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Morris S: Physicality and Acting

Physicality and Acting

Movement Training as a Catalyst for Change

Readings in Theatre Practice

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Acting

Yiddish Voices

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh's drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys' first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys' arrest and sentencing. The introduction also shows how the play reflects the influence of 'synchronous theater' (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

A Yiddish Play about the Scottsboro Boys

Mississippi (1935) By Leyb Malakh

Shakespeare and Adaptation

Gender, Sexuality, Race and Politics on Stage

Shakespeare and Ballet

Negotiating Cultural Value

Shakespeare and Comics

Adventures in Theatre Criticism

New British Drama in 15 Scenes

A Critical Reader

Contemporary Choreography

A Search for Hidden Legacies

(Post)Socialist Dance

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

The Artwork Theft Caper that Shook the Art World

Marina Abramovic and Ulay's Historic Gambit

A practical and motivational guide to self-starting and sustaining a career as a theatre director.

100 Notes on Theatre Directing

The Graft of the Art

Physicality and Acting

Informations bibliographiques

Mots-clés

Informations bibliographiques

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