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Exhibition Matters

Contemporary Displays and Exhibition-Making Practices

National Association for Interpretation

The interpretive theme is the most important sentence an interpreter inks on paper. Despite its centrality to thematic interpretation, no single work has dedicated itself entirely to the art and craft of strong theme writing until now. The Interpretive Theme Writer's Field Guide builds on Sam Ham's 30-year thematic interpretation research legacy. While leaving most theory to his books, this pocket companion offers writers strong theme examples, worksheets, exercises, inspirational quotes, and technique highlights. This Field Guide contains opening and closing words from interpretive legends Sam Ham and Ted Cable and is useful at the desk, in the exhibit hall, or on the trail. It recognizes that teams, even communities, create heritage themes, and introduces the Interpretive Framework methodology to facilitate community-based participatory theme writing. The second edition includes two new chapters on structuring interpretive presentations based on themes and how different psychological profiles influence both themes written by communicators and themes appreciated by audiences. It also includes a new series of mini guest essays written by specialists from around the world including National Park Service interpretive ranger Shelton Johnson, German living historian Angela Pfenniger, American creative and interpretive writer Judy Fort Brenneman, Panamanian trekking guide Rick Morales, and others. All other sections have been updated and improved for a global English-speaking communicator audience in this exciting redesigned edition that promises to make interpretive writers even better natural-cultural heritage communicators.

How to Craft Strong Themes from Big Idea to Presentation

Interpretive Theme Writer's Field Guide

This book presents the first wide-ranging investigation of contemporary architectural replicas as a global phenomenon. Presenting case studies from Dresden's new Altstadt to representations of KhoiSan culture in South Africa, and from the recent wave of revivalism in Turkey to the nostalgia of 'modern traditional architecture' in China - each chapter is written by an expert in each relevant context, interpreting in detail what a particular replica stands for in an accessible way, and revealing how replicas function in a range of cultural contexts, trading on the nuances of local cultures, markets, politics, and nationalisms. These case studies explain how the construction of architectural replicas has, in the first decades of the 21st century, become more widespread and more highly-charged in a time of resurgent populism and nationalism worldwide. Employing selective ideas of the past, replica architectures are used to construct the self-image of states, cultures, organisations or powerful individuals in the present, often operating in service of radically conservative agendas or ideologies. With an introduction showing this wider context to replicas in architectural history, this collection further reveals how architectural traditions - both national and global - get claimed for identity-building projects by nations, cultures, corporations, and individuals, and provides valuable and topical insights for architectural historians as well as those in heritage studies and cultural studies.

Contentious Contemporary Reproductions

Architectural Replicas

Interior Design as Lifestyle in the 1970s Home

In Private

Promethean Horror in Modern Literature and Culture

A Book of Monsters

Spatial Practices of Refuge in Response to War and Violence in Iraq, 2003–2023

Rupturing Architecture

Posthumanism in Practice

A Posthumanist Approach to Architectural Encounter

Xenoaesthetics

American Association for State and Local History

Interpreting the Past, Engaging Audiences

Introduction to Public History

Interior codes and standards reference of choice for designers and architects, updated with the latest ICC building codes This Ninth Edition of The Codes Guidebook for Interiors features explanations of the standards, codes, and regulations that are relevant to designers and architects for interior projects. The content is revised and updated in accordance with the latest ICC and NFPA codes including the 2024 International Building Code and NFPA 101 Life Safety Code. The book addresses a range of regulations including building codes, finish standards, performance codes, energy codes, and accessibility standards. Diagrams, figures and floor plans clearly show how codes apply to real-world projects. Emphasis is placed on defining the various terms used in the codes and their application in simple, jargon-free, and easy-to-understand language. In The Codes Guidebook for Interiors you will find: ● Discussion of the range of applicable regulations that designers and architects should know and how they relate to one another ● Explanation of a code applications for a wide variety of commercial building and project types with supplementary information that relates to single family homes and historical and existing buildings ● Coordination needed between the newest ICC/ANSI accessibility requirements and the ADA Standards is discussed ● A companion site that offers study questions, sample forms, interactive checklists, flashcards, PowerPoint lecture slides, and an Instructor's Manual With an easy-to-navigate format, The Codes Guidebook for Interiors is an essential single-source guide that helps professionals save hours of research time and can dramatically reduce the potential for costly planning oversights. The book is also valuable for students studying interior design, architecture, and facility management.

The Codes Guidebook for Interiors

A Vital Past

Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran

Women, Working Class, and People of Color Enter the U.S. Commemorative Landscape

New Directions in Commemoration

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

Contextualizing Art Markets

The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926–1947)

The Valentine Gallery

Exhibition Matters

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