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Kriegal M: Baddest Man / B

Baddest Man

The making of Mike Tyson

Coal

From the enclosures in seventeenth-century England to the food forests in modern Amsterdam, this is a big history of little spaces, of nature in urban life, and of gardeners and their gardens through time In the heart of bustling European and American cities lies an overlooked yet vibrant corner of resilience, ingenuity and magic: our gardens. From pre-Industrial England to modern-day Washington, via the Paris Commune, Barrackia in pre-war Berlin, Soviet allotments in Estonia, the orchards tended by Black migrants in Washington and food forests in contemporary Amsterdam, ordinary people, working with each other and with nature, cultivated life in the unlikeliest of places. Over the past three hundred years, these tiny gardens, often born from necessity and shaped by precarity, immigration and environmental crisis, thrived by recycling nutrients, remedying contaminated soil and transforming how we think about our relationship to the earth. Tiny Gardens Everywhere is a hymn to the most fertile agriculture in recorded human history, showing that it occurred not on farms - the product of gigantic exertions of fossil fuels and technology - but with little effort in small garden beds. And the resourcefulness, intuition and inherited methods of their growers accomplished many of today's sustainability goals in producing local, diverse and organic food. Acclaimed historian Kate Brown unearths the long and battered story of gardeners and their gardens, asking what happens when these urban Edens are not seen as retreats from the city but become part of its social fabric, alive with histories of displacement, conflict and resistance. This is a book about land, but also about community, repair and the quiet revolutions that begin when someone plants a seed in unloved ground.

A History of Urban Resilience

Tiny Gardens Everywhere

All the Medals Have Been Handed Out

The (Hidden) Cost of Being a Black Writer

How to Sell Out

The perfect holiday read for fans of Taylor Jenkins Reid

The Three Lives of Cate Kay

Code Noir

Biography and memoirs

A Boarding School Memoir

One Boy!

'One of boxing’s most honest and nuanced comment­ators'&nbsp;Times Literary Supplement 'A poignant farewell from a boxing obsessive to a sport he now barely recognises . . . characterised throughout by moral clarity”&nbsp;Literary Review ‘The Last Bell is one of the most engaging sports books I’ve read for a long time’ Mike Williams, ‘Today’, BBC Radio 4 ‘Few have covered professional boxing’s ugliness and exhilaration with McRae’s deftness of touch…artistry and compassion’ New Statesman Donald McRae has been immersed in boxing for fifty years. He has followed fighters around the world and won multiple awards for his writing. But, in recent years, McRae’s love has waned, as criminality and corruption consume the soul of boxing.&nbsp; &nbsp; In 2018, grieving the death of his sister and with his parents terminally ill, he sought refuge in boxing again – just as Tyson Fury completed an incredible comeback, proving that the ring can still offer exhilaration and redemption. &nbsp; From Fury’s resurrection to the first undisputed heavyweight champion this century, boxing can be epic and electrifying. It can also be disappointing, as McRae discovers when he documents doping’s insidious rise or travels to Saudi Arabia where boxing ignores state repression. In The Last Bell, McRae takes us ringside to thrilling bouts with great contemporary champions and fighters as different as Fury, Canelo Álvarez, Oleksandr Usyk, Katie Taylor, Regis Prograis and Isaac Chamberlain. Whether in London or Las Vegas, he shows us what it is like to see joy pour out of a boxer in the dressing room after a magnificent victory or to hold the hand of a fighter being wheeled away on a stretcher after a devastating defeat. As he tries to reconcile the contradictions which lie at boxing’s murky heart, McRae is unflinching and compelling. &nbsp; McRae helps boxers open up about their doubts and fears and charts the courage of fighters facing ordeals from depression to war. And in telling the heartbreaking story of Patrick Day, he faces death in the ring. The Last Bell is his most powerful and personal book yet, a riveting account of life, death and boxing.

Life, Death and Boxing

The Last Bell

October Files

Glenn Ligon

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City. "Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism."&nbsp;-Wall Street Journal"They fly in quietly-unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time." -from&nbsp;"New York Is a City of Things Unnoticed," Talese's first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who've seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton's apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese's New York reporting showcases a master of the form at his finest, making intelligible the city's vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter's eye and an artist's flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is-Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

Baddest Man

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