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Medieval Animals

Wackers Paul: Introducing the Medieval
Fox

Introducing the Medieval Fox

What did medieval people call the animals they lived and worked with? Why did they give them the names they did? This book sets out to answer these questions. Drawing evidence from literary, documentary and material sources, it surveys the surviving evidence of pet-naming from the period, as well as examining the labels given to livestock and working animals, and the folk-names given to wild birds and beasts. Alongside building up a corpus of names, the conventions that directed animal naming in the Middle Ages are considered, as well as how proper nouns behaved when given to non-human organisms. Through its inquiry, the book lays bare the period's larger attitudes towards animals, their functions and identities, and at the same time sheds light on how the Middle Ages conceived the natural world as a whole and its relationship with human beings and their culture.

Introducing Medieval Animal Names

An annotated edition of Leon Modena's Hebrew Musar book Tsema? Tsaddik ('Pious Plant'), originally published in Venice in 1600. Tsema? Tsaddik follows the format of a medieval Physiologus, where each chapter corresponds to a specific animal and addresses various human behaviors, traits, vices or virtues. Additionally, each chapter features an explanation of its theme, evidenced by quotes from the Old Testament, Greek and Roman philosophers, Rabbinic Sages and fathers of the Church - along with at least one folktale. The translation is accompanied by a thorough and comprehensive introduction to describe the world of Musar pre-modern books, and offers insights into Modena's cultural context.

Animals and Creatures in Tsemah Tsaddik by Leon Modena

The Hebrew Physiologus

This book examines the swan in medieval literature, spanning from Classical to Early Modern associations.

Introducing the Medieval Swan

Introducing the Medieval Ass presents a lucid, accessible, and comprehensive picture of the enormous socioeconomic and cultural significance of the ass, or donkey, in the Middle Ages and beyond. In medieval times, the ass was a vital, utilitarian beast of burden, rather like ubiquitous white delivery vans today. At the same time, however, the ass had a rich, paradoxical reputation. Its hard work was praised but its obstinacy condemned. It exemplified the good Christian, humbly bearing Christ to Jerusalem, but also represented sloth, a mortal sin. It had a potent sexual reputation--in one literary work, an ass had sex with a woman--even as it was simultaneously linked to sterility. Over time, the ass also became synonymous with human idiocy, a comic figure representing foolish peasants, students too dull to learn, and their asinine teachers. This trope of foolishness was so prevalent that by the eighteenth century the word "ass" began to be replaced by "donkey." Introducing the Medieval Ass offers a wide-ranging account of the importance, and often surprising cultural prevalence, of this common domesticated animal.

Introducing the Medieval Ass

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

A Guide to Organisations, Policy and Funding

Culture and Media in the UK

Vol. 15.3

Cultural Trends

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

There are very few sociology textbooks that attempt to provide a general introduction for students to modern Asia. Within the framework of the comparative sociology of Asian societies, this volume explores key issues in culture and social structure. In cultural terms, it considers religion, nationalism and popular culture. With regard to social structure, there is an emphasis on gender, the family, social class and ethnicity. This comparative study also examines major aspects of social change relating to contemporary globalization.

Asian Societies: An introduction

An Alternative History of Liverpool

Scouse Republic

Arden Studies in Early Modern Drama

Power, Gender and the Magic of the Theatre

Mirrors in Shakespeare and Early Modern English Drama

The dinosaur-bird transition has been intensively studied using both fossil and embryological evidence. In recent years, the notion that birds are living dinosaurs has become the mainstream opinion in paleontology. But some embryologists and ornithologists remain skeptical and accuse paleontologists of ignoring conflicting evidence. This book resolves these conflicts. Careful re-evaluation of those features in seeming contradiction reveal that such characteristics actually support and corroborate the mainstream view that birds are in fact members of a dinosaurian lineage - they are living dinosaurs.

Interpreting and Resoliving Developmental Evidence

Embryos of Living Dinosaurs

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

The book seeks to move forward debates on postsecularity as conceived by Habermas et.al. which recognise that, contrary to secular expectations, religion persists. The study is unique in exploring the irruptions (external breakthroughs) that unsettle secularisation and which give rise to postsecularisation. This shift has rendered sociology vulnerable to some unexpected theological considerations, some of which are explored in the study. Topics considered in the study, which make it accessible, include: dilemmas of naming; emotions and the visual; martyrdom and theodicy. Each of these has irruptive properties that force sociology to reconsider its theological debts. Postsecularity has become a fashionable term, but one which needs to be fleshed out and this study grasps a moment of opportunity to do so, which renders it original.

Postsecularity and Sociology

This book convincingly argues that the early medieval kingdom of Northumbria existed as a single political entity with a shared culture. Sián Webb makes the case that, while the kingdom itself includes three major cultural regions with distinct identities, by studying the similarities and differences in material and artistic culture it can be demonstrated that these identities managed to exist in tandem and were taken up by communities and groups when necessary and convenient. Webb shines a light on how the individual regions possessed different histories that helped shape how the people and communities expressed the shared Northumbrian identity.

Focusing on the period from 600 CE to 867 CE, Material Culture, Communities and Identity in Early Medieval Northumbria builds upon the developing tradition of research into layered identities and group culture established in various academic disciplines. The purpose here is to consider the different identities and cultural differences that developed in different regions and among different hierarchical communities from those in power to the less influential, though no less interesting or important, individuals whose work both allowed their communities to function and helped drive, adapt and spread new cultural traditions. Taking an interdisciplinary approach, the book broadens the view of early medieval Northumbria beyond the high-status settlements and people and, where possible, uses material culture and archaeological sources to include texture of non-elite identities within the kingdom.

A Land of Five Languages

Material Culture, Communities and Identity in Early Medieval Northumbria, 600-867 CE

The book reviews recent cosmopolitan thinking and theorizing from the perspective of the twenty-first century. It queries the social bases of cosmopolitanism and evaluates how cosmopolitan theories may be biased.

From European Integration to Global Hopes and Fears

Cosmopolitanism and Belonging

Routledge Critical Thinkers

Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.

Plato, Aristotle, Longinus

Classical Philosophers on Literature

Introducing the Medieval Fox

Informations bibliographiques

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Informations bibliographiques

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