<div class="raw-html-embed"><a href="https://libratech.ai/ch/?utm_source=partner&amp;utm_medium=website&amp;utm_campaign=wkch_libra_prsp_staempfli_07_2026
">Stämpfli - L’innovation technologique au service de la littérature juridique - Testez gratuitement !</a></div>

Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Aboverträge Kündigen

Résiliation d’abonnement

Vertrag widerrufen

Résiliation de contrat 

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

Libra

Was ist Libra?

C'est quoi Libra ?

Kostenlos testen

Tester gratuitement

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Aktienrecht

Droit des sociétés anonymes

Publikationen

Publications

Literatur

Digitales Angebot

Bücher

Livres

Buchreihen

Collections

Onlinemodule LEXIA

Modules en ligne LEXIA

recht.ch

Studienliteratur

Littérature pour les études

Dienstleistungen

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Echomyr (Digipak)

Epic in scope and personal recollection, The Music Is Black is the story of British imperial and colonial histories, the African diaspora, and contemporary British social history put into song.Black British music has been the soundtrack to periods of profound political, social, cultural, and demographic change. It is the music of identity, indefatigability, resistance, anger, celebration, love, loss; it is the music of possibility and hope.Opening with an exploration of the sound and identity of the African diaspora as shaped by the tumultuous forces of British imperialism and colonialism from the 1400s to 1900, Jacqueline Springer then surveys the black musical landscape in Britain from 1900 to 1970. Two major imports-American rap and Jamaican ragga-are singled out for their vital contributions to the homegrown genres central to the publication: lovers rock, Brit funk, 2 tone, jungle, drum &amp; bass, trip-hop, and UK garage and grime.Each genre is then considered with an academic framing of its social and political landscape and artist interviews that include Carroll Thompson, Neville Staple, Kenny Wellington, Bluey Maunick, Fabio and Grooverider, Skye Edwards and Ross Godfrey of Morcheeba, Megaman, DJ Target, and Slimzee.The Music Is Black bears witness to the resilience, ingenuity, and heart of all those who create.

A British Story

The Music Is Black

Produktmerkmale
 <ul><li>
 Buchkalender im Format 13 x 18,5 cm, 192 Seiten, 
 umweltfreundliches
 FSC Papier
 </li><li>
 Kalendarium auf Deutsch und Englisch 
 für 18 Monate
 (Oktober 2026 - März 2028)
 </li><li>
 Praktische Wochenübersicht; Jede Kalenderwoche 
 übersichtlich auf einer Doppelseite
 </li><li>Feiertage und Ferienzeiten
 für Deutschland, Österreich und Schweiz
 </li><li>Viel Platz
 für Notizen; 
 Stundenplan
 und 
 Reiseplan
 </li><li>Robustes, super-flexibles Cover mit Heißfolienprägung</li><li>Moderne, gepunktete (bullets) Seiten für Notizen</li>
 
 </ul>Dieser trendige Timer sieht nicht nur gut aus, er fühlt sich auch gut an. Sein weicher Einband mit Folienveredelung verführt dazu, den Kalender nicht mehr aus der Hand legen zu wollen. Ein 18-monatiges, deutschsprachiges Kalendarium, mit pro Woche 2 Seiten mit viel Platz für Notizen und Leseband runden diesen hochwertigen Taschenkalender ab.

Terminplaner 13 x 18,5 cm I Kalendarium von Oktober 2026 bis März 2028 I Platz für Notizen und Lesezeichenband

Terminkalender Campus Smaragd 18 Monate 2027/2028

In August 1969, members of charismatic leader Charles Manson’s countercultural "family" mur­dered some of Hollywood’s "beautiful people," most famously Sharon Tate, eight and a half months pregnant at the time. The killers left be­hind evidence intended to implicate Black radi­cals and to trigger an apocalyptic race war. What happened instead was that the gruesome murders placed the entire counterculture un-der suspicion and then came to mean, in Joan Didion’s formulation, the end of the sixties. They have been a cornerstone of the true crime genre ever since. Drawing on newly released archival material of case transcripts, Love and Terror recasts the Manson case as an exemplary site for historical scholarship. The book shows how the standard story of the murders came to be told the way it was. In place of this shopworn narrative, Clau­dia Verhoeven presents a kaleidoscopic history at the center of which is a far stranger portrait of Manson, the man who became the ultimate murder mastermind in the American mythos. Based on years of investigative research, Love and Terror rewrites the Manson murders as a prism of American culture, an event framed by global avant-gardist movements and revolu­tionary violence, and an early sign of our age of spectacle. This history is confused, tumultuous, and pell-mell; it is carnival-esque; and it is a downward spiral into terror that, however, is simultaneously thrilling and repetitively compulsive, which is why the song’s refrain about the repeat experience of going up and down the helter skelter is also an apt metaphor for the endless retelling of the murders and the never-ending produc­tivity of the Manson industrial complex/culture industry.

The Helter-Skelter History of the Manson Murders

Love and Terror

Das Leben über den Dächern der Stadt hat seinen ganz eigenen Reiz: der weite Blick, das besondere Licht, das Gefühl, zugleich entrückt und geborgen zu sein. Penthouse Panorama spürt genau dieser Faszination nach - und zeigt, wie die Höhe Räume, Maßstäbe und Gewohnheiten verändert. Mal skulptural inszeniert, mal reduziert und minimalistisch: Die hier vorgestellten Interieurs erzählen von der Spannung zwischen Architektur und Emotion. Sie machen sichtbar, wie Wohnen in der Höhe neue Formen von Intimität und Perspektive eröffnet.

Interieurs in luftiger Höhe

Penthouse Panorama

Media Illustration

Broschürenkalender / Wandkalender. Der Kalender ist FSC zertifiziert. 16-Monats-Kalender mit internationalen Feiertagen und den Feiertagen der wichtigsten Weltreligionen. Format: 30x30 cm (geöffnet 30x60 cm)

Sprachen: Deutsch, Englisch, Französisch, Spanisch, Italienisch, Portugiesisch, Polnisch

Kalender 2027

Jazz Designs 2027

New York Times Bestseller and #1 Los Angeles Times BestsellerA "gripping, unshakeable firsthand account" (San Francisco Chronicle) of the firestorm that consumed Los Angeles, from the MS NOW reporter and New York Times bestselling author of Separated, who covered the fires on the ground as an LA native."Read[s] like a sci-fi thriller.” —Los Angeles TimesOn the morning of January 7, 2025, a message pinged the phone of Jacob Soboroff, a national reporter for MS NOW. “Big Palisades fire. We are evacuating,” his brother texted within minutes of the blaze engulfing the hillside behind the home where he and his pregnant wife were living. “Really bad.” An attached photo showed a huge black plume rising from behind the house, an umbrella of smoke towering over everything they owned. Jacob rushed to the office of the bureau chief.“I should go. I grew up in the Palisades.”Soon he was on the front line of the blaze—his first live report of what would turn out to be weeks covering unimaginable destruction, from both the Palisades Fire and the Eaton Fire, in Altadena. In the days to come, Soboroff appeared across the networks of NBC News as Los Angeles was ablaze, met with displaced residents and workers, and pressed Governor Gavin Newsom in an interview on Meet the Press. But no story Soboroff has covered at home or abroad—the trauma of family separation at the border, the displacement of the war in Ukraine, the collapse of order in Haiti—could have prepared him for reporting live as the hallmarks of his childhood were engulfed in flames around him while his hometown burned to the ground.But for Soboroff, questions remained after the fires were controlled: what had he just witnessed? How could it have happened? Is it inevitable something like it will happen again? This set Soboroff off on months of reporting—with firefighters, fire victims, political leaders, academics, earth scientists, wildlife biologists, meteorologists and more—that made him keenly aware of how the misfortune of seeing his past carbonize was also a form of time travel into the dystopian world his children will inhabit. This is because the 2025 LA fires were not an isolated tragedy, but rather they are a harbinger—"the fire of the future," in the words of one senior emergency—management official.Firestorm is the story of the costliest wildfire in American history, the people it affected and the deeply personal connection to one journalist covering it. It is a love letter to Los Angeles, a yearning to understand the fires, and why America’s new age of disaster we are living through portends that—without a reckoning of how Los Angeles burned—there is more yet, and worse, to come.

Firestorm: The Great Los Angeles Fires and America's New Age of Disaster

Hench Series

The Boys meets Assistant to the Villain in the electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel, Hench. Filled with a queer and neurodiverse cast, Villain asks the question: what happens when a diabolically brilliant henchperson looks back at their already storied career and thinks, I can be so much worse.The hench once called Anna, now known to her colleagues and enemies as the Auditor, has carved out a wicked name for herself. Any superhero unlucky enough to cross her path knows her potential and powers. Surely, her recent success should taste sweet: she has an incredible job with lots of perks, her boss will literally annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated—literally ground to a still-living pulp.But the Auditor still has her sights set on a greater work: destroying The Draft, the organization that makes, trains, and manages the world’s most powerful superheroes. These “heroes” have shown time and time again that they do more harm than good (she has the spreadsheets to prove it), and now is the time to stop the damage at its source.Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan—the world’s most feared supervillain—is not coping well with Supercollider’s defeat at someone else’s hands. As their relationship deepens, her work-life balance increasingly involves navigating the feelings of someone who doesn’t believe they have any. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has reappeared, forcing the Auditor to confront all the ways they deceived each other. Tension and uncertainty haunt the Auditor, and the fear that their triumph is about to crumble looms over all of them.The Auditor&nbsp;soon finds herself facing down an opponent unlike any she’s taken on before—not another superhero, but someone like her, someone much more dangerous: The Draft’s Chief Marketing Officer. Their conflict isn’t a test of physical prowess, but ideas, and as their fight escalates, she'll need more than preternatural pattern recognition, data analysis, and a horrific imagination to meet this challenge. It’s guerrilla ad warfare, and the Auditor might have finally met her match.

Villain

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, (invented or existing) holidays and games, (puppet) theatre and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like Manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. The essays and interviews by preeminent scholars, critics, and curators, including Benjamin Buchloh, David Joselit, and Molly Nesbit, compiled in this volume trace the trajectory of Huyghe’s practice over the last three decades, from the artist’s earlier engagements with the built environment, the temporalities of cinema and television, the customs of social communities, and the volatile property relations in global media culture, to his most recent and much-discussed ecological redefinitions of the objects and sites of art. At the same time these texts and conversations ponder and gauge the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the early twenty-first century.

Pierre Huyghe

In her latest novel, Pura Belpré Award–winning author Carolina Ixta weaves a tender story about love and hope, following a teen as she works to protect her family and community from a major corporation taking over her town.Paloma Vistamontes is heartbroken. A year ago, her ex-boyfriend, Julio Ramos, broke up with her after his father’s death, a tragedy that drove Paloma and him apart. Ever since then, the mountains have felt flatter, the sky farther away.Now, her hometown of San Fermín, a place where honest people work on farms and in factories, is in danger. Selva, a massive e-commerce conglomerate, threatens to open one of their warehouses beside her high school.This isn’t the first time they’ve done this. Since Selva arrived, they’ve opened warehouses everywhere where there used to be green spaces. Because of them, the air pollution is so bad that school is often canceled. Many people, including Paloma’s ever-practical Ma, want to leave.But Paloma wants nothing more than to stay. Because when the smog clears, there is still hope. That hope drives Paloma to reconnect with Julio to expose and challenge the dangers that Selva introduces to communities like their own. Can they stop Selva from destroying everything they know? Is there still a chance for their budding romance?

Few Blue Skies

Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman. The Problem of Personhood reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Lisa Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, "she" is transformed into a subject in the law without the corre­sponding legal duties that protect us from her. At the root of this trend is the US Supreme Court’s Citizens United ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs.

Giving Rights to Trees, Corporations and Robots

The Problem of Personhood

Produktmerkmale
 <ul><li>
 Schülerkalender im Format 14,8 x 21 cm, 
 umweltfreundliches
 FSC Papier
 </li><li> Platz zum Eintragen der Fächer, To-dos, Termine und Infos sowie eine kleine Spalte zum Häkchensetzen</li><li>Extras: Stundenpläne, Notenübersichten, Schulferientermine für D, A, CH, Geburtstagskalender, Verleihliste sowie praktische Eckperforationen</li><li>Gummibandverschluss und herausnehmbares Lesezeichen</li><li>Ringbindung und extra leichtes Flexicover für angenehme Handhabung</li><li>Deutsches Kalendarium von August 2026 bis Juli 2027</li>
 
 </ul>Auf ins neue Schuljahr 2026/27! Von August 2026 bis Juli 2027 behältst du mit diesem genialen und handlichen Schulplaner stets den Überblick: Wochenübersicht auf 2 Seiten, Platz zum Eintragen der Fächer, To-dos, Termine und Infos sowie eine kleine Spalte zum Häkchensetzen. Zusätzlich gibt es Stundenpläne, Notenübersichten, Schulferientermine für D, A, CH, einen Geburtstagskalender und eine Verleihliste. Einen schnellen Zugriff auf die Woche bieten dir das herausnehmbare Lesezeichen, das beliebig platziert werden kann, sowie die praktische Eckperforation. Dank der Ringbindung liegt der Planer immer flach auf dem Tisch und mit seinem Flexicover angenehm in der Hand. Ein absolutes Leichtgewicht ist er mit seinen 205 g obendrein und der Gummibandverschluss hält auch lose eingelegte Zettel stets gut unter Verschluss.

mit 12-monat.-Kalendarium von August 2026 bis Juli 2027. Pro Woche 2 Seiten mit viel Platz für Notizen. Format 14,8 x 21 cm

Schülerkalender Light on 2026/2027

Produktmerkmale
 <ul><li>
 Buchkalender im Format: 11 x 15,5 cm, 128 Seiten, 
 umweltfreundliches
 FSC Papier
 </li><li>
 Praktische Wochenübersicht; Jede 
 Kalenderwoche übersichtlich auf einer Doppelseite
 </li><li>
 Deutsches Kalendarium mit 
 Feiertagen und Ferienzeiten
 für Deutschland, Österreich und Schweiz
 </li><li>
 Robustes Softcover in Lederoptik; 
 Stundenplan
 und 
 Reiseplan
 </li><li>Lesezeichen Bändchen</li>
 
 </ul>Dieser trendige Timer sieht nicht nur gut aus, er fühlt sich auch gut an. Sein weicher Einband im Lederlook mit filigraner Motivprägung verführt dazu, den Kalender nicht mehr aus der Hand legen zu wollen. Ein 12-monatiges, deutschsprachiges Kalendarium, 128 Seiten, pro Woche 2 Seiten mit viel Platz für Notizen und Leseband runden diesen hochwertigen Taschenkalender ab.

Terminplaner in Lederoptik. Terminkalender mit Wochenübersicht und Lesezeichenband. Taschenkalender im Format: 11 x 16 cm

Timer Soft Touch hellblau 2027

Echomyr (Digipak)

Autres titres sur ce thème