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Thebault P: BACKSTAGES (Calendrier mural
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Coulisse d'un défilé de mode

"What a deliciously irresistible novel! This book is a five-star read. I guarantee you’ll love it.” — Elin Hilderbrand"A wry, aching, life-affirming novel about cancer, motherhood, and the mess of being human. Caitlin Shetterly writes with unsparing honesty and grace. A tour de force.” — Christina Baker KlineFrom the acclaimed author of Pete and Alice in Maine comes a standalone and evocative sequel about a mother who, recovering from the trauma of breast cancer and a mastectomy, takes a once-in-a-lifetime trip across France with her two daughters. In France, she finds out what it means to fully live.Reconciling with her husband after a betrayal and recovering from a yearlong battle with breast cancer, Alice longs for an escape from the trials of everyday life. When the opportunity arises for a once-in-a-lifetime camping trip across France, she packs up her daughters, hoping it’s the new start she so desperately needs.Alice, teenage Sophie, and young Iris begin their odyssey in the French Alps, entering a foreign world they did not know existed: beautiful people, luscious food, and sensual temptations. It’s a freeing experience—exploring the countryside, sleeping beneath the stars, reveling in the sights and scents of nature. For the first time since her diagnosis, Alice starts to feel alive, less afraid of dying, and less angry about her husband's affair.But as the family continues south, traveling through Provence, where they camp on the Gulf of Lions, an area of the Mediterranean known for wild, roaring winds and purple fields of lavender, they start to unravel the yarn that binds them together. By the time they head to the charred Pyrenees, and then back across France to stay in a castle that sits on the confluence of two rivers, Alice worries that the trip might have been a disastrous and reckless mistake.A beautiful meditation on womanhood, personhood, exploration, survival and sexual awakenings, The Gulf of Lions is a breathtaking and emotionally resonant story that plumbs the eternal question: What, in the end, will keep a family from falling apart?

The Gulf of Lions

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

Star Wars and Fifty Years of Hollywood Mythmaking

Rebels and Empires

European Administrative Governance

Multi-Level Governance in Italy and France

EU Cohesion Policy and Regional Participation

A collection of eye-opening natural experiments, showing how economists uncover cause-and-effect relationships and reveal insights about our world. Does having a daughter change how a congressperson votes? How did a nineteenth-century doctor help discover germs? Is it better to go first or second in a penalty shootout? Why don’t diplomats pay their parking tickets? Do leaders really matter? These are all questions economists ask. Some of these questions are serious, others less consequential. But all are interesting—and can be answered by way of the natural experiment. A natural experiment is an event in the real world that neatly divides people into a treatment and control group—and it is one of the greatest tools in the economist’s toolkit. In Daughters, Diplomats, and Death, Patrick Gourley discusses why and how economists have leveraged this powerful method to answer questions that were long thought unanswerable. In the vein of Freakonomics, Nudge, and The Tipping Point, the book takes the reader on a lively and engaging tour of some of the most fascinating natural experiments, explaining how they work, how they help social scientists answer questions, and what conclusions they reached. The experiments illuminate a wide range of timely issues in health, education, reproductive issues, and the environment, lending rich and much-needed nuance to the complex debates that shape today’s headlines.

How Economists Use Natural Experiments to Decipher Our World

Daughters, Diplomats, and Death

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • FINALIST FOR THE EDMUND WHITE AWARD FOR DEBUT FICTION AND THE VERMONT BOOK AWARD • LONGLISTED FOR THE DUBLIN LITERARY AWARD AND THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

A Novel

Good Girl

“Elana K. Arnold paints prose like a master. A fascinating journey through time, love, and forgiveness.” – A.S. King, Printz Award-winning author of Dig Award-winning author Elana K. Arnold returns with a boldly visionary, deeply felt story that crosses space and time to examine loss and love in a world on the brink.It is the late summer of 2021, and a girl named Nora is on the Paris Metro. Nora, whose mother loved her, even though Nora was broken. Nora, who couldn’t help her mother when her mother needed her most. Nora, from whom the pandemic has taken nearly everything, save the object she clings to: a cylinder containing her mother’s ashes. With no family left, no friends to speak of, and no way to turn back time, Nora has come to France to keep a promise she never got to make: to spread the ashes in a place her mother never got to see. But instead, Nora finds herself on the run through a forest in the night, taking refuge in a dark holloway. And when she wakes, and tries to make her way back to something she recognizes, she realizes that is impossible. Because it is no longer 2021. Questioning everything—including her own sanity—Nora sets out on a journey through a time and place completely foreign to her, and yet one that, much like the time and place she came from, is defined by death, loss, fear, and uncertainty. A journey in which she must find a way to honor her mother—and heal herself—in a world that feels irrevocably broken.

Holloway

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

A riotous and raunchy novel about a woman whose search for Romy Haag, one of David Bowie's former lovers, is sidelined when she falls into a deep obsession with a musician, who is often compared to Bowie,&nbsp;in pursuit of stardom “Lean Cat, Savage Cat is the book that’s been missing from my reading habits: classically glamourous, timelessly seductive. Lauren J. Joseph is a wit and an assassin from one sentence to the next” —Torrey Peters, author of Detransition, Baby Alone at a party, sipping her celery sour, Charli knows she’s in a rut. Kicking around with the rest of London’s bohemian dropouts, she has no idea what to do with her arts degree and her research project on Romy Haag—the transsexual disco singer and long-time lover of David Bowie—has all but stalled out. But her life takes a turn when she bumps into the mysterious Alexander Geist. Androgynously, glamorously handsome, he feels something like a soul mate, another love once lost and now found. Naturally, when he leaves for Berlin, Charli follows. There, at the center of the city’s febrile party scene, Charli and Alexander embark on their great project: turn Alexander into the greatest pop star since David Bowie. But Alexander is elusive, mercurial; Charli is in over her head before she realizes just how self-destructive her life has become under his spell. Lean Cat, Savage Cat is Isherwood one-hundred years on, it's Nancy Mitford in the dark room, Bret Easton-Ellis amongst a raft of European low-lives scrabbling for success. It is the story of setting out in search of one thing and finding yourself in possession of something quite different, a book about obsession and excess, doppelgängers and disassociation, fame and fandom, the tyrannical return of unprocessed grief, and the terrible things we do to feel loved.

Lean Cat, Savage Cat

From the New York Times bestselling author of Provence, 1970, a lively, dramatic account of the rise of French “nouvelle cuisine,” and the renegade chefs of the 1960s and 70s who revolutionized modern cooking. In The Secret History of French Cooking, Luke Barr takes readers inside the culinary rebellion that upended the staid French food world and reinvented the role and cultural importance of chefs and restaurants. The very idea of the chef as creator—as innovator, artist, auteur—can be traced back to the legendary Paul Bocuse, Michel Guérard, and the Troisgros brothers, among other colorful characters. The techniques they pioneered-- fresh food, globally inspired ingredients, shorter cooking times, and avant-garde methods-- both shocked and inspired the restaurants of the day. The book also tells the largely unknown story of a group of women chefs, including Simone Lemaire, Christiane Massia, and Olympe Nahmias, who fought for recognition in the all-male culinary establishment of the 1970s, and the villainous, all-powerful food critic who cast a shadow over the era. This is a tale of rivalries, global success, and a ferocious backlash; of celebrity, money, politics, and incredibly delicious food. The Secret History of French Cooking reveals the origins of modern food and restaurant culture—the way we eat today.

The Outlaw Chefs Who Made Food Modern

The Secret History of French Cooking

'If you wanted to end your life instantly, perfectly, you needed practice and preparation.' A sculptor and architect cross paths once in Seoul, and they meet again in Tokyo. The sculptor has decided she is going to die. She is learning to prepare a fatal serving of blowfish. This was how her grandmother killed herself, in front of her husband and child. Delicate, artful but with a sense of guaranteed finality. The architect's life has been marred by death. His elder brother leapt to his death from the fifth floor of an apartment building. He too is pondering his own exit from this life. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman is way to forestall his death and offer him an exit. Through the impressions they leave on each other, they reflect on their own lives. Taking readers through various urban spaces of Seoul and Tokyo, Blowfish delves into the inner lives of two people contemplating their failures in love and art. What truly makes life worth living? [ISBN: 9781035435241, RRP: £10.99]

An award-winning and movingly introspective exploration of life, art and love from South Korea

Blowfish

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • A cult classic and Los Angeles Times Book of the Year, this sharp, insightful novel by New Yorker contributor Han Ong explores racial and social hierarchy, personal identity, and alienation. William Paulinha—a resourceful gay Filipino sex worker barely getting by in New York—is determined to turn his life around when he crosses paths with Shem C., an on-the-rise author now disgraced and exiled from both his marriage and the city’s literary inner circle. Furious at the world that cast him out, Shem finds in the intelligent and pliable William the perfect accomplice for his plans. Under Shem’s tutelage, William reinvents himself as “Master Chao,” an enigmatic Feng Shui consultant catering to New York’s wealthiest and most self-satisfied classes. As doors swing open and fortunes are arranged and rearranged, William is pulled ever deeper into the private anxieties and secret desires of the powerful, discovering just how much people will pay to believe that even their moral rot can be purified and saved. Blending razor-sharp satire with tenderness and psychological insight, Fixer Chao traces a dazzling ascent built on illusion and audacious transformation. By turns funny, devastating, and electrifying, Ong’s writing asks what it takes to remake oneself in America—and what, if anything, remains when the performance finally ends.

Fixer Chao

Named a BOOK OF THE YEAR by The Times and Sunday Times,New Statesman,Spectator,Prospect,and New Yorker.'Undoubtedly Hoare's masterpiece'Olivia Laing'Queer in all senses of the word'Neil Tennant'A life-changing book'Robert Douglas Fairhurst, The Times'Fabulously idiosyncratic'Lucy Hughes-Hallett, New Statesman¿How one visionary inspired 200 years of art, poetry, and protest.Weaving between the historical, cultural and personal, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the wild and revolutionary genius of William Blake.In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero - a man who had died a long, long time ago, yet who remained electrically alive to them.In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.'A book that is neither Blake biography nor critical analysis nor legacy-tracing nor personal odyssey but a capacious mixing of them all ... a joyful and dizzying romp' Philip Marsden, Spectator'This love letter to William Blake couldn't be more eccentric ... Philip Hoare's weird and wonderful style soars in this study of the poet and his disciples' Ian Sansom, Telegraph'Hoare's impassioned style, alive with metaphor and wordplay, has often been called "dreamlike". This is apt, given his total immersion in his subject ... Nothing will be as audacious or intriguing as William Blake and the Sea Monsters of Love' Jenny Uglow, Times Literary Supplement

William Blake and The Sea Monsters of Love

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