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A lively, engaging history of comic-book cinema, from Flash Gordon to the Marvel Cinematic Universe.

Chapman James: Comics at the Movies

Comics at the Movies

From Flash Gordon to Avengers: Endgame

As long as I can be with you, then...Although Alya still keeps her true feelings to herself (or so she thinks) by only admitting them in Russian, things are about to heat up as Yuki Suou, Masachika's childhood friend, throws herself into the mix! Yuki really wants him to join the student council with her, and she's willing to tease poor Alya to get her way. But Yuki may just have a secret of her own...

Alya Sometimes Hides Her Feelings in Russian, Vol. 3 (manga)

Much to Jinwoo and Haein's surprise, their toddler son is showing signs of inheriting the powers of a Shadow Monarch! Luckily, they're able to suppress his abilities to give him a normal childhood...but years later, something strange starts to happen as the now teenage Sooho suddenly starts to have strange dreams about being trapped in some sort of dungeon with monsters galore!

Side Stories 2

Solo Leveling, Vol. 15 (comic)

Only a Monster

'Mind-bending, heart wrenching, and unputdownable' STEPHANIE GARBER on Only a Monster 'A captivating new voice in fantasy' HAFSAH FAIZAL on Only a Monster When monsters rule, who will be left to stop them? After Joan's failed attempt to save the world, Eleanor now rules over a cruel new timeline where monsters live openly among humans, preying on them and subjugating them. Nick - once a hero to humans, and Joan's first love - is tormented by the choice he made to save her over the timeline itself. And Aaron - the ruthless heir to a powerful monster family - now finds himself in a world where monsters have power beyond imagining while his feelings for Joan grow. Wrenched between love and rivalry, the three of them must negotiate their fractured pasts to survive the new world and restore what was lost. Because only they remember that there was once a better timeline. But how will they defeat a whole world of monsters with control over time itself? TROPES Morally gray FMC ¿ Forbidden romance ¿¿¿ Rival families with powers ¿¿¿ Love triangle ¿¿ Time travel ¿ READERS LOVE IT: 'What a roller coaster of emotions!' ¿¿¿¿¿ 'Fluid and immersive' ¿¿¿¿¿ 'The pacing is sharp' ¿¿¿¿¿ 'What a great conclusion to this story' ¿¿¿¿¿ 'AND THE ROMANCE AAAAHHHHHHHHHH OMGGG THE ANGST?!?!!?!!!! THE YEARNING?!???? *runs into a wall*' ¿¿¿¿¿

the grand finale to the romantic fantasy series Only a Monster

Once a Villain

Routledge Studies in Crime, Culture and Media

Through an examination of Alfonso Cuarón's Children of Men, this book demonstrates the ability of cinematic fictions, and other complex narrative fictions, to contribute to meeting the climate challenge by shaping the desires of audiences. What if there was a single feature film that showed us everything we need to know about climate catastrophe culture? What if that same film also made the philosophies of Slavoj Žižek, Mark Fisher, Francis Fukuyama, and Fredric Jameson accessible? Identifying the climate challenge as a cultural challenge, this book provides an unprecedented criminological analysis of both Children of Men and Fisher's oeuvre from 1998 to 2022 and demonstrates the capacity of cinematic narratives to shape climate catastrophe culture. Seeking to be part of the solution to the climate challenge, it is the first criminological study to link the capacity of cinematic fictions to shape desire to solutions to the climate crisis. It is also one of the most detailed and most rigorous criminological case studies of a cinematic work to date.Anthropocide: An Essay in Green Cultural Criminology will be of great interest to students and scholars of green criminology, cultural criminology, narrative criminology, film theory, philosophy of film, and ecocriticism.

An Essay in Green Cultural Criminology

Anthropocide

Petula Clark's first appearance on the airwaves was in 1942, aged nine, singing on a BBC radio show that broadcast messages to the troops. It was to be the start of the longest career of any British entertainer, as she evolved from child star to music, film and theatre legend. After a string of hit records in the UK in the 50s, Petula followed her heart and future husband to France where she became the nation's most popular female vocalist, before going truly global when she topped the charts in the US with Downtown. Hollywood beckoned, then Vegas, Broadway and the West End. Petula is an artist who has always had an innate ability to create deep connections with audiences everywhere, remaining beloved and relevant across different eras. In her first and only autobiography, she brings that same personal passion and spirit to her writing, with a witty, sparkling and deeply intimate narrative. She confides in us with glorious showbiz gems, such as the time she saw Frank Sinatra at both his most charming and his most intimidating, or there's the day she attended Liza Minelli and David Gest's wedding as one of thirteen maids of honour, all dressed in black. While beneath the shiny surface, she also reflects on the people and moments that shaped her, on love and loss, on the family life she cherished away from the spotlight and, ultimately, on finding her own path to happiness and fulfilment. Find out why John Lennon, at his bed-in for peace with Yoko, asked 'Is that You, Petula?' It was. And this is Petula, a true icon of popular music, telling you her story, in her own words.

An Autobiography

Is That You, Petula?

Fear Feeds the City—Nightwing Battles Shadows in Blüdhaven A nightmare circus comes to Blüdhaven…and Nightwing may be its final act. As the&nbsp;city&nbsp;continues to suffer through bloodshed, Nightwing and his new protégé, Nightwing Prime, must do everything it takes to save their city, but the fifth dimension may be too much for them both. The city’s children are scared, unsafe…and disappearing. And with the city turning against him, Nightwing must face a nightmare that could cost him everything.&nbsp; Bludhaven’s darkest show is about to begin.

Nightwing Vol. 3: The Cirque du Sin

BFI Film Classics

A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985).

Shoah

'Dieses Buch hat das Zeug zu einem echten Blockbuster.'&nbsp;
 

 - Jurybegründung zur Nominierung zum Preis der Leipziger Buchmesse 2026
 

 Santa Monica, Pacific Palisades oder Beverly Hills - das sind die klingenden Namen des kalifornischen Idylls, in dem sie Zuflucht gefunden haben: Filmemacher und Schauspieler, Schriftsteller und Intellektuelle, die in den 1930er- und 1940er-Jahren vor den Nazis aus Europa fliehen mussten. Sie bilden eine Solidargemeinschaft der Exilierten: Bertolt Brecht, Helene Weigel und Hanns Eisler, Billy Wilder und Vicki Baum, Fritz Lang und William Wyler, Thomas und Heinrich Mann. Wer in Berlin, Wien oder Prag einen Namen hatte, folgte dem Ruf der boomenden Filmindustrie Hollywoods. Doch dieses romantische 'Weimar am Pazifik' ist nicht die ganze Geschichte: Noch während sie im beginnenden Krieg ihren mal militärischen, mal moralischen Beitrag aufseiten der Alliierten leisten, werden die Geflüchteten zu Verdächtigen. Eben noch als noble Nazi-Gegner gefeiert, wird jetzt ihr Müll vom FBI durchsucht - der 'red scare' und der McCarthyismus machen aus Freigeistern und Linksliberalen feindliche 'Kommunisten'. Das Land, das Zuflucht war, wandelt sich zum Ort der Repression und Verfolgung. 

 Fesselnd und stimmungsvoll, anhand bisher unveröffentlichter Dokumente aus Archiven in Los Angeles zeichnet Jan Jekal nach, wie sich die Exilierten gegen das autoritäre Amerika wehrten - mit Aktivismus, Witz, Courage und mit Filmen, die zu Klassikern geworden sind -, aber auch, wie einige von ihnen an Amerika verzweifelten.

Wie die USA exilierte Künstler erst retteten und dann verfolgten 1941–1953

Paranoia in Hollywood

Standing before the horrific leg-lined fissure in Ashidori, "Hikaru" prepares to step inside as Yoshiki looks on. Will he return safely, or will their plan to close the hole leave "Hikaru" stranded on the other side? Meanwhile in Udekari, Tanaka and his newly recruited assistant test their own method for sealing away the supernatural. As dangerous as leaving the holes open would be, closing them could prove to be fatal...

The Summer Hikaru Died, Vol. 7

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

YOU CAN KILL ME. I'M READY. With four of the five Catastrophes taken care of by Dokja and other cooperating factions, it seems the city has finally earned a moment of respite. However, the omniscient reader is painfully aware this is just the calm before the storm- the last and most powerful Catastrophe is awakening somewhere in Seoul! The good news is that Dokja knows the secret shortcut to easily clearing this scenario. But in order to do so, he'll have to commit a heinous act that will haunt him forever...

Omniscient Reader's Viewpoint, Vol. 10

25TH ANNIVERSARY EDITION The cult-classic novel that inspired the smash-hit, blockbuster film and musical. Don't miss the new tour of the musical beginning in February as well as the prequel series Elle, coming to Prime in July. One rule Elle was learning fast was this: blondes do not have more fun in law school. Delta Gamma president and pink-obsessed Elle Woods has just been dumped by the man she thought she'd marry. Warner Huntington III has traded his homecoming queen for Harvard Law - and now Elle's determined to follow, proving she has the beauty and the brains to be his perfect match. (What, like it's hard?) But acing the LSATs is only the beginning. At Harvard, Elle's Californian charm makes her an outsider among her preppy classmates. Then a high-profile case lands in her lap, and Elle realises she might be the only one who can save fitness queen, Brooke Vandermark. This is Elle's moment to shine - and it turns out being underestimated might just be her greatest advantage...

The smash-hit romantic comedy that inspired the blockbuster movie and the soon to be musical and TV series in 2026

Legally Blonde

Comics at the Movies

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