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Neri Gabriele: Alan Dunn

Alan Dunn

The Cartoonist as Architectural Critic

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

Said in Stone

Edmonia Lewis

Rethinking Art's Histories

In the face of global ecological crises, this edited volume examines how contemporary art in East and Southeast Asia confronts environmental destruction, ecological degradation, and social injustice. The book explores the concept of artistic remediation - art's capacity to intervene in and respond to ecological challenges - across a wide range of creative practices. These include producing thought-provoking artworks, fostering non-human agency, reclaiming materials, advocating for biodiversity, promoting eco-education, protesting against capitalist extractivism, and envisioning sustainable futures, among other approaches. Through eleven chapters, twelve contributors delve into artistic interventions that reflect, inspire action, and catalyse ecological transformation. Grounded in the environmental, cultural, and artistic contexts of the region, the authors analyse how individual artists, collectives, and organisations - whether working independently or in collaboration with activists and local communities - confront ecological injustices and foster broader ecological consciousness. Their research uncovers the rich local histories, political ecologies, and creative strategies driving the dynamic and evolving intersection between art and ecology today. By documenting and theorising these diverse forms of remediation, this book not only advances an ecologically conscious and socially engaged art history but also presents a compelling vision for the future. It offers a call to action, emphasising the power of art to inspire a more just and sustainable planet for all life forms.

Contemporary Art and Ecological Transformation in East and Southeast Asia

Afro-Latin America

Art and Anti-Racism in Latin America

Urban Studies

Der Wohnungsbau der späten Moderne kann als Blaupause für eine zukunftsfähige Stadtentwicklung dienen. Die Beiträger*innen arbeiten die vielschichtigen Werte der Großwohnsiedlungen als baukulturelles Erbe heraus und stellen Akteure und Kontexte vor, die ihre Transformationsgeschichte geprägt haben. Aus interdisziplinärer Perspektive vergleichen sie die Historie und Qualitäten in West- sowie Ostdeutschland und schärfen den Blick für eine bewahrende Weiterentwicklung der Siedlungen - was nicht zuletzt Barrieren in Denken und Handeln überwindet und durch konkrete Möglichkeiten für eine integrierte, werteorientierte Zukunftsgestaltung von Siedlungsbeständen neue Türen für die Stadtplanung öffnet.

Werte, Ideen und Strukturen von Siedlungen der 1960er bis 1980er Jahre

Wohnquartiere der Moderne im Wandel

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

Earthen Sculpture in South Asia

Clay Works

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium &nbsp; In this deft interweaving of autobiography with the story of Latino art’s place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field’s most celebrated scholars, Sullivan gives readers an insider’s look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and made New York’s institutions, museums, and galleries take it more seriously. &nbsp; Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pepón Osorio, Cecilia Vicuña, and Juan Sánchez are among the many personalities who populated the scene. The result is a compelling and often surprising tale of cultural, personal, and institutional activity, and, at times, the intrigues that result from their collaborations.

Art and Experience, 1970-2001

Latino New York

A Guided Tour

Relational Art

A Search for Hidden Legacies

(Post)Socialist Dance

Lemelson Center Studies in Invention and Innovation series

Reinventing Building, Making History

American Bridge

An in-depth exploration of the work of Frederick Kiesler, the visionary architect, with a special focus on his Mobile Home Library. Frederick Kiesler: Vision Machines explores the work of Austrian architect, theater designer, and theorist Frederick Kiesler (1890–1965). The book’s centerpiece is a close examination of Kiesler’s iconic but unrealized Mobile Home Library, which will be fabricated for the first time and photographed for the publication. Built around a speculative essay by Mark Wasiuta, tracing Kiesler’s visionary, even obsessive interest in sight, dreams, looking, and reading, the book covers Kiesler’s research and teaching at Columbia University’s School of Architecture in the late 1930s and 1940s, focusing on the main projects he developed at his Design Correlation Laboratory, the Mobile Home Library and the Vision Machine. The Vision Machine was imagined as an ambitious device intended to visualize human sight, from optics and nerve stimuli to dream content and hallucinations. The Mobile Home Library was conceived as a dynamic, modular object—part device, part furniture—whose repertoire of rotating, spinning movements allowed variable forms of interaction with readers and users. At first glance these two projects barely resemble each other. Yet together they illustrate the strange and astonishing scope of Kiesler’s correalism, which spanned and confused his biotechnique (a biologically-oriented design process aimed at fostering human health) and his techno-oneiric surrealism. The book is published in conjunction with an exhibition at the Graham Foundation in Chicago in Fall 2024, but is a stand-alone volume. It presents Wasiuta’s substantial research and thinking on Kiesler, a wealth of photographs, drawings, documents, film stills, and pedagogical experiments from Kiesler’s laboratory, as well as photographs of the exhibition’s centerpiece, the (re)construction of the never-built Mobile Home Library. Frederick Kiesler was born in Czernowitz, Austria-Hungary (now Ukraine) in 1890 and died in New York in 1965. For a short time, he was a member of De Stijl, he briefly partnered with Adolf Loos in the 1920s, and he was an associate of many avant-garde artists, including Man Ray and Fernand Léger.

Vision Machines

Frederick Kiesler

Alan Dunn

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