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Walker D: Black Film

Black Film

A History of Black Representation and Participation in the Movies

Philosophie - Aufklärung - Kritik

Thomas Hobbes' politische Philosophie begreift Gewalt und Unterwerfung nicht als Ausnahme, sondern als integralen Bestandteil legitimer Herrschaft. Der Philosoph unterscheidet nicht zwischen freiwilliger Staatsgründung und gewaltsamer Aneignung. Wolfgang Ruppert entlarvt mithilfe des&nbsp;Domination Contract&nbsp;von Charles W. Mills Hobbes' Vertragstheorie als 'nicht-ideal'. Dabei stellt der Vertrag nicht den Ursprung der Verpflichtung dar, sondern er dient dazu, auf Gewalt basierende einseitige Zwangsverhältnisse im Nachhinein als willentliche, beidseitige Verpflichtungsverhältnisse umzudeuten. Dieser Zwang betrifft nicht nur die amerikanischen Ureinwohner, die&nbsp;Hobbes als Beispiel für den real existierenden Naturzustand gelten, sondern auch die Bürger Englands.

Thomas Hobbes' nicht-ideale Vertragstheorie

Legitime Herrschaft durch Gewalt?

An urgent rethinking of the Western approach to mental health, which treats the symptoms rather than the exploitative systems causing our distress—by a Rhodes Scholar and Harvard Medical School physician-anthropologist—offering lessons from the rest of the world. What if the mainstay of mental health care involved cancelling onerous debt, giving poor people free housing, and paying reparations to the descendants of slavery and colonialism? In Empire of Madness, Dr. Khameer Kidia re-evaluates the Western approach to mental health, which medicates symptoms instead of changing the structures that harm the human psyche. A physician and researcher whose own family suffers from the psychological effects of colonialism, Kidia highlights the limitations of the Western mental health model by reporting from the front lines of mental health crises at home, in the clinic, and during a decade of fieldwork. Clear-eyed and openhearted, Kidia asks the nuanced questions unaddressed by our current mental health model: How do history, culture, and politics shape mental distress? Are hoarding and burnout medical diagnoses or social problems? Why are schizophrenia outcomes sometimes better in poor countries without antipsychotics? Can a traditional healer treat mental illness better than a Western-trained clinician? For those living in poverty, can cash replace pills? With rigorous research, cutting analysis, and illuminating prose, Kidia invites us to reimagine mental health as a global idea where our wellbeing is mutual and everyone’s voice—patients, caregivers, and healthcare workers alike—matters.

Reimagining Western Mental Health Care for Everyone

Empire of Madness

*Shortlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

An Instant New York Times bestseller One of most influential thinkers today, 'the woman who revolutionized feminism' (Guardian), offers a deeply engaging story of justice and power in America When Kimberlé Crenshaw was five years old in Ohio during the civil rights era, she was the only girl denied a lead role in her nursery play. Puzzled by her teacher's behaviour, she spoke up - and never stopped. That instinct to question power, to challenge what others accepted as fair, would shape not only her own life but the way we now understand race and gender. In Backtalker, Crenshaw traces her journey from a spirited girl in Canton, Ohio to one of the most influential legal thinkers today. Through childhood lessons and painful reckonings - a boyfriend's violence in college, a back door at Harvard Law, the silencing of women in the civil rights movement - Crenshaw learned to see the patterns others missed, refusing to stay behind the lines the world drew for her. Out of those experiences came two ideas that changed everything: intersectionality, the recognition that race, gender, and class overlap to create unique forms of discrimination; and critical race theory, the argument that racism is structural. Crenshaw's voice has since echoed through some of the most charged moments in recent history - from Anita Hill's testimony to the rise of Black Lives Matter - insisting that true justice means seeing the whole picture. Backtalker is both a memoir of awakening and the origin story of a transformative mind. Crenshaw's story is ultimately about fairness and power - and the enduring battle for America's soul.

A Memoir

Backtalker

Der Katalog präsentiert Marianna Simnett Circus, eine multimediale Ausstellung in der Wiener Secession von Licht-, Klang- und skulpturalen Arbeiten, die auf ihre jugoslawische Herkunft verweisen. Simnetts Praxis befasst sich konsequent mit intensiven körperlichen Zuständen - Urinieren, Ohnmacht, dem Gefühl, gekitzelt zu werden -, die sie in einer Untersuchung von Lust und Schmerz erkundet. Die fantastische postapokalyptische Geschichte von Camilla Grudova ist von Marianna Simnetts Kosmos inspiriert und von der Künstlerin selbst illustriert.

Ausst. Kat. Secession, Wien

Simnett/Grudova, Dodo Margarine

Die Autobiografie - (Deutsche Ausgabe), Sunday Times- & New York Times-Bestseller Nr. 1

Liza - Kids, Wait Till You Hear This!

'A beautifully expansive novel about race and class... Franklin's emotional and intellectual range is vast... An exceptional debut' - Katie Kitamura, author of Intimacies'So smart, so moving, so earned; as soon as I finished, I started reading it again' - Kaveh Akbar, author of Martyr!'The precision and ecstasy of Rob Franklin's prose had me entranced. Great Black Hope marks the arrival of a breathtakingly talented writer'&nbsp;- Megha Majumdar, author of A Burning'Great Black Hope will allow you to vicariously experience a sweltering summer in the city - though this debut is much more than a simple tale of hedonism' - BBC Culture'Perfectly captures the heady atmosphere of a New York summer' - Dazed'A new voice in fiction to be reckoned with' Harper's Bazaar 'Best Books of 2025''A book about New York that's part love letter, part reckoning' - Guardian'Gripping' - Daily Mail An arrest for cocaine possession in the Hamptons on the last day of a sweltering summer leaves Smith, a young Black queer graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him but his race does not. It is just weeks after the death of his beloved roommate Elle, a glamorous member of the Black elite, and he is still reeling from the tabloid spectacle - as well as the lingering question of how well he really knew his closest friend and what happened to her the night she died. When he flees to his hometown of Atlanta and generations of his family of doctors and college presidents and lawyers - the weight of expectations haunts him. Then&nbsp;Carolyn, the closest friend he has left, goes off the rails, Smith returns to New York only to lose himself in his old life, drawn back into the city's underworld. Will his search for the truth about Elle cost him his freedom and his future? Smith goes on a dizzying journey through the New York City nightlife circuit, anonymous recovery rooms, Atlanta's Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiralling downward and how to find a way back to hope.

Great Black Hope

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, (invented or existing) holidays and games, (puppet) theatre and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like Manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. The essays and interviews by preeminent scholars, critics, and curators, including Benjamin Buchloh, David Joselit, and Molly Nesbit, compiled in this volume trace the trajectory of Huyghe’s practice over the last three decades, from the artist’s earlier engagements with the built environment, the temporalities of cinema and television, the customs of social communities, and the volatile property relations in global media culture, to his most recent and much-discussed ecological redefinitions of the objects and sites of art. At the same time these texts and conversations ponder and gauge the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the early twenty-first century.

Pierre Huyghe

The Final Day in Seven Lives

The Lost Voices of Pompeii

This 250th Anniversary Edition of With Justice for Some: Politically Charged Criminal Trials in the Early 20th Century That Helped Shape Today's America compares our fragile democracy under threat in 2026 to the context of headline-grabbing criminal trials from the early 1900s. Pearlman's book opens with a remarkable admission by former FBI Chief James Comey in a speech on Lincoln's birthday in February 2015: "All of us in law enforcement must be honest enough to acknowledge that much of our history is not pretty. At many points in American history, law enforcement enforced the status quo . . . that was often brutally unfair to disfavored groups." He invited all Americans to re-examine our "cultural inheritance" with fresh eyes. That is what Pearlman's book seeks to do as the second Trump administration threatens the future of our democratic republic. She reaches out to readers on both sides of the current political divide in hopes we can all gain a better understanding of the extent cultural bias has permeated the fabric of our nation by revisiting the country a century and more ago under white supremacist control. As the Trump administration seeks to dismantle our democracy, Pearlman offers readers a better premise from which to move forward as a nation than the whitewashed history so many of us were taught in school and the government is seeking to forcefeed us today. AUTHOR'S Note to reviewers:Why now for a second edition of With Justice for Some? In 2017, the inaugural year of Trump's presidency, the first edition of this book focused on what we could learn as a democracy from the context of headline events in the early 20th century. Both then and nine years ago the nation exhibited ominous fracture lines. The 20th century began with super-wealthy robber barons controlling an economy fueled by an influx of immigrant labor. White supremacists added "hyphenated-Americans" from select parts of the world to the minorities and women they already treated as second-class citizens. But the Gilded Age gave way to the Progressive Era in the early 20th century, followed by the Roaring Twenties and the New Deal. Much has transpired since 2017 to make today's situation more dire than when an oligarchy controlled the nation in 1900.From day one of Trump's second term his administration openly began implementing Project 2025 and transforming our democratic republic into a dictatorship built in no small part on the support of white supremacists. This year also marks the 250th anniversary of the Declaration of Independence. The American Revolution created one country from separate colonies; the Civil War preserved it as one nation. Our current circumstances present what many of us see as another existential threat to our democracy. This second edition of With Justice for Some is my effort to join those emphasizing the urgent need to safeguard the future of our government "of the people, by the people, for the people." Lise PearlmanMarch 20. 2026

Politically Charged Criminal Trials in the Early 20th Century That Helped Shape Today's America

WITH JUSTICE FOR SOME (2nd Edition)

'A brilliant and challenging book' GORDON BROWNFrom the founder of Britain's leading antifascist organisation, HOPE not hate, this is an urgent call to resist the forces of extremism on the march in Western societies - and how to go about it.If you're shocked and disconcerted by the rise of intolerance and hate, you're not alone.Drawing from 35 years of campaigning and journalism, Nick Lowles shows how anti-immigration, antisemitic and Islamophobic attacks have proliferated in the modern world, and how Britain - with the likes of Tommy Robinson and the growth of Reform UK - has been far from immune from far-right politics.From HOPE not hate's pioneering campaigns against the BNP in east London to the impact of the 'manosphere' and the issues in Netflix's Adolescence; from explorations of the pernicious influence of 'race science' and conspiracy theory to the interplay of deprivation and intolerance in Britain's deindustrialised towns, Lowles entwines his inspirational story with hard-won lessons from decades of activism.His conclusions - which do not shy away from awkward truths for campaigners - suggest practical ways for the far right to be defeated. And he shares powerful examples - from a participant-led youth club in Hull to Syrian refugees connecting with local people over falafel in Bradford - of finding the joy in showing that, hard as it can seem, HOPE can triumph over hate.

Lessons from Hope Not Hate

How to Defeat the Far Right

"Lost Worlds convinces us of the value of slowing down to recognize the tremendous diversity of the human past. But he presses hard against the conclusion that there was any direction or pattern behind its complexity." —The Wall Street Journal“A spellbinding tour de force!” —Walter Scheidel, author of What Is Ancient History?“This is non-fiction storytelling at its finest.” —Eric H. Cline, author of 1177 B.C.The creator of the hit podcast Tides of History offers a new look at humanity’s deep past, showing us how our world was built not by inevitability, but by trial and error on a global scale.There’s a familiar story about us humans: we went from hunting and gathering to farming, wandering bands to villages and cities, clans and chieftains to states and kings. But Lost Worlds offers a new narrative of humanity’s deep history. Here beloved podcast host Patrick Wyman focuses on the 10,000-year span between the end of the Ice Age and the decline of the Bronze Age—the period when civilization as we understand it emerged, introducing social hierarchies, urbanism, complex political organizations, and the written word.In this nuanced retelling, human progress is no longer a straight march from caves to cities: Farming didn’t always replace foraging, villages didn’t automatically spark agriculture, and cities didn’t necessitate rigid hierarchies. For thousands of years, humans merely improvised. By the end of the Bronze Age, the world had become unrecognizable: mammoths and giant sloths replaced by cattle and sheep, scattered nomadic bands replaced by millions living in cities, and farming on nearly every continent. Wyman argues that the rise of states and steady food production wasn’t inevitable, but rather, the outcome of countless choices that reshaped the planet and made us who we are today.Combining cutting-edge science with gripping storytelling, Lost Worlds explores: <ul><li>A Sweeping New History of the Ancient World: Discover how early societies rose, adapted, and collapsed across thousands of years of human history.</li><li>The Archaeology Revolution: Ancient DNA, climate science, and new excavation methods are revealing how prehistoric people lived, migrated, and fought.</li><li>From Ice Age Hunters to Early Civilizations: Follow the dramatic transformation that led from nomadic foragers to farming, cities, and powerful states.</li><li>Why Societies Rise—and Fall: Learn how climate change, migration, population growth, and conflict shaped the fate of early civilizations.</li></ul>

How Humans Tried, Failed, Succeeded, and Built Our World

Lost Worlds

Black Film

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