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Alofsin Anthony: Frank Lloyd Wright's
Bogk House

Frank Lloyd Wright's Bogk House

A Bold Experiment

The Cartoonist as Architectural Critic

Alan Dunn

The Making of an Icon

Frida

Explores the complex factors - from climate to colonialism - that have shaped ideas of tropical architecture from the eighteenth century to the present.

Narratives of Disease, Discomfort, Development and Disaster

Reconsidering Tropical Architecture and Urbanism

An expansive spatial history of Drancy, the Parisian antechamber to Auschwitz, from the 1930s to the present day

A Spatial and Oral History of Drancy

The Housing of the Holocaust in Paris

Over the past three decades, Baylight Properties have been working in collaboration with some of the finest British architects to develop a series of award-winning housing projects, each one marked by a poetic sensitivity and thoughtful use of materials. This book addresses the particular challenges of building housing in the UK during this period, as well as the transformations that have taken place in the regulatory and cultural contexts. It covers collaborations with Tony Fretton, Stephen Taylor, Sergison Bates, Peter Salter, Lifschutz Davidson, Stanton Williams, PIerre d'Avoine and David Kohn, which are discussed in detail, reflecting the unique collaborative approach taken between&nbsp;developer and architect and revealing the aspirations, challenges and compromises that shaped the projects. The projects included are all informed by the extraordinarily rich history of homebuilding in Britain, from the great estates in London, to the patriarchal philanthropists (Port Sunlight, Bournville), to the Georgian and Victorian builder developers, and architect developers of the post-war years.&nbsp;The conclusion flags up best practice for creating successful homes not just houses.&nbsp;&nbsp;

Lessons from Architect and Developer

Collaborations in Housing Design

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

Texts and Contexts

Modernism Revisited

Architect Frida Escobedo's early project Split Subject deconstructs a fraught allegory of national identity and modernism in Mexico. Frida Escobedo: Split Subject unpacks it and traces its influence throughout her career, and includes essays by Julieta Gonzalez, Alejandro Hernández, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo.

Split Subject

Frida Escobedo

Routledge Revivals

Book of Architecture

Germain Boffrand

Bloomsbury Studies in Modern Architecture

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS' buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS' work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

Frank Lloyd Wright's Bogk House

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