in modern theatre spaces. Using two audience research studies, Hawkins draws out interesting facts about what international Shakespeare festivals mean to those who attend them, what they can offer a divided Europe and how modern retellings of early modern plays influence and complicate local political contexts.

Networking Performance across Europe

Festival Shakespeares

Physicality and Acting

Informations bibliographiques

Mots-clés

Informations bibliographiques

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