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Alofsin Anthony: Frank Lloyd Wright's
Bogk House

Frank Lloyd Wright's Bogk House

A Bold Experiment

Classical Continuum

Rhythms of Justice, Nature, and Architecture

Beginning Again with the Classical Orders

Bollingen Recollections

Bollingen Series

Its Mythology and Transformations, Volume 2 (Plates)

The Art of Indian Asia

Other Possible Worlds

Paul Klee

The Architecture of Genocide

Ungrounding

Texts and Contexts

Modernism Revisited

Architect Frida Escobedo's early project Split Subject deconstructs a fraught allegory of national identity and modernism in Mexico. Frida Escobedo: Split Subject unpacks it and traces its influence throughout her career, and includes essays by Julieta Gonzalez, Alejandro Hernández, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo.

Split Subject

Frida Escobedo

Twenty-four Pioneers of the Modern Movement

The Founders of the Werkbund

A beautifully illustrated look at the complex past of Princeton’s Mallorcan stairway and patio From Palma to Princeton weaves together a rich history that crisscrosses the Atlantic, offering a picture of trends and tastes in twentieth-century art collecting in Europe and the United States and debates regarding cultural property. How and why did stone architectural elements from Mallorca, Spain, make the journey from the Balearic Islands to New Jersey? Art historian Alexandra Letvin traces the fascinating story of how a fifteenth- to sixteenth-century stairway, together with balustrades and columns from a sixteenth-century residential patio, were dismantled in the late nineteenth and early twentieth centuries in Mallorca and reconfigured by American and Spanish art dealers living in Spain. The resulting assemblage made its way first into the collection of William Randolph Hearst, then to the home of the Baron and Baroness Cassel van Doorn in Englewood, New Jersey, and finally, in 1955, to Princeton University. Conservator Elena Torok details how cross-disciplinary research leading to the grouping’s 2025 reinstallation in the Princeton University Art Museum’s new building yielded discoveries about the stones’ past, including the fact that by the time it left the island of Mallorca in 1929, elements had been modified and recombined in ways that left them permanently altered. As the stairway, balustrades, and columns changed hands during the twentieth century and their connections to their source locations became blurred, they became challenging to recognize; for many years these pieces had been considered lost, despite having been installed in the galleries of the Princeton University Art Museum in 1965 and viewed by generations of visitors.

Unraveling the Mystery of a Mallorcan Stairway

From Palma to Princeton

Constructing Textiles

Anni Albers

"Jodie Marley’s William Blake’s Mysticism takes us on an exuberant journey of spiritualities, ranging from Dorothy Gott, the prophetic writer he encountered in 1789, to “Fiona Macleod,” the visionary identity of W.B. Yeats’s friend, William Sharp". — David Worrall, Nottingham Trent University, UK.
This book examines William Blake as a ‘mystic’ and the movements and authors that contributed to this definition during and after his lifetime, with a particular focus on his influence on late nineteenth- and early twentieth-century Celtic Modernist writers. The author W. B. Yeats was one of the first to present this view of Blake in depth, although his concept of the mystic prioritised the lone male practitioner and the occult. This study argues that the mystic and the esoteric in a community context impacted both Blake’s, and Yeats’, critical and cultural reception. It also offers the first extended literary examination of the Romantic prophet Dorothy Gott’s work alongside Blake’s, and the first analysis of Blake’s influence on Celtic Modernist writers George Russell and Fiona Macleod. This book will be of interest to scholars interested in representations of gender and spirituality in Romantic and Modernist literature and art, and in authors so far neglected in Blake studies.
Jodie Marley is a researcher and writer whose work focuses on Romanticism, reception, mysticism, and gender. Her research bridges the Romantic and Modernist periods, with a particular focus on Irish Modernism. She is a 2025 visiting research fellow at the University of Glasgow’s Archives and Special Collections and won a British Association for Romantic Studies (BARS) Stephen Copley Award to fund her research in December 2024. She received her Ph.D. from the University of Nottingham in 2023.
She has forthcoming book chapters in The Routledge Companion to William Blake&nbsp;(ed. Freeman) and&nbsp;Seán O’Casey in Context&nbsp;(ed. Moran). She has previously been published in&nbsp;the Bulletin of the John Rylands Library,&nbsp;VALA, and&nbsp;Good Horoscope. Two of her talks for the Global Blake initiative are publicly available. In 2019 she co-curated the Romantic Facts and Fantasies exhibition at Lakeside Arts, Nottingham, and helped organise the 2019 BARS conference.

The Legacy of Prophetic Women

William Blake’s Mysticism

An expansive spatial history of Drancy, the Parisian antechamber to Auschwitz, from the 1930s to the present day

A Spatial and Oral History of Drancy

The Housing of the Holocaust in Paris

As If

Frank Lloyd Wright's Bogk House

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