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Otani A: Hollow Inside

Hollow Inside

Bullfight

Now I Surrender

The hot, twisty, stay-up-all-night novel for fans of THE GUEST and MY SISTER THE SERIAL KILLER

Killer Potential

The prose short story arrived in Bengal in the wake of British colonizers, and Bengali writers quickly made the form their own. By the twentieth century a profusion of literary magazines and journals meant they were being avidly read by millions. Writers responded to this hunger for words with a ferocious energy which reflected the turmoil of their times: these stories covered land wars, famine, the caste system, religious conflict, patriarchy, Partition and the liberation war that saw the emergence of the independent country of Bangladesh. Across these shifting geographical borders, writers also looked inward, evolving new literary styles and stretching the possibilities of social realism, political fiction and intimate domestic tales. A first in English, this anthology gathers together a century's worth of extraordinary stories. From a woman who eats fish in secret to the woes of an ageing local footballer, from the anxieties of a middle-class union rep to a lawyer who stumbles upon a philosopher's stone, this is a collection that celebrates making art of life, in all its difficulty and joy.

The Penguin Book of Bengali Short Stories

The Palm House

THE KOREAN SENSATIONPerfect for lovers of The Midnight Library and Days at the Morisaki Bookshop, this is an unforgettable novel about the power of books - and a mysterious bookshop that gives you the chance to rewrite your story...

The Memory Bookshop

Life Number Nine

the warm and witty new novel from the author of Irresponsible Adult

Is That You, Beth Cherry?

Just Like a Dream

White Spaces

Cleopatra

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Hollow Inside

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