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Hokusai

beyond the Great Wave

Phaidon Compacts

Celebrate five centuries of female creativity with this groundbreaking survey of women artistsGreat Women Artists is the most extensive illustrated survey on women artists ever published. Now available in a sleek compact format, this essential volume reflects an era where art made by women is more visible than ever.Organized alphabetically, the book features more than 400 artists from 50 countries around the world, representing each with a beautifully reproduced full-page artwork and a short illuminating text about its creator. Readers will find works by iconic and influential artists, such as Artemisia Gentileschi, Mary Cassatt, Georgia O'Keeffe, Frida Kahlo, Agnes Martin, Louise Bourgeois, Yayoi Kusama, and Cindy Sherman, as well as lesser-known names equally deserving of attention.Inspiring, impressive, and expansive in scope, Great Women Artists reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.Introductory essay by Rebecca MorrillArtist texts by James Cahill, Louisa Elderton, Elizabeth Fullerton, Orit Gat, Ferren Gipson, PL Henderson, Katy Hessel, Catalina Imizcoz, Louisa Lee, Henry Little, Helen Luckett, Kathleen Madden, Henry Martin, Tom Melick, Rebecca Morrill, Yates Norton, Cleo Roberts, Matthew Price, Gabrielle Schwartz, Robert Shane, Mitch Speed, David Trigg, and Ellen Mara De Wachter

Great Women Artists

The World According To

A compact, illustrated collection of Henri Matisse's insights into art and life. In addition to being a formidable artist, Henri Matisse (1869-1954) was a prolific letter writer and regular contributor to many publications. Following in the successful format of 'The World According to ...' series, this anthology of quotations unites Matisse's thoughts and artworks to construct a unique view of the world, as seen through the eyes of one of the greatest artists of the twentieth century. Covering topics ranging from fame - 'An artist must never be ... a prisoner of success' - to war and occupation - 'All is well here, but we see things that are hilarious and dreadful all at once' - art - 'All colours sing together; they have the essential force of a choir' - and work - 'When you work to please other people, you achieve nothing' - The World According to Matisse paints a picture of a life as lively as it was rich. Beautifully designed and illustrated with works of art from throughout Matisse's storied career, this is the perfect gift for art lovers everywhere.

The World According to Matisse

Love, War, and the Birth of Impressionism

Paris in Ruins

Shortlisted for the Women's Prize for Non-Fiction An insightful dual biography of brother and sister artists Gwen and Augustus John. 'Outstanding' - The Guardian 'Superb' - The Telegraph 'A must read' - Anne Sebba 'Lively' - The Times They seemed to be polar opposites . . . Augustus: vivid, volatile and promiscuous. He was a hero among romantics and bohemians, celebrated as one of the great British talents of his generation. Gwen's art was magnificent, but she was also more reserved, and as a woman she struggled for the recognition which has only come to her now, years after her death. Artists, Siblings, Visionaries by Judith Mackrell is a riveting story of love, infidelity, betrayal, and of two extraordinary siblings whose art and lives subverted society's expectations.

The lives and loves of Gwen and Augustus John

Artists, Siblings, Visionaries

The first major biography on Anni Albers traces the complex personality and influential artistic career of the groundbreaking modern artist &nbsp; "Brilliant anecdotes. . . . The first comprehensive biography of this fascinating artist, an indelible figure of not just textile art but modernism itself."-Grace Edquist, VogueAnni Albers (1899-1994) was a pioneer of twentieth-century modernism. As a textile designer, weaver, writer, and graphic artist, she inspired a reconsideration of fabrics as an art form, both in their functional roles and as wall hangings, and took the processes of printmaking into uncharted territory. This intimate biography draws on personal conversations with Albers from the 1970s up until Albers's death and on unprecedented archival research to tell a fresh and full story of Albers's life and the development of her unique and influential artistic vision.Capturing Albers's extraordinary perspective about the world around her, whether the milieu she was observing was the wealthy bourgeois Berlin of her childhood or the Mexican villages where she came to feel remarkably at home, Nicholas Fox Weber brings the artist's pithy wit and imaginative mind to life. Weber presents a riveting narrative that follows Albers's trajectory from her time at the Bauhaus and at Black Mountain College to her later years in Connecticut. He considers her complex relationship with her world-renowned husband, Josef Albers, as well as her encounters with luminaries such as John Cage, Buckminster Fuller, Walter Gropius, Wassily Kandinsky, Paul Klee, and Louise Nevelson. He also describes her torturous, late-life obsession with film star Maximilian Schell, thirty-one years her junior. Weber foregrounds Albers's perpetual curiosity, originality, and humor, as well as her novelistic sense of the world around her.

A Life

Anni Albers

Koudelka: Diaries offers insight into the mind of this iconoclastic Czech photographer renowned for projects on the Roma, the 1968 Soviet invasion of Prague, and the impact humans have had on the landscape. Over the course of fifty-plus years Josef Koudelka has kept nearly seventy journals. Distilled now into one richly illustrated volume, Koudelka: Diaries offers a look inside the mind of the iconoclastic Czech photographer renowned for his life in exile and a career that has included seminal projects on the Roma, legendary coverage of the 1968 Soviet invasion of Prague, and volumes on the often-devastating impact humans have had on the landscape. Revealed throughout the book are Koudelka's thoughts on photographers, such as Henri Cartier-Bresson, and editors, curators, and friends, including Robert Delpire and Anna Fárová, along with notes on his legendary projects. Facsimiles of actual diary pages and images by the photographer, including self-portraits, lend the volume an immediacy and authenticity. Josef Koudelka: Diaries provides a perfect companion to Josef Koudelka: Next (2023), the visual biography by Melissa Harris, editor at large at Aperture, and has been brought together by the same creative collaborators: designer Ales Najbrt and translators Derek and Marzia Paton.

Josef Koudelka: Diaries

From the acclaimed author of Michelangelo, God’s Architect, a dual biography of two towering artists of the Renaissance, whose decades-long rivalry spurred both to greater heights In 1529, Michelangelo was in Venice when he first met Titian, Venice’s famed painter of princes, gods, and goddesses. Coming face-to-face with Titian’s drama-infused, richly colored works, the creator of David and the Sistine Chapel ceiling realized he had met a worthy opponent. Twenty-five years later, Titian came to Rome to paint the pope, and the two met again. Painting in the Vatican, Titian experienced the full power of Michelangelo’s work and vowed to surpass the achievements of his older contemporary. Michelangelo and Titian is the untold story of history’s greatest artistic rivalry, a competition between two monumental figures more admiring of one another than either would ever admit. William Wallace brings the world of the sixteenth century to life, and in particular its culture of gossip and intrigue. Wallace challenges the established narrative of this relationship as mostly one-sided, with the younger artist in competition with the reigning master. He shows how the artists moved in overlapping courtly and papal circles, sharing the patronage, power, and sometimes friendship of the most important people of their era, including members of the Medici, Este, and Farnese families. Wallace traces how, over the span of some forty years, this unspoken rivalry was reciprocal and mutually beneficial, with each learning from the other’s brilliance, quietly seeking to best the other’s work and secure his own legacy. An extraordinary achievement, Michelangelo and Titian is a compelling account of two supremely gifted rivals who inspired each other to test the limits of their creative genius, and in doing so created some of the most astonishing works of art the world has ever known.

A Tale of Rivalry and Genius

Michelangelo and Titian

Marsilio Arte

Reconciling violence and ingenuity, intimacy and theatricality, Schütte's ongoing examination of the human figure spans drawing, painting and sculptureUnclassifiable and protean, German artist Thomas Schütte's (born 1954) work takes an uneasy, ironic look at the human condition. Genealogies explores the circulation of motifs--mainly the human face--in Schütte's works, transposed from one medium to another. Caricatured, sometimes abused and always in motion, Schütte's anthropomorphic figures and busts come to life in clay, wax, ceramics, glass, steel or bronze, all anchored in his preparatory drawings and portrait sketches. This catalog analyzes the artist's relationship between paper and sculpture, the historical iconography of his signature faces and his creative process. Many of the drawings and watercolors presented here have never been published before, giving the reader access to a more intimate facet of Schütte's work.

Genealogies

Thomas Schütte

Artisan Art Sketch Books

Unser kunsthandwerklich gefertigtes Softcover-Premium-Skizzenbuch mit dreidimensional geprägtem Kunstledereinband, rundem Buchrücken und farbig gemustertem Buchschnitt übertrifft die Grenzen klassischer Skizzenbücher. Mit 144 Seiten aus hochwertigem, weißem Papier bietet das Skizzenbuch viel Platz, um unvergessliche Momente und Szenen spontan zu zeichnen und kreative Ideen festzuhalten. Die Seiten sind ohne Linien. 

Produkteigenschaften:
Maße: 28 cm Hoch x 21,6 cm Breit und 1,5 cm Dick
144 weiße Seiten ohne Linien oder Kästchen.

Utagawa Hiroshige: The Sea at Satta Artisan Art Sketch Book

The first comprehensive survey of Baselitz's printmaking Celebrating six decades of print making, A Life In Print is the first comprehensive book on an important part of Georg Baselitz' artistic practice. Considered to be one of the greatest painters alive and credited to have revived Figuration in a time when Abstraction ruled the art world, the German artist started to explore different print techniques beginning in 1964, and never stopped to see them as an integral part of his work. While his contemporaries used new offset and screen-print techniques to create what amounted to reproductions in often high editions, Baselitz rejected the Zeitgeist and explored century old techniques like dry point etchings, aquatinta, wood and linocuts, while tirelessly pushing his own artistic limits. The book brings together more than 245 prints and introduces the reader to all major themes and motives of Baselitz career, from the so-called Heroes of the mid-60ies to his iconic images of Eagles to the manyfold portraits of his wife Elke. The book forcefully makes the point that no other artist since Picasso has done more for and in that genre than Baselitz. Edited by Cornelius Tittel in close collaboration with the Baselitz Archive in Munich, the book features an anthology of the quintessential historic texts on Baselitz' printmaking - amongst others by himself, fellow artist Per Kirkeby and art historians like Michael Semff and Reiner Michael Mason. A new essay by Frode Sandvik, curator at Kode Museum, explores the shared affinities in the print work of Edvard Munch and Georg Baselitz.

Baselitz. A Life In Print

A glorious publication on the "saintly and excellent" Florentine friar and painter whose religious scenes exemplify Renaissance theories of perspective and humanismAfter exploring the language of Gothic painting, the great Tuscan artist Fra Angelico enthusiastically took up the new principles of Renaissance art then emerging in Florence. This volume offers a thorough exploration of the extraordinary talent of this artist, bringing out his capacity for artistic innovation in the service of deep spiritual values. The book also provides a comprehensive assessment of the current state of research on Angelico. Its scholarly significance is further reinforced by the unprecedented reunion of five altarpieces that have been dismantled over the centuries: the San Piero Martire Altarpiece, the San Domenico Altarpiece in Fiesole, the Compagnia di San Francesco Altarpiece in Santa Croce, the San Marco Altarpiece and the Perugia Altarpiece. While the main panels have stayed in Italy, the remaining elements are dispersed across museum collections worldwide. The volume includes critical essays, a study of the history of the Museum of San Marco and an analysis of Angelico's frescoes preserved in the Sala del Capitolo, the cloisters and the monastic cells. This is a definitive and indispensable work of reference on the artist. Born in Vicchio di Mugello as Guido di Pietro, Fra Angelico (c. 1395-1455) joined the Dominican order as a mendicant friar. He painted several frescoes for the Convent of San Marco in Florence, including the Annunciation, and decorated Cosimo de Medici's personal room in the monastery. In his later years he was called to Rome to decorate chapels for Pope Eugene IV and then Pope Nicholas V. Of his life, Giorgio Vasari wrote: "it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety."

Fra Angelico

"Art has poisoned our life", proclaimed De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, from Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious. Falconer goes on to guide us through the Russian Constructivists and then De Stijl, the Bauhaus and finally, the Situationists.How to Be Avant-Garde is a journey through the interlocking networks of richly creative lives, their sometimes sympathetic but often strange and turbulent conversations, and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

Hokusai

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