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Waters John: Hairspray

Hairspray

A Screenplay

How to Survive a Fire and A Chaotic Upbringing (Without Losing Your Sense of Humour)

The Hottest Girl at Burn Camp

From two-time Academy Award winner from 16 nominations, and five-time BAFTA award winner from 11 nominations, Sir Roger Deakins - widely regarded as the greatest cinematographer of all time - a one-of-a-kind visual memoir, telling his life's story by way of his iconic, beloved films, including The Shawshank Redemption, Skyfall, Fargo, Blade Runner 2049, The Big Lebowski, 1917, and No Country for Old Men, among others. Cinematography is both an art and science - capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. Over the course of a brilliant 50-year career, Sir Roger Deakins has proven to be the greatest artist &amp; visionary that the craft of cinematography has ever known. In Reflections: On Cinematography, Deakins offers his fans and film enthusiasts a one-of-a-kind look into his life and improbable road to Hollywood immortality. Readers will discover how "the boy from Torquay, England" overcame a troubled childhood to enter his way into art school; his fortuitous entry into world of documentary filmmaking (including a yacht race around the world); to shooting groundbreaking music videos such as Herbie Hancock's "Rock It," to his singular film career, including his longtime collaborations with the Coen Brothers, Sam Mendes, and Denis Villeneuve. Filled with never-before-seen storyboards, sketches, and diagrams, Rogers shows readers how he created some of the most iconic scenes in the most beloved films of all time. Through candid, lyrical prose, Deakins reflects on his life and each of his projects; how he helped shape them, and how they shaped him. A truly unique visual memoir, Reflections is for film fans and general readers alike, and for anyone looking to find inspiration, beauty, and creativity by looking through the singular lens with which Roger views the world.

On Cinematography

Reflections

My story of hope, courage and resilience

Dancing in the Rain

This book offers a bold alternative to conventional screenwriting guides, empowering neurodiverse writers - and anyone seeking a fresh perspective - to rethink the rules of mainstream storytelling and unleash their creativity to craft authentic, groundbreaking stories.This innovative title celebrates the unique perspectives that neurodivergent writers bring to the screen. Drawing on real-world teaching and creative experience to question traditional ideas about character, plot, and emotional logic, Vaughan offers a more fluid, inclusive model of screenwriting shaped by neurodiverse ways of thinking and making. Blending critical theory, practical exercises, close reading, personal insight and inspiring examples, the book positions neurodiverse storytelling as a powerful challenge to industry norms, and a vital opportunity to reimagine how stories can be told. Chapters cover topics such as narrative structure, mastering action in screenwriting, crafting compelling dialogue, and character development. Rejecting traditional prescriptive structures, this book encourages writers to discover their authentic voice, explore genre in unexpected ways, and create characters that reflect underrepresented experiences, illustrating that the film industry benefits immensely from the inclusion of diverse voices and perspectives.This book makes a valuable resource for students and researchers in screenwriting, film studies, creative writing, and media who are looking to challenge established norms and explore new narrative possibilities.

Storytelling Beyond Conventional Boundaries

Embracing Neurodiverse Perspectives in Storytelling

Examines how the DanceSport dispositive shapes its actors' opportunities, desires, and choices to reify the heteronormative gender binary.

A Queer-Feminist Perspective

DanceSport’s Economy of Desire

When Bob and Dick Sherman-two relatively unknown songwriters-walked onto the Walt Disney Studios lot to pitch a song for Annette Funicello, they had no idea that they'd end up meeting Disney himself or that a few months later they'd be developing the songs and story line for the studio's biggest live-action film ever. In this captivating book, Todd James Pierce details the process from conception through production, including the challenges faced in dealing with author P. L. Travers. While the Shermans and their songs are at the heart of the book, there are also lively anecdotes about the casting of the film, the innovative special effects and the relationship between "Mary Poppins" and the larger Disney world. Making Mary Poppins tells the fascinating story behind an iconic film.

The Sherman Brothers, Walt Disney, and the Creation of a Classic Film

Making Mary Poppins

The facsimile typewritten and annotated script of the 1981 cult classic, together with the shocking never-before-published screenplay that Hollywood refused to makeThe 1981 film Possession, directed by Polish filmmaker Andrzej Zulawski (1940-2016), is a no-holds-barred portrait of a disintegrating marriage. Featuring impassioned performances by Isabelle Adjani and Sam Neill, the film starts as a psychodrama, develops quickly into a queasy supernatural horror film and ends up exploding all known genres. A work of rampant and sustained power, its visual daring is equaled by its rich imagination and deep spiritual conviction: a film for the bold and adventurous. Published for the first time as a facsimile of the typed script, Possession includes handwritten annotations and edits by screenwriters Zulawski and Frederic Tuten (born 1936). This typescript offers amazing insight into the creation of the cult film and is a fascinating document of collaboration between two outstanding artists. As an added bonus, this publication also includes Zulawski and Tuten's mysterious, never-before-published script for The Invisibles--a story that, though never filmed, is even darker and more complex than Possession.

Possession: The Screenplay

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

The Insider’s Guide to Writing the Difficult Middle Section of a Screenplay

The Heart of Your Script

Dance and Performance Studies

The story of the emerging professionalization of classical Indian dance forms in Britain is wrought with contradictions. Though becoming increasingly popular within mainstream culture, the forms lack the clear routes to vocational training so essential for creating a dance career in the traditional sense. Towards a British Natyam uses this lens to analyze the cultural, social, and political frameworks that make a profession possible within the arts. Innovatively drawing on the work of decolonial theorists and the sociologist Pierre Bourdieu, Gorringe illuminates the transformative potential of a classical Indian dance profession to decenter white supremacist modes of knowledge formation and recenter pluriversality.

Creating a British Classical Indian Dance Tradition

Towards a British Natyam

Gesundheit, Kommunikation und Gesellschaft

Die Public Health Humanities verstehen Gesundheit und Krankheit als kulturell und sozial geprägte Phänomene. Sie ergänzen die empirisch orientierte Multidisziplin Public Health um geisteswissenschaftliche und künstlerische Perspektiven. Dabei fragen sie nach der Bedeutung des Künstlerischen für die Gesundheit, interessieren sich für moralische, soziale und kulturelle Dimensionen von Gesundheit und Krankheit in Kunst bzw. Medien und bieten theoretische Zugänge für gesundheitliche Analysen an. Bezugsdisziplinen sind u.a. Kunst-, Kultur- und Medienwissenschaften, Philosophie und Geschichte. Die Beiträger*innen leuchten das Spektrum unterschiedlicher Perspektiven und Zugänge der Public Health Humanities erstmals auf Deutsch aus.

Perspektiven der Public Health Humanities

Kunst – Kultur – Gesundheit

Many people think they know who Ben Elton is - but does he? For the first - and only - time, Ben tackles this question head on in his frank, forthright and entertaining autobiography. Taking a deep dive into his life and times, both private and public, to reveal the true stories behind iconic hits such as The Young Ones, Blackadder and We Will Rock You, his pioneering routines hosting Saturday Live, which birthed a revolution in stand-up comedy, and so much more. Ben recounts his life and uniquely varied career from his Catford childhood and being the BBC's youngest ever sit com writer at 21 right up to the present day, with yet another hit sit com, Upstart Crow; a surprise late-life BAFTA; and his most critically acclaimed stand-up comedy show to date. Alongside unique insights into his ground-breaking work, Ben talks honestly and hilariously about his personal and professional relationships with two generations of brilliant friends, inspiring contemporaries, occasional foes, and the times in which they all lived. And Ben's life has been just as challenging, rewarding and funny off screen as it has been on. He unpacks it all with wit, insight and complete honesty. And of course, there's a 'little bit of politics'. After living sixty five years on the planet, forty-five of them in public, tickling many funny bones and getting on a respectable number of wicks, Ben has a lot of stories to tell, and he tells them unvarnished and uncensored - because that's who he is.

My Autobiography

What Have I Done?

Hairspray

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