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Gilmour D: Live At The Circus Maximus

Live At The Circus Maximus

Whatever happened to the weirdos? The rock'n'roll rebels? The children of The Revolution who not so much raged against The Man as barely acknowledged the concept of authority? Like vividly plumed birds of paradise whose habitat is gone, they're practically extinct. In their place? The communal voice of the on-trend musical activist, forever saying and doing The Right Thing. The opposite, in fact, of what we used to know as the free-wheelin' rock 'n' roll nutter... Sylvia Patterson remembers them. The freaks, geeks and oddballs who picked up microphones and instruments not to become rich or famous but because they were too mad (or unemployable) to do anything else. The true radicals and loose cannon lunatics who pandered to zero PC tropes, and even less societal rules, determined to live their&nbsp;worst&nbsp;lives. I'm Not With The Man&nbsp;is the freaky flipside to her award-winning memoir&nbsp;I'm Not With The Band, celebrating the era of 'the rock 'n' roll nutter' through her own encounters with some of music's most uncompromising mavericks. From a cursing Adam Ant to a formidable Chrissie Hynde, from a carousing Liam Gallagher to a coruscating Sinead O'Connor, from a comedy Wu Tang Clan to an unrepentant Marianne Faithfull, from a fragile Evan Dando to a furious Thom Yorke... and many, many more. Hilarious, revealing and poignant,&nbsp;I'm Not With The Man&nbsp;is a farewell fanfare to the heroically unhinged, who lived on the edge of not only society but their own precarious sanity. Deliberately. We will not see their like again.

A Writer’s Life with the Music Mavericks

I'm Not With The Man

James Last Rocks The Hits' prangt auf dem Cover dieser ungewöhnlichen Compilation von Deutschlands internationaler Musikikone. James Last und Rockmusik - wie passt das zusammen? Sehr gut sogar! In den 1960er und 1970er Jahren entdeckte der 'Partykönig' die internationale Rockszene für sich und nahm Hits von Bob Dylan, Creedence Clearwater Revival, John Lennon, Neil Diamond, Santana, The Sweet, Van Morrison, The Eagles, Bob Marley, The Animals und vielen anderen auf. Nicht nur seine Fans waren begeistert, auch Musikkritiker und teilweise sogar die Originalkünstler waren sich einig: seine Versionen waren so gut wie die Titel aus den internationalen Charts. Das 4-CD-Set JAMES LAST ON THE ROCKS vereint erstmals alle rockigen Highlights von James Last, aufgenommen mit einer Gruppe von Sängerinnen und Sängern, die er persönlich in Londoner Tonstudios auswählte: die JAMES LAST COMPANY bestand aus Sue Glover und Sunny Leslie (von Brotherhood of Man), Margo Quantrell und Jean Ryder (von den Breakaways), Lyn Cornell (von den Pearls), Kay Garner (von den Ladybirds), Tony Burrows (von Edison Lighthouse) sowie den Studiosängern Neil Lancaster und Peter Barnfather. Sie bilden den Kern von James Lasts groovigem Rocksound! Alle Tracks wurden frisch remastered, ein informatives und bebildertes Booklet erzählt von James Lasts 'Rock-Ära' und enthält interessante Details zu allen Songs.

On The Rocks

Is This What You've Been Waiting For? (Mediabook)

33 1/3

With Universal Mother, Sinead O'Connor explores childhood trauma and her experiences as a woman, mother, target of scorn, and ultimate phoenix. Released in the winter of 1994, Universal Mother was the first recorded work from O'Connor since her duo of protests in 1992 (Saturday Night Live, Madison Square Garden). The sadistic blowback she faced for publicly outing the child abuse of the Catholic Church and its cover-up would have destroyed most. Where Sinead might go next, or if she'd ever record again, was the question. It's a testament to her integrity and extraordinary courage that she was able to resurrect with this extraordinary album. The album takes us on a deeply personal, yet universal journey of womanhood, from the archetypal bad mother to the good and the kind. A feminist statement from Germaine Greer sets the tone, followed by O'Connor letting loose a storm of rage against her abusive mother in "Fire on Bablyon"-a salvo so explosive, it need not be repeated. Other than a song called "Red Football" and a call-out of the truth behind the Irish potato famine, O'Connor is not interested in rage or revenge. With Universal Mother, she offers us a tender, evocative collection of grief and empathy in song. Her miraculous voice is the vessel-the broken, sacred voice of Mother Ireland.

Sinead O’Connor's Universal Mother

An Independent Book of the Month"A superb biography" William Boyd"(A) bold and enlightening exploration of Bowie's later career. Sensitive, witty and often very affecting" The Times"A genuine must buy, as rich in critical appraisal as it is in personal history *****"&nbsp;Classic Pop"An engrossing, entertaining and informative read"&nbsp;Classic RockA major new biography of David Bowie on the 10th anniversary of his death, exploring the second half of his career from commercial failures to critical rebirth in the 21st century.When David Bowie died on 10 January 2016, aged 69, his death was greeted with the greatest display of public mourning since Princess Diana three decades before.Twenty-five years before, Bowie appeared to be washed up. His Eighties career had been a slow descent into self-parody, his attempts to diversify into hard rock with the had been disastrous, and the art-rock music with which he had made his name was badly out of fashion. The Thin White Duke needed a miracle if he was not only going to be able to assume his rightful place at the top of the rock music firmament, but even to continue his career. And a miracle - a resurrection from the dead - is precisely what happened.Lazarus: The Second Coming of David Bowie is the first biography of Bowie that tells the full and candid story of what happened in between those two apparently unbridgeable points. With new and exclusive interviews with the musicians, filmmakers and cultural figures who worked with and befriended Bowie throughout this period, Lazarus is the definitive account of the previously overlooked and fascinating latter half of a great and distinguished career. A career that climaxed with his final masterpiece, Blackstar, and the unprecedented theatrical flourish of his departure from the stage as he passed into legend.

Lazarus: The Second Coming of David Bowie

Die Allstar-Band UNIVERSUM25, bestehend aus Sänger Michael Robert Rhein (In Extremo), Pat Prziwara (Fiddlers Green / Gitarre), Gunnar Schroeder (Dritte Wahl / Gitarre), Rupert Keplinger (Eisbrecher, Antitype / Bass) und Drummer Alex Schwers (Slime) setzt mit ihrem zweiten Album 'Die Maschinen wollen leben' ihren Weg konsequent fort und veröffentlicht hier 10 neue Songs voller Energie und Spielfreude. Thematisch geht es auf 'Die Maschinen wollen leben' wieder postapokalyptisch und dystopisch zur Sache, wobei der Fokus diesmal auf dem angespannten Verhältnis zwischen Menschen und Maschinen, und wachsenden der Macht der Künstlicher Intelligenz liegt. Als Ergänzung dazu deckt die Band mit sozialkritischen Momentaufnahmen und pointierten Texten genau auf, welche Missstände und Auswüchse der Gegenwart den Grundstein für das Hightech-Armageddon bilden.

Deface The Currency

<div>Take a lively look back at the most significant 12-month span in Kiss’s career, 50 years on, joining Paul, Gene, Ace, and Peter as they conquer the world. &nbsp; 1976 suffered no shortage of notable events…Cincinnati’s “Big Red Machine” beat the Yankees in the World Series. Jimmy Carter beat Gerald Ford at the ballot box. Rocky lit up the big screen. And some guy named Bruce Jenner lit up the Summer Olympics. And it was all set against the backdrop of the United States Bicentennial. Kiss stomped into the fray with their platform boots, barnstorming the world and still finding time to record and release two of their all-time bestselling albums. Formed in 1973, Kiss had already grabbed attention with their outrageous makeup, stage show, and (of course) music. But in 1976 the band truly took off, unleashing Destroyer and Rock and Roll Over in a span of just eight months and logging more than 100 performances in North America and Europe. In Kiss ’76, Martin Popoff presents month-by-month narratives following the band around the world, across stages and through studios. The book features: <ul><li>Detailed analyses of both albums, including the recording sessions, sleeve art, and more</li><li>Info panels detailing the albums’ personnel, key dates, and track listings</li><li>Listings of tour dates and venues</li><li>Exclusive author interview material from figures like guitarist Ace Frehley, producer Bob Ezrin, and collaborator Kim Fowley</li><li>Month-by-month sidebars offering concurrent world, entertainment, and music news, putting the band’s impressive achievements in the context of that momentous year</li><li>Stunningly illustrated pages featuring performance and offstage photography, as well as period memorabilia and flat art</li></ul> This nostalgic and handsomely produced book offers a unique look at a critical chapter in the band’s career, sure to appeal to the legions of Kiss fans.</div>

Twelve Months That Defined the Hottest Band in the Land

Kiss '76

'We were reflecting on our own career as it was happening. It’s not that we were&nbsp;trend-conscious, we were doing exactly what we would have been doing anyway.' - Jim Morrison'We didn’t sit down and have a meeting to say, ‘Hey, we want to change the&nbsp;minds of people.’ We didn’t say it but we enjoyed doing it.' - John Densmore'The Doors is bigger than any of us, and that only happens once in a lifetime and&nbsp;not to many people. It’s an honour to be one of The Doors.' - Robby Krieger'We were just a bunch of psychedelic guys trying to spread the word and the feel of&nbsp;what it was like to be high in Venice back in the mid-sixties. And boy, was it a good feeling to watch&nbsp;that sun set into the middle of the ocean and feel that peace, and to feel at one with the universe.' - Ray Manzarek﻿Night Divides the Day is the definitive chronicle of The Doors, offering an intimate&nbsp;and richly illustrated exploration of the band’s legendary journey. Featuring&nbsp;interviews with Robby Krieger and John Densmore and meticulously sourced&nbsp;archival text from Jim Morrison and Ray Manzarek, their 50,000-word manuscript&nbsp;comes to life with a treasure trove of rare, unpublished&nbsp;photographs, original recording and production notes and exclusive memorabilia – all&nbsp;drawn from The Doors’ private archives.In this first-hand account, The Doors narrate the band's story from their early days&nbsp;playing local clubs on the Sunset Strip in Los Angeles to the iconic, and sometimes&nbsp;infamous, moments that defined their career. From the electrifying release of&nbsp;anthems like ‘Light My Fire’, ‘The End’ and ‘Riders on the Storm’, to the notorious&nbsp;Dinner Key Auditorium performance in Miami, Night&nbsp;Divides the Day captures the essence of The Doors’ meteoric rise&nbsp;and the reverberations they left in their wake.Featuring new and insightful contributions from a diverse array of artists, including&nbsp;Van Morrison, Nile Rodgers, Slash, Nancy Sinatra and more, the book is anchored&nbsp;by a foreword from Nirvana bassist Krist Novoselic and an afterword by maestro&nbsp;Gustavo Dudamel. These unique voices offer fresh perspectives&nbsp;on The Doors’ indelible cultural impact.Granted unprecedented access to the band’s archives, Night Divides the Day is a&nbsp;visual and narrative feast. The book showcases a stunning personal collection of&nbsp;historical artifacts – childhood photographs, handwritten song lyrics, poster art,&nbsp;movie stills and previously unseen album cover outtakes. Images of the band&nbsp;in the recording studio, along with work from celebrated photographers and trusted&nbsp;insiders, transport readers behind the scenes and on the road with The Doors. In&nbsp;addition, rare and invaluable items from the band’s history, including vintage&nbsp;instruments and recording equipment, are specially photographed to enrich this&nbsp;kaleidoscopic portrait of one of rock music’s most legendary bands.Night Divides the Day is the ultimate account of The Doors, capturing their incredible&nbsp;story and enduring legacy in a way that has never been seen before.

Night Divides The Day: The Doors Anthology

EPiC: Elvis Presley in Concert - Original Motion Picture Soundtrack

Der mit mehreren Platin-Auszeichnungen geehrte, BRIT Award-Gewinner und GRAMMY®-nominierte globale Pop-Visionär MIKA läutet mit seinem siebten Studioalbum 'Hyperlove' eine neue Ära ein - seinem lebhaften und emotional aufgeladenen siebten Studioalbum, das seine charakteristische Mischung aus Theatralik, Ehrlichkeit und unwiderstehlichen Melodien verkörpert. Das Album ist auf LP und CD erhältlich.

Hyperlove

BRITPOP

Im Jahr 1982 arbeitet Bruce Springsteen - im Film verkörpert von Jeremy Allen White - an seinem wohl radikalsten Album: "Nebraska". In einer Phase innerer Zerrissenheit, in der ihn der eigene Ruhm zunehmend zu erdrücken droht, entscheidet er sich bewusst gegen 
das Tonstudio. Stattdessen zieht er sich in die Abgeschiedenheit seines Schlafzimmers zurück. Dort entstehen keine mitreißenden Rockhymnen, sondern düstere, zerbrechliche Songs - Geschichten von Schuld, Verlorenheit und Gewalt, aufgenommen auf einem einfachen 
Vierspurgerät.

Springsteen: Deliver Me from Nowhere

Live At The Circus Maximus

Autres titres sur ce thème