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CARPOOLING TO HELL

Independently published

Tahai J: CARPOOLING TO HELL

A Father's Journey through Maine's Family Courts

What happens when people grow up believing that privilege is natural, wealth is virtue, and the rules are for everyone else? Discover the must-read insider's account of the 1%, the shocking true story of life as a nanny to the super-rich.'I could not put it down. The most compelling read of the year' PHILIPPA PERRY 'A compulsive read. Enraging, horrifying and utterly gripping' SABINE DURRANT 'A glimpse into the terminally messed up lives of the billionaire class and their offspring ... Gripping' CHRIS VAN TULLEKEN 'A thought-provoking and eye-opening memoir.' CLARE MACKINTOSH 'Written with fierce precision and filled with disturbing details, this book is urgent and essential reading' HANNAH MURRAY****The perfect nanny is invisible. She is trusted with everything: the children, their routines, the family secrets. She is expected to notice everything and remember nothing.For more than a decade, the Unnamed Nanny worked for some of the richest families in the world. She travelled on private jets, stayed on vast estates and luxury yachts, and helped raise children whose lives were planned years in advance. She saw separate apartments for young children; staff who were expected to disappear; parents who believed there was no problem that money couldn't solve.She was paid to look after the children. She was expected to look away from everything else. But everyone has their limits to what they can witness and remain silent. She found hers the hard way.Part memoir, part exposé, The Unnamed Nanny is an anonymous account of raising the children of the ultra-rich - and what really happens behind the closed doors of the 1%.The families remain anonymous.So must she.

An Insider's Account of Raising the One Per Cent

The Unnamed Nanny

“Here is a writer with a rare gift for appreciation and for reminding us of all we have to celebrate in our fractured world.”&nbsp;—Pico Iyer, author of 
The Half Known Life Behind the scenes of a globe-spanning career in freelance journalism Foreword by Tim Cahill A Crooked Line celebrates an age when print journalism changed lives and made the world a better place. That era may be winding down, but this perceptive book makes the case for why incisive writing will always matter. Over the course of his 40-year career, Michael Shapiro has reported from more than 20 countries, writing for National Geographic, The Washington Post, The Los Angeles Times and many other top publications. But the itinerant writer’s life, while rewarding, has never been easy.
 
Shapiro worked as an investigative reporter and staff writer for San Francisco Bay Area newspapers before letting go of a regular paycheck and setting out to share stories of people and places worldwide. The exhilarations of the open road, “afoot and light-hearted” as Whitman wrote, were tempered by the challenges of freelancing, from making a living to working with heavy-handed editors.
 
His stories put people first: For a feature about Puerto Rico’s recovery after Hurricane Maria, he visited farmers who spoke of shifting from exporting produce to growing food for local people. His profile of a Yosemite photographer, who climbed Half Dome after being diagnosed with cancer, brought the man’s big-hearted humanity to the fore.
 
Shapiro is known as a travel writer, but his work goes far beyond global dispatches. In this book he shares stories of: <ul><li>saving Sunset magazine’s priceless archive of Western life (including photos made by Ansel Adams) after Time Inc. told staffers to toss everything into a dumpster</li><li>an investigation into the U.S. government’s attempt to conceal the circumstances of pro football star and soldier Pat Tillman’s death during the war in Afghanistan</li><li>writing a tribute about environmental hero Jane Goodall just hours after she died</li><li>how the Grateful Dead’s ecstatic songs celebrate the wonders of nature.</li></ul>Renowned for his books of conversations with writers and artists, A Sense of Place and The Creative Spark, Shapiro has interviewed David Sedaris, Amy Tan, Smokey Robinson, Joan Rivers, Frances Mayes and Peter Matthiessen. In this volume, he tells the story of how he convinced a reluctant Paul Theroux to agree to an interview and shares an in-depth dialogue with poet and philosopher David Whyte. A Crooked Line highlights Shapiro’s best journalism and includes behind-the-scenes anecdotes about how he pitched stories and got assignments worldwide. Postscripts detail what happened afterward; some include letters from people he wrote about, sharing what his coverage meant to them. Due to the dramatic changes in the journalistic landscape, a career like Shapiro’s couldn’t begin today. Yet the skills he honed as a journalist—empathetic listening, concise and evocative writing, and a keen sense of what matters—remain as relevant as ever. The tales and insights in A Crooked Line provide a timely affirmation of journalism’s enduring power to illuminate the human experience. This penetrating book reminds us that whatever life path we choose, it’s vital to make it our own.

The Perils and Rewards of a Life in Freelance Journalism

A Crooked Line

SHORTLISTED FOR THE 2025 WAINWRIGHT PRIZE FOR NATURE WRITING AN OBSERVER BOOK OF THE YEAR 2025 'The most exquisitely written meditation on family, childhood, and nature' BERNARDINE EVARISTO 'An extraordinary, necessary book' ROBERT MACFARLANE 'Hold it in your hands and then dream of the green world' MONIQUE ROFFEY 'Surprising at every turn and rewarding in ways you never expect' MARLON JAMES 'A masterclass on how to write place, dreams and memory into being' OLIVE SENIOR The Possibility of Tenderness is a personal history narrated through the lens of the 'grung' and plants. It's also a people's history of the land, a family saga, an archival detective story through time. It's the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve 'upward social mobility' and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England. Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today. Mama, the author's grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world. The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

A Jamaican memoir of plants and dreams

The Possibility of Tenderness

Emilia Zenzile Roig legt die erschütternde Wahrheit offen: Die Familie, der vermeintlich sicherste Ort für ein Kind, bringt diese Form der Täterschaft hervor - und deckt sie. Als Gesellschaft schweigen wir darüber, weil diese Realität unerträglich scheint. Wir flüchten uns in Mythen: der Fremde im Park, der monströse Einzelfall und die individuelle Pathologie. So lassen wir die Kinder allein - und die Täter unerkannt und ungestraft unter uns leben.&nbsp;In ihrer eindringlichen Gesellschaftsanalyse macht Zenzile Roig klar: Kinderschutz beginnt erst, wenn wir das Schweigen brechen. Wenn wir über die systematische Unterdrückung sprechen, der Kinder ausgesetzt sind. Wenn wir aufhören, die Familie zu idealisieren. Sexueller Kindesmissbrauch geschieht mitten unter uns, in unseren Familien. Genau dort müssen wir endlich darüber sprechen.&nbsp;

Sexueller Kindesmissbrauch: Was Familien verbergen

Du kennst einen Täter

Harriman House Essentials

How To Live An Extraordinary Life

How to Protect Your Kids and Keep 50/50 Custody When Divorce Turns Ugly

The High-Conflict Playbook

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

As seen on Steven Bartlett's THE DIARY OF A CEO

The Making of a Permabear

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

In Built From Broke, entrepreneur Ry Russell shares 35 hard-earned principles for winning, losing, and building again-lessons forged through early success, bankruptcy, rebuilding from scratch, and ultimately discovering that success means far more than money. These aren't theories learned in a classroom. They're principles paid for through mistakes, risk, sacrifice, competition, and experience.From money, relationships, and business to resilience, criticism, discipline, and purpose, Russell shares the unconventional rules that helped him rebuild his confidence, his businesses, and eventually his life. Along the way, he learned that sometimes losing everything gives you something success never could: the freedom to decide what-and who-you want to build next.This isn't a blueprint for becoming someone else. It's a reminder that your worst chapter doesn't have to become your final chapter.You can lose. You can learn. You can rebuild. And the second time, you can build differently.

From Bankruptcy to Budz: 35 Principles for Winning, Losing, and Building Again

Built from Broke

Divorce, Judicial Separation, Civil Partnership and Cohabitation Proceedings in the Circuit Court

Drawn from the author’s experiences during more than a decade of archaeological fieldwork in Africa, Europe, and the Caribbean, this astonishing collection of linked essays explores what violence leaves behind, in a debut for readers of Mary Roach, Maggie Nelson, and Leslie Jamison.
Annalisa Bolin has always liked the dead. She’s drawn to the traces that linger: a blue bead, a shard of clay, a fragment of skull sunk deep in the earth. Ghost maps, she calls them, traced over the world of the living.
After her first excavation in Ghana, Bolin embarks on life as an archaeologist. Her work takes her across continents—from the genocide memorials of Rwanda, working alongside preservation teams striving to immortalize the truth of the slaughter, to African skulls collected in Berlin colonial museums, to St. Croix in the Virgin Islands, where the emergence of inconvenient bones exposes a society literally built on nineteenth-century cemeteries. As she traces the echoes of violence, the initial thrill of touching the past becomes more than she bargained for: a haunting in which the dead never leave her.
Winner of the 2025 Dzanc Nonfiction Prize, Ghost Maps delivers a stunning and deeply affecting exploration of the tension between preservation and violation in archaeological study. Bolin expertly balances historical accounts with the intimacy of her own experiences in the field, and the question of what it means to live alongside the dead.

On Living with the Dead

Ghost Maps

CARPOOLING TO HELL

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