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Montero R: La ridicola idea di non
vederti più. La storia di Marie Curie e

La ridicola idea di non vederti più. La storia di Marie Curie e la mia

Wer später stirbt, ist trotzdem totEin Buch über eine besondere Vater-Sohn-Beziehung, über Nähe und Fremdheit, Liebe und TodAls die Nachricht kommt, die er seit Jahren befürchtet, weiß Hannes Ringlstetter, was zu tun ist: Einen Steinpilz will er finden und seinem Vater auf die 'letzte Reise' mitgeben. Sehr berührend und nachdenklich setzt Hannes Ringlstetter sich mit dem Vater auseinander, sucht einen Umgang mit der Endlichkeit. Er zeichnet ein vielschichtiges Bild des 'humanistisch christlichen Welterklärers', der doch auch eine dunkle Seite hatte. Ausgesöhnt hat er sich längst mit ihm. &nbsp; Hannes Ringlstetter schreibt über den letzten Willen und letzte Worte, über Krankheit, Sterben, Abschied und was es mit einem macht, wenn der einst so wortgewaltige 'alte Herr' sich kaum mehr artikulieren kann. Ein Buch voller Wärme und Zuneigung und ein Anstoß zum Miteinander.'Dieses Buch ist berührend, es ist lustig und sogar lehrreich. Man sollte es lesen, bevor die eigenen Eltern sterben. Und man wünscht sich als Vater, posthum so geehrt zu werden.' Jan Weiler&nbsp;'Ein zauberhaftes Buch, auch wenn es traurig ist an vielen Stellen. Ich empfehle es sehr.' Judith Rakers, 3nach9'Hannes Ringlstetter setzt sich in diesem Buch einfühlsam mit dem Ende auseinander. Und es wird klar: Ohne Humor geht es nicht. Und beim Lachen kommen einem ja auch manchmal die Tränen.' Linda Zervakis'¿Ein Steinpilz für die Ewigkeit¿ ist Ringlstetter. So kennt man ihn, so liebt man ihn, und jetzt weiß man auch, warum.' Hans Sigl

Mein Abschied vom Vater | Eine wunderbare, berührende Geschichte über Nähe, Ferne und Verlust

Ein Steinpilz für die Ewigkeit

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious. In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings. With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?” To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Reflections on the American Canon

Language as Liberation

Erweiterte Taschenbuchausgabe 

 In zahlreichen literarischen Essays untersucht Hugo Tepest unser Begehren und fragt, wo die Grenzen zwischen subjektiver Lust, sexueller Identität und gesellschaftlicher Norm verlaufen. Von Pornhub bis zu Erika Lust, von katholischem Kink bis hin zur Frage nach queerer Scham öffnen die hier versammelten Texte ein Kaleidoskop aus intimen Betrachtungen und kritischen Auseinandersetzungen.
Hugo Tepest interessiert sich dabei vor allem dafür, wie unsere Sprache, wie unsere eigenen Erzählungen von uns selbst Machtstrukturen nicht nur reproduzieren, sondern erst herstellen. So erhalten wir in einem suchenden, tastenden Text eine Idee davon, wie sexuelle Hierarchien sich im Privaten auflösen ließen: Im titelgebenden Essay ¿Power Bottom¿ wird so deutlich, dass Selbstzuschreibungen wie 'Top' und 'Bottom' letztlich kein starres Gefüge für die eigene Lust bieten können.

Power Bottom

Objekte widersprechen - Objects Talk Back

Writing Femicide in Mud

De-blading the Knife

The incredible first memoir from the Booker-winning radical icon Arundhati Roy, author of The God of Small ThingsTHE SUNDAY TIMES BESTSELLER WINNER OF THE INDIE BOOK AWARDS 2026 A WATERSTONES PAPERBACK OF THE YEAR 2026 SHORTLISTED FOR THE WOMENS PRIZE FOR NONFICTION 2026'Heart-smashed' by the death of the mother she ran from at age eighteen and shaken by the intensity of her response, Arundhati Roy began this remarkable memoir - a soaring account, both intimate and inspiring, of how the author became the person and the writer she is: shaped by circumstance, but above all by her relationship to her extraordinary, singular mother, Mary, who she describes as 'my shelter and my storm'.With the scale, sweep and depth of her novels, and the passion, political clarity and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace - a memoir like no other.'I loved Arundhati Roy's memoir; raw, tender, honest about the ferocity of mother-daughter relationships and the making of a writer' Nilanjana Roy, Financial Times (Books of the Year)'Outstanding. Roy's life story is truly remarkable' Nicola Sturgeon, Observer (Books of the Year)FOYLES BOOK OF THE YEAR 2025 AUDIBLE BOOK OF THE YEAR 2025 BLACKWELL'S NON-FICTION BOOK OF THE YEAR 2025 WINNER OF THE GOOGLE PLAY BEST OF 2025 AWARD SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2025 SHORTLISTED FOR THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2026

Mother Mary Comes To Me

Ein Schmuckstück für den heiligsten Teil des Körpers.

Aus einem scheinbar einfachen Kamm schafft die preisgekrönte Roman- und Theaterautorin Whiti Hereaka ein Spiegelbild der Ehrfurcht und Schönheit. Ihr Text ist in neun Abschnitte gegliedert: »ein Teil für jeden Zahn und ein Teil für jede Lücke zwischen ihnen«. Die Teile erzählen von Liebe, Verlust und Sehnsucht. Sie erzählen Geschichten von Walen, aus deren Knochen Objekte hergestellt wurden. Über einen Schnitzer, der einen Kamm herstellt. Sie erzählen von M¿ori-Göttern und der Macht der Frauen. Von kolonialen Walfängern, die ihre Beute im Südpazifik fast bis zur Ausrottung der Tiere fischten. Sie erzählen nicht zuletzt von einer Schriftstellerin, die sich die Haare schneidet und durch die Welten zieht, um Verbindungen zu weben.

Ein Schmuckstück für den heiligsten Teil des Körpers

He Heru. Ein Kamm

A friendship is a filiation we choose. It holds love and laughter; it can extend our sense of the possible. Moved to honour a form of relation often subordinated to romantic and familial ties, and to explore a part of her own history, Hélène Giannecchini pieces together an alternative genealogy of queer ancestors. In searching and sensitive prose, she sifts the past to bring existences deemed 'marginal' into communion with each other, traces of which may remain only in memory and archival fragments. Roving from Casa Susanna, a space of freedom from persecution in McCarthyite North America, to the diary of a man living with HIV in France, and to the life and work of pioneering lesbian photographer Donna Gottschalk, each narrative counters oblivion through loving acts of witness. A slantwise gathering of queer life and activism in the twentieth century, interspersed with images encountered by chance, An Army of Lovers Cannot Fail establishes friendship as a vital political force and offers a moving testament to its liberatory power.

An Army of Lovers Cannot Fail

'The best book on "story" that I have ever read' Jimmy McGovern 'A masterpiece . . . genius - funny and wise and occasionally profound' Billy Ivory A masterclass in telling stories - and how they shape our world - from the internationally renowned narrative expert To command narrative is to control a sometimes frightening power. What is it that turbocharges some tales, and how is it possible to harness that potency? John Yorke has revolutionised our understanding of story structure. In this new book he delves deeper - into how to put that structure to work in the world. Trip to the Moon takes us on a journey not just through drama and fiction but through politics, religion and non-western narrative, to seek out the role of story in all our lives, examining how to utilise its lessons to create life-changing tales - and, in a world aflame with conspiracy theories, to guard ourselves against their darker purpose too. Revealing the artful symmetry and underlying principles that connect Summer beach reads to Classical Chinese poetry, superhero flicks to Russian arthouse, and classical rhetoric to state propaganda, Yorke makes dazzling connections that show how stories have the power to transfigure the chaos of our existence into a new equilibrium, and make the world anew.

Understanding the True Power Of Story

Trip to the Moon

From viral spoken word poet and author of&nbsp;The Rose&nbsp;That Blooms in the Night, a luminous new collection for fans of Rupi Kaur and Cleo Wade that explores themes of mindfulness, love, grief, and the strength it takes to be soft. “Allie's poetry doesn’t just speak, it holds up a mirror. With raw truth and quiet grace, her words&nbsp;cut through the noise and pull you home to yourself.”—Jay Shetty, #1&nbsp;New York Times&nbsp;bestselling author and host of&nbsp;On Purpose In a world obsessed with productivity and perfection, Allie Michelle’s poetry is a radical invitation to slow down, soften, and come alive. With a voice both fierce and tender, she reminds us that beauty is a birthright. Her newest collection,&nbsp;Don't Wait to Light the Candles,&nbsp;is a poetic call to presence: a celebration of small sacred moments, a reckoning with pain, and a spark for anyone learning to rediscover their joy and live with their whole heart. This book is both balm and blaze—a place to land, and a push to rise. Do not despair about Who the world wants you to be, The world was never watching. Exit stage left And send away your scripts. The best lives Are the ones worth disapproving of— Footprints in the sand washed away So no one can follow. The only thing worse than a mistake, Is a person too careful to make them.

Poems

Don't Wait to Light the Candles

From James B. Stewart, the New York Times bestselling co-author of Unscripted and winner of the Pulitzer Prize, a deeply reported investigation into Harvard University, what happened when the Trump administration declared war on it, and the epic battle between the old guard and new money for control over a fabled institution Harvard University, a symbol of excellence and prestige for nearly 400 years, has been under attack. The assault, by no means limited to the right-wing attacks on DEI, or the lawsuits brought by the Trump administration over billions of dollars in Federal funding, has exposed deep fault lines within academia and American society at large. The Harvard presidency is arguably the most powerful and influential position in academia, not least because it comes with huge sway over the university’s vast $68 billion endowment. Beginning with the controversial tenure of Lawrence Summers as president of Harvard, James Stewart goes behind the scenes with power brokers and students alike to reveal how Summers’s abrupt departure set the stage for a progressive backlash when Drew Faust was hired as his replacement, and for the choice of Claudine Gay as the university’s first Black president. After Hamas attacked Israel, Republican Congresswoman and Harvard graduate Elise Stefanik led a Congressional inquiry into antisemitism on campus. As the controversy intensified, Gay was accused of plagiarism and forced to resign. But these events were only the preamble to the multiple lawsuits the second Trump administration would file against Harvard in the years to come, forcing Harvard into the impossible position of trying to defend academic freedom at the risk of losing crucial funding. A propulsive, character-driven narrative, replete with bold-faced names, combining deep investigative reporting and breaking news, this will be the definitive account of an institution on the brink. Using Harvard as the prism, Stewart confronts some of the most entrenched and sensitive fault lines of our polarized age, as the countervailing forces of meritocracy, elitism, identity politics, and tradition bear down on higher education from all sides. At stake is not only the future of Harvard, America’s preeminent university, but the very idea of education itself, and the unending struggle for the soul of the nation.

The War for Harvard and the Future of Higher Education

Ivory Tower

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

A collection of eye-opening natural experiments, showing how economists uncover cause-and-effect relationships and reveal insights about our world. Does having a daughter change how a congressperson votes? How did a nineteenth-century doctor help discover germs? Is it better to go first or second in a penalty shootout? Why don’t diplomats pay their parking tickets? Do leaders really matter? These are all questions economists ask. Some of these questions are serious, others less consequential. But all are interesting—and can be answered by way of the natural experiment. A natural experiment is an event in the real world that neatly divides people into a treatment group and a control group—and it is one of the greatest tools in the economist’s toolkit. In Daughters, Diplomats, and Death, Patrick Gourley discusses why and how economists have leveraged this powerful method to answer questions that were long thought unanswerable. In the vein of Freakonomics, Nudge, and The Tipping Point, the book takes the reader on a lively and engaging tour of some of the most fascinating natural experiments, explaining how they work, how they help social scientists answer questions, and what conclusions they reached. The experiments illuminate a wide range of timely issues in health, education, reproductive issues, and the environment, lending rich and much-needed nuance to the complex debates that shape today’s headlines.

How Economists Use Natural Experiments to Decipher Our World

Daughters, Diplomats, and Death

La ridicola idea di non vederti più. La storia di Marie Curie e la mia

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