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An exploration of the rich history of printmaking at Cleveland’s Karamu House, a center of Black arts, culture, and community since 1915

Salsbury B: Karamu Artists Inc

Karamu Artists Inc

Printmaking, Race, and Community

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

African Ritual, Tradition and Sankofa in the Bedroom

Seeking Sexual Freedom

An in-depth exploration of the work of Frederick Kiesler, the visionary architect, with a special focus on his Mobile Home Library. Frederick Kiesler: Vision Machines explores the work of Austrian architect, theater designer, and theorist Frederick Kiesler (1890–1965). The book’s centerpiece is a close examination of Kiesler’s iconic but unrealized Mobile Home Library, which will be fabricated for the first time and photographed for the publication. Built around a speculative essay by Mark Wasiuta, tracing Kiesler’s visionary, even obsessive interest in sight, dreams, looking, and reading, the book covers Kiesler’s research and teaching at Columbia University’s School of Architecture in the late 1930s and 1940s, focusing on the main projects he developed at his Design Correlation Laboratory, the Mobile Home Library and the Vision Machine. The Vision Machine was imagined as an ambitious device intended to visualize human sight, from optics and nerve stimuli to dream content and hallucinations. The Mobile Home Library was conceived as a dynamic, modular object—part device, part furniture—whose repertoire of rotating, spinning movements allowed variable forms of interaction with readers and users. At first glance these two projects barely resemble each other. Yet together they illustrate the strange and astonishing scope of Kiesler’s correalism, which spanned and confused his biotechnique (a biologically-oriented design process aimed at fostering human health) and his techno-oneiric surrealism. The book is published in conjunction with an exhibition at the Graham Foundation in Chicago in Fall 2024, but is a stand-alone volume. It presents Wasiuta’s substantial research and thinking on Kiesler, a wealth of photographs, drawings, documents, film stills, and pedagogical experiments from Kiesler’s laboratory, as well as photographs of the exhibition’s centerpiece, the (re)construction of the never-built Mobile Home Library. Frederick Kiesler was born in Czernowitz, Austria-Hungary (now Ukraine) in 1890 and died in New York in 1965. For a short time, he was a member of De Stijl, he briefly partnered with Adolf Loos in the 1920s, and he was an associate of many avant-garde artists, including Man Ray and Fernand Léger.

Vision Machines

Frederick Kiesler

A Search for Hidden Legacies

(Post)Socialist Dance

Peleliu

A Community Story About Redlining

Main Street

Earthen Sculpture in South Asia

Clay Works

Papers of Thomas Jefferson: Retirement Series

A definitive new volume of the retirement papers of Thomas JeffersonThe 586 documents in this volume begin with Lafayette's celebrated American tour, during which he spends eleven days at Monticello early in November 1825 and discusses the institution of slavery with Jefferson. During a slightly later visit accompanied by Daniel Webster, George Ticknor describes Jefferson as "very active, lively, and happy," and "entirely absorbed" with plans for the University of Virginia. Francis W. Gilmer returns, having successfully recruited five European professors for the new school. Two teachers already in America complete the founding faculty. Although Jefferson is "almost in despair" that the law chair remains unfilled, the University of Virginia finally opens its doors on 7 March 1825. Fearing that a plan to move the College of William and Mary to Richmond would draw students and resources away from the university, Jefferson's allies defeat the proposal. Jefferson drafts a bill to dismantle the college, but it is ultimately not submitted. Potential university students, professors, and hotel keepers seek information and advice. Jefferson congratulates John Adams on the election of his son to the presidency but commiserates with him that aging has left them both "alone amidst a new generation whom we know not, and who know not us."

1 November 1824 to 3 May 1825

The Papers of Thomas Jefferson, Retirement Series, Volume 22

Healing the Soul of a Nation

Radical Reparations

The author and director of the Martin Luther King, Jr. Library Publishing Project gives voice to long silent African Americans from the past, allowing them to tell their own stories that shed new light on critical moments in the Black Freedom Struggle, challenging what we think we know about Black history. History is at its best when new findings and perspectives challenge old ideas and notions about the past, and even overturn common wisdom.What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&amp;B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really?In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past. In this wide-ranging, impeccably researched book, Ford begins with the 1656 court case of a woman named Elizabeth Key, who won a verdict for her freedom against her would-be enslaver—a victory that would forever change the nature, brutality, and course of American slavery.Ford examines a range of topics, from the role of women in fomenting slave revolts to an in-depth look at how Selma was not really about voting rights or even Martin Luther King, Jr, but about a twenty-six-year-old Black man named Jimmie Lee Jackson who was killed by an Alabama state trooper. As he laying dying in the only hospital that would treat Black people in February 1965, Jimmie Lee whispered to his nurse, a Catholic nun, “Sister, isn’t this a high price for freedom?”Eye-opening, enlightening, and often counterintuitive, this fascinating history includes compelling, heartrending, and factual accounts about people and events in the African American past that teach us things we never learned and challenge the stories we thought we knew.

Raising Hidden Voices from the African American Past

A High Price for Freedom

Keeper of Lost Children

Karamu Artists Inc

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