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Craig Smith: Relational Art

Relational Art

A Guided Tour

Afro-Latin America

Art and Anti-Racism in Latin America

Library of Gender and Popular Culture

Female Dandyism in Popular Music

Pop & Postfeminism

Earthen Sculpture in South Asia

Clay Works

A Cultural History

The Italian Renaissance

Built Traces of Intercolonial Trade, Industry and Labour, 1800s-1950s

Architectural Encounters in Asia Pacific

A Natural History of the Studio

Rethinking Art's Histories

Strategies of Survival Through Contemporary Art

Caribbean ECO-Aesthetics

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

Said in Stone

Edmonia Lewis

Art, Theatricality, and the Marketplace in France, 1697–1945

Pierrot and His World

A reconsideration of Filippino Lippi’s transformative Roman period and the ensuing evolution of his innovative style, as reflected in his Holy Family tondo in Cleveland—a masterpiece that exemplifies this pivotal phase in his career &nbsp; Between 1488 and 1493, leading Florentine artist Filippino Lippi (ca. 1457–1504) relocated to Rome to complete his celebrated frescoes in the funerary chapel of Neapolitan cardinal Oliviero Carafa in the major Dominican church of Santa Maria Sopra Minerva. During this time, Filippino also painted a magnificent tondo for Carafa: The Holy Family with Saint John the Baptist and Saint Margaret. Focusing on this seminal work in his oeuvre, Filippino Lippi and Rome traces the arc of the painter’s artistic practice before, during, and after his Roman period, illuminating the evolution of his processes and iconographic ingenuities. This in-depth study presents new scholarship on the inspiration Filippino found in the Eternal City and how The Holy Family tondo—the only known independent work produced by Filippino in Rome—influenced artists from Raffaellino del Garbo to Jan Gossaert to Leonardo da Vinci. Moreover, the essays and catalogue entries in this volume draw on recent technical analyses that had, for the first time, revealed the tondo’s underdrawing and pentimenti, shedding new light on Filippino’s painting techniques. These texts are accompanied by a chronicle of the work’s rediscovery at the start of the nineteenth century and the dramatic turn of events that led to its acquisition by the Cleveland Museum of Art in 1932. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 30, 2025–February 22, 2026)

Filippino Lippi and Rome

Studies in Design and Material Culture

Culture and Practice in Milan, 1930s-60s

Italian Graphic Design

Relational Art

Informations bibliographiques

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Informations bibliographiques

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