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van der Borgh K: And He Shall Appear / B

And He Shall Appear

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

A hijacked New York subway train, an anonymous killer, and a young man trapped by his hidden past converge in a breathless, breathtaking thriller Do not turn off your phone Do not get off the train I know who you really are Fired and walked out by security on his first day at his new job in New York City, Ben Cross thought his day couldn't get worse. But he couldn't be more wrong. Getting on the 1 train headed uptown, Ben starts receiving text messages from an anonymous killer, showing that they've already killed someone, then pointedly killing another as they got off the train to prove they aren't bluffing and to ensure Ben follows orders. But Ben wasn't picked at random-he has a history that no one is supposed to know. At the same time, A NYPD detective, Kelly Hendricks, is on punishment duty with the transit police. The first one on the scene after the first murder, she gets on the train to find out what is really going on. Switching rapidly between Cross and Hendricks, as the hijacked 1 train heads from South Ferry to 181st, the secret to the killer lies in Ben's own history-why he's been targeted and punished.

The Survivor

Bloomsbury Writer's Guides and Anthologies

A complete introduction to the art and craft of extremely compressed works of imaginative literature, this book, now in its 2nd edition, introduces both traditional and innovative approaches to the short form and demonstrates how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers prose poetry, flash fiction, micro memoir, lyric essay, cross-genre/hybrid writing and much more. Two new chapters explore how to spark inspiration and innovation, and how to take the next steps by collaborating with partners and preparing work for publication. In this revised and expanded edition, H. K. Hummel and Stephanie Lenox present the ultimate companion to writing short fiction, featuring microplays, new short-form tactics, and a dozen fresh anthology pieces by Eve L. Ewing, Ross Gay, Jayne Anne Phillips, Gertrude Stein, and Jean Toomer, along with one-sentence student workshops that spotlight small but powerful moves in the short form. The extensive anthology showcases sixty short-form works including microplays and pieces by writers from Argentina, Chile, Guatemala, Canada, France, Greece, Bosnia, and the U.S., offering a vibrant mix of styles, forms, themes, and voices.

A Writer's Guide and Anthology

Short-Form Creative Writing

From the Irish Times and New York Times bestselling author comes a historical novel about an orphaned Victorian flower seller, a lost sister and a hidden diary...

A Memory of Violets

'Of course I'm starting my screenplay. I'm just going to Hoover the stairs first.'If you are at all interested in the nuts and bolts of story-telling and the curious workings of the entertainment industry, then this is the most informative, inspiring and funniest book on writing you will ever read, by someone who's been nominated for every showbiz award going (and then lost them all).Covering four decades in an ever-changing industry, John O'Farrell shares his writing journey from unsolicited radio sketches to huge Broadway musicals, crafting stories that have made people laugh, cry or sneak out to the pub in the interval. Here he reveals the inside secrets of every genre from sketches to sitcoms, novels to screenplays - as John kept swapping industries just before they noticed the missing Post-It Notes.Maybe If I Changed The Font? is packed with invaluable advice on structure, character, theme as well as guidance on how to get your work read by professionals and produced to great acclaim from millions - or maybe just several members of your family - you never know which way it's going to go. But you must read this book before you start - it's the perfect avoidance.'The most honest book about writing I have ever read' William Shakespeare

Some Things I Learned Writing Every Genre Except Poetry and Panto

Maybe If I Changed The Font?

Tom Gates

The brand new feel-good, laugh-out-loud Tom Gates story
 featuring LOADS of doodles, three parties and some pesky pets.
 From Liz Pichon, the multi-million copy bestselling
 author and illustrator. 
 Norman's told the whole school that DogZombies
 have a NEW SONG and a NEW LOOK for the BIG end of term party.

 But the problem is...
 they don't.
 How can they be the best band when they will
 be up against Oakfield Manor school?
 Will Tom make it to Leroy's party on time?

 Is dressing as a dolphin with a blue face a good idea?
 And will Mum and Dad ever do a fun run again?

 These questions and SO much more answered in this hilarious
 extra special story.
 <ul>
 <li>Written in diary form</li>
 <li>Every page STUFFED full of laughs, stories,
 doodles and creative FUN </li>
 <li>The Brilliant World of Tom Gates was
 the winner of the 2011 Roald Dahl Funny Prize!</li>
 <li>Perfect gifts for boys &amp; girls who love to laugh themselves
 silly</li>
 <li>The first series of The Brilliant World of Tom Gates
 won the Scottish BAFTA for Entertainment!</li>
 </ul>
 
 REVIEWS OF TOM GATES SERIES
 "10 out of 10." The Guardian
 (book 1)
 
 Don't miss Shoe Wars - the epic standalone
 by Liz Pichon.

Tom Gates 24: Pesky Pets and Parties (Book 24)

How mental health and illness have transformed from medical concepts into widely shared cultural ideas Discussions about mental health are ubiquitous, and individuals’ “challenges,” “struggles,” and “crises” are frequent fodder for media coverage and online content. Mental illness, however, is strikingly absent from these conversations. Why are we comfortable talking about mental health but not about mental illness? In Our Mental Health, Their Mental Illness, Amy Johnson argues that as these two terms became widely shared cultural ideas, their meanings diverged. People can struggle with their mental health and still be considered “normal”; meanwhile, the language of mental illness is deployed to describe those who are perceived as abnormal—or even dangerous. Drawing on articles from major US newspapers published between 1980 and 2020 and Reddit posts from 2019 to 2023, Johnson explores how the public came to understand mental health and mental illness as two sides of a social—and not simply medical—boundary. Employing methods of computational text analysis as well as qualitative close reading, Johnson shows that despite open discussions of mental health, mental illness remains a stigmatized category, broadly used to denigrate certain groups and often deployed as an explanation for violent acts. The boundary between mental health and mental illness, drawn by actors other than medical professionals, clearly delineates who is normal and who is not, creating an axis of inequality that intersects with other axes such as race and gender. The twenty-first century focus on mental health has not created universal acceptance but has instead contributed to social division.

Blurry Boundaries in the Twenty-First Century

Our Mental Health, Their Mental Illness

Alice

Colter Shaw Thriller

In a race against time and nature, there's only one man you want on your side.'Could I put the book down? Not a chance' New York Times'An exhilarating action-infused mystery' Booktrib.comIn northern California a small town teeters on the brink of disaster as flood waters bear down on it. Colter Shaw, however, is on an even more urgent rescue mission - a family swept away in the initial deluge.The clock is ticking, and their survival window is rapidly closing.However, the impending disaster raises questions - is the town's vulnerability a natural occurrence, or is there a more human element at work?Teaming up with his sister, Dorion, Shaw must uncover the truth, and quickly, otherwise there will be no town, and no one, left to save.

South of Nowhere

The hot, twisty, stay-up-all-night novel for fans of THE GUEST and MY SISTER THE SERIAL KILLER

Killer Potential

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

'Some of the most beautiful prose being written in Ireland today' Irish Times A Harper's most talked-about thriller novel 2025 A Irish Times Book of the Year 2025 A Critic Book of the Year 2025 Lorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her. Could she not see there was death about him? Could he not see there was death about her? Paddy worked the border, a place of road closures, hijackings, sudden death. Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through. There's illicit cash coming across the border and Brendan's backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn't care about getting caught. For the Bureau crew getting caught is only the start of the game. Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She's cast as a minx, a criminal's moll but she's bought a shotgun. And she's bought a grave.

a gritty tale of love and death in Northern Ireland

The Bureau

And He Shall Appear

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