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van der Borgh K: And He Shall Appear / B

And He Shall Appear

Jake has fallen head over heels for Dandelion. The only problem? Dandelion is dead.------------------------------------------------PICKED AS A BOOK TO LOOK OUT FOR IN 2026 BY ELLE, VOGUE, COSMOPOLITAN, STYLIST, GOOD HOUSEKEEPING, OPRAH DAILY AND WOMEN.COM'Unputdownable' COSMOPOLITAN'One to watch' ELLE'Wildly fun' i PAPER'A literary entrance worth noting' WOMEN.COM'I tore through it; as hilarious as it is heartfelt' CLAIRE DAVERLEY'Fans of Dolly Alderton and Nora Ephron will eat this up' LAURA HANKIN'Breathtakingly original' CLARE LESLIE HALL'Dazzlingly funny and devastating and life-affirming' ELLA BERMAN'A funny book about grief, an honest book about lying' JENNY JACKSON'A blazing firework of a novel' MORGAN DICK'A book as compulsive as Dandelion Is Dead has no business being this psychologically astute, this emotionally complex, this genuinely hot ... One of the fiction debuts of the year' EMMA FORREST------------------------------------------------Seven months after Dandelion's death, Poppy resurrects her sister's phone and finds a message from a man on a dating app. Jake.Dandelion delighted in bad behaviour. She pushed Poppy to be daring. So, on what would have been her 40th birthday, Poppy decides to do something her sister would love, and - for one night only - she goes on a date as Dandelion.Only when Poppy meets Jake, they have unexpected chemistry. Thrillingly hot, confusing chemistry. They become tangled in deceit while discovering something shockingly real. What happens when you fall in love with a lie?As a precarious dare spirals somewhere altogether more unexpected, Dandelion is Dead becomes a love story, a ballad of sisterhood and an ode to bad behaviour.------------------------------------------------'Almost made me redownload Hinge for the plot' ENTERTAINMENT WEEKLY'What starts as a grief-fuelled moment of reckless curiosity turns into a wildly original rom-com ... The masterful pacing and vividly realised characters make it hard to believe that this is Storey's first book' OPRAH DAILY'This tale of both romantic and sisterly love seamlessly combines humor and heartbreak' PEOPLE'If you're a fan of messy, character-driven conflict in contemporary fiction, Dandelion Is Dead is for you ... this book read like an indie movie: A little raw, a little quirky, with lots of heart' READER'S DIGEST'The novel is as lively and vibrant as its titular character is dead' BOOK REPORTER

Dandelion is Dead

From the Sunday Times bestselling author of American Dirt, comes a heartfelt, multigenerational family story which asks: what does it mean to call a place home? 'Delectable... a pleasure to read' THE TIMES 'A riveting tale of three generations, this is storytelling at its finest' JOHN BOYNE 'Utterly absorbing, a big, sweeping story of family and identity' EDEL COFFEY 'Why hadn't she said to her daughter I love you beyond reason and none of this matters at all and every day that you breathe is a gift?' Rafaela remembers everything that matters: her beautiful childhood in San Juan, her marriage to Peter, uprooting their children, Ruth and Benny, to the American Midwest, and losing all sense of her place in the world. So she tells no one when her memory begins to slip. Her daughter, in New York with a family of her own, wishes she could forget her muddy feelings about where she comes from - the same feelings which motivated her 22-year-old daughter Daisy to reconnect with their past. Daisy, who has momentarily forgotten everything, hears the word critical in a hospital room in San Juan and remembers, all at once, the car that hurtled towards her, the terrible storm, and something else. What was it? Now Ruth and Rafaela must return to the city where it all began, to gather by Daisy's bedside and confront the twists of fate that have caused a growing rift in their family and led them to this moment.

the poignant and uplifting family story from the bestselling author of American Dirt

Speak to Me of Home

Solomon Kane journeys back to England to save a woman accused of witchcraft and murder. Kane must find the true culprits while battling the town?s paranoia and superstition.

The first novel based on Robert E. Howard’s uncompromising Puritan anti-hero. A haunting and intense Gothic mystery for readers of Christopher Buehlman, John Langan and Brom.

Solomon Kane: Suffer The Witch

'Those looking for the next Lessons in Chemistry - a story of ferociously bright, feisty women holding their own in a man's world - may have found it ... this is a rich read, heartbreaking, engrossing and intellectually stimulating' New Zealand Listener 'Sweeping and intimate . a gorgeous meditation on roads not taken' SHELBY VAN PELT, author of Remarkably Bright Creatures 'A magnificent, spellbinding love story' CLARE LESLIE HALL, author of Broken Country _____ 1976, Rhode Island. Lily Webb has spent years trying to build a steady, predictable life, far from her hometown marred by tragedy and the sister she cannot seem to save from herself. Jane was always the brilliant one: fierce, complicated and drawn to the mysteries of the universe. But after their mother's death, Jane's gifts became entangled with addiction, pulling the sisters into a cycle of love, guilt and heartbreak that neither could escape. Lily has found comfort in a quiet marriage to a devoted scientist, one who opened her eyes to the beauty of the natural world and offered her safety and stability. But when her first love, a boy she lost under devastating circumstances, returns, Lily is forced to confront the past she thought she had buried. As old wounds reopen, and her fragile bond with Jane grows ever more tenuous, Lily must navigate the tension between the life she's built and the life she once imagined for herself. A decades-spanning tale rich with questions of faith, science and the ties that hold us together, Laws of Love and Logic is a compelling, emotionally gripping novel about sisterhood, forgiveness and the complicated nature of love.

Laws of Love and Logic

THE BESTSELLING HORROR DEBUT* STEEPED IN PAGAN FOLKLORE AND A SAPPHIC ROMANCE SET IN A POST-APOCALYPTIC WORLD FULL OF HUNGRY ELDRITCH CREATURES . . . 'A beautifully told story of dystopian apocalypse' Daily Mail India-Rose Bower's debut offers a new take on horror, blending pagan folklore and sapphic romance - PinkNews We Call Them Witches is a fresh take on dystopian horror, brimming with eldritch creatures, love and desire, and examining how far we'll go to save our family from what hunts them. I love it. - Laura Elliott, author of Awakened -- Sara and her family must keep moving. Every few months, they're discovered, and they have to pack up and get out quick. For the twins it's all they've ever known, for Danny, Noah and Ma, it's a reminder of all they've lost. For Sara, it's just another day. In yet another abandoned house, one they surround with Pagan wards - the only thing that protects them - Sara and her family think they might be safe, for a while at least. And then they find a strange girl in the garden. Parsley can't remember where she came from or how she got here. The family sees only a threat, but Sara sees hope. But outside they are waiting. The eldritch creatures. The ones they call Witches. The ones who already stole everything. And now, just days after the Parsley arrives, they steal something even more valuable: Noah. It's time to stop running. It's time to leave the safety of the wards, and try to find Noah in the witches' lair. It's just that no-one has ever done that and come out alive... -- Readers are already loving We Call Them Witches! 'Absolutely thrilling and keeps you turning the page to find out what happens' Reader review 'Blending folklore, fear, and queer romance, this book is as heartfelt as it is haunting. A must-read for fans of eerie, character-driven horror' Reader review ' It is utterly addictive, such a perfect mix between fast paced action and tender reflection that I genuinely couldn't put it down' Reader review - *January 2026, Bookseller

We Call Them Witches

NATIONAL BESTSELLER • A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola “Wise, witty . . . a deliciously readable book [about] the delicate minutiae of family life, played beautifully, boldly, brightly in a major key.”—The New York Times Book Review (Editors’ Choice) “Goodman’s mature and deftly written book suggests that, in family as in art, there is no such thing as uncomplicated happiness.”—The Wall Street Journal Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

NATIONAL BESTSELLER • A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola “Wise, witty . . . a deliciously readable book [about] the delicate minutiae of family life, played beautifully, boldly, brightly in a major key.”—The New York Times Book Review (Editors’ Choice) “Goodman’s mature and deftly written book suggests that, in family as in art, there is no such thing as uncomplicated happiness.”—The Wall Street Journal Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

Fiction

This Is Not About Us

"A much-needed dose of comfort and positivity." —Shanna Tan, translator of Welcome to the Hyunam-dong Bookshop Tabby cat Fuuta has passed into the afterlife and will do anything to see his human again . . . if only he can not disrupt the balance of the universe. After a long life with a loving human family, tabby cat Fuuta has passed into the afterlife, but he is not as far from his owner, Michiru, as it seems. Slight openings bridge the divide between the lands of the living and the dead, and they can be traversed. Eager to see Michiru again, Fuuta interviews for a position at Café Pont, a café that exists in the liminal space between the two worlds, known for its unique message delivery service: Customers leave requests with the name of the person they wish to meet, and a messenger cat is assigned to arrange the "meeting." If Fuuta doesn’t maintain plausible deniability, he could cause panic amongst the living, or worse: He could upset the balance of the universe itself. It is a weighty task for an old tabby cat, but Fuuta is up for the challenge. After all, the job offers a special reward: the right to see Michiru. And he’ll do anything to reunite with his family.

Messenger Cat Café

FROM THE AUTHOR OF AS YOUNG AS THIS 'So wryly funny ... Roxy Dunn writes so smoothly about the limitations - and liberations - of adult love with such delicacy and honesty' CLAIRE DAVERLEY, author of Talking at Night 'A thoroughly amusing coming of age (in your thirties) novel written with wit, honesty and tenderness' CLAIRE POWELL, author of At the Table Independence seems to be drifting away from Misty. Just months ago, she was living with her fiancé and planning their life together. Now she's single, back in her childhood bedroom, on crutches from knee surgery, and relying on her mother to help her with the smallest of tasks. This isn't how thirty-two was meant to look. When Misty turns to dating apps, she's immediately intrigued by charismatic, handsome Christopher - so intrigued that she doesn't doesn't even notice the acronym 'ENM' on his profile. By the time she discovers that it stands for 'ethical non-monogamy' - and that he's in a long-term open relationship - she already feels such undeniable, dizzying chemistry that she decides to give things a go. And so Misty makes a pact with herself to date Christopher for the next six weeks while his partner is away. It's all part of her plan: she wants to learn to become less attached, and to prepare herself for her next 'real' relationship. But is what she wants really what she needs? 'So enjoyable ... The writing is just so good and moreish. I loved it' Catherine Airey, author of Confessions 'Roxy Dunn is oh so good on love ... Wants and Needs is witty, warm and seriously sexy' Chloë Ashby, author of Wet Paint

Wants and Needs

The witty and gripping new thriller introducing your new favourite murderous heroine: Lalla Rook.'Lalla Rook is ruthless, unapologetic and shamelessly murderous, you're going to love her' Gillian McAllister'A wickedly dark and hilarious debut ... witty, wise and wildly entertaining' Alice Feeney'Deliciously dark, clever satire. Lalla Rook is a genius creation. I absolutely loved it!' Shari Lapena-There's a dead body in my living room.I've not called the police because it was I who stabbed him. Seven times in all. The truth is, it's surprisingly difficult to dispatch someone with a vegetable knife.In case you're wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn't murder him for it. Not yet, anyway.Right now, I have far more pressing concerns: scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse.A woman's work is never done. I've created the perfect life - and I'll kill to keep it.Praise for A Sociopath's Guide to a Successful Marriage'Scintillating ... a sardonic social comedy cunningly disguised as a psychological thriller' Sunday Times, Pick of the Month'This satirical thriller is the perfect antidote to the winter blues' Guardian'The most wildly entertaining novel you'll read this year: suspenseful but funny, shocking yet stylish' A. J. Finn'Big Little Lies meets Dr. Jekyll and Mr. Hyde' Booklist'A blackly comic delight ... sharply sardonic and unputdownable' Financial Times'A witty, propulsive debut with an anti-hero you can't help but root for' Mirror'Hilariously dark, refreshingly honest, and highly entertaining' Woman's WeeklyREADERS LOVE LALLA ROOK'This one is a wild ride, but in the best way possible ... What a main character!!!!' ¿¿¿¿¿'Perfectionto read ... such a good ride' ¿¿¿¿¿'An incredibly fun read! A one-of-a-kindmain character ... I honestly couldn't get enough of her. Twisty, sharp, and wildly entertaining' ¿¿¿¿¿'Witty and wild ... an unforgettable female protagonist finding her own way through some very bad days' ¿¿¿¿¿'Totally chaotic and that's why I adored it ... chock full of twists and turns'¿¿¿¿¿

A Sociopath’s Guide to a Successful Marriage

'Tender, humorous and moving' COSMOPOLITAN'Visceral, wild, and so beautifully necessary.' SALMA EL-WARDANY, author of THESE IMPOSSIBLE THINGS'Radojevic's stories and fragments are so sharp-edged they could draw blood. Fierce, funny and angry.' CATHERINE MAYER, author TIME/LIFE***Across thirty striking tales, Monika Radojevic weaves together the surreal with the everyday, confronting the experiences of contemporary womanhood with a tender ferocity shot through with humour. A woman walks into a bar, and nobody notices. A newly married couple are punished for their childlessness with an unsettling nocturnal invasion. A girl trades her vocal cords for a chance at freedom. A door-to-door salesperson offers the antidote to women's fear - but it comes at a high price. Bubbling with an urgent rage that occasionally tips over into vengeance, Radojevic deftly charts the moments that make a life: from the warmth of first love to the recognition of anger, and the possibilities that take shape as we find or lose our ability to speak. A Beautiful Lack of Consequence explores the ways in which the world bends and breaks women with the pressure it puts on them - and what happens when those women snap back. Moving and irreverent, dark and otherworldly, A Beautiful Lack of Consequence is a blazing debut collection from the winner of the #Merky Books New Writers' Prize. ***'Thoughtful, introspective and darkly funny' READER REVIEW'So beautiful and raw' READER REVIEW'Biting . . . a must read!' READER REVIEW

A Beautiful Lack of Consequence

*A STYLIST TOP 10 DEBUT FICTION BY WOMEN FOR 2025* *A COSMOPOLITAN TOP 25 BEST HISTORICAL FICTION NOVEL* Penang, 1971. When Suyin Lim is offered the opportunity of a lifetime - a place as a trainee nurse in London's Bethnal Green Hospital - she jumps at the chance to leave her job as a seamstress and unite with her sister, who left for the same path a year before. However, without warning her sister returns to Penang, a shadow of her former self and Suyin is forced to leave without any answers. Suyin soon finds herself starting a new life in London, falling in love with the vibrant city and its people and as she immerses herself in the gruelling but rewarding work of caring for her patients, she begins to understand what she really wants out of life . . . BETHNAL GREEN explores the themes of sacrifice and heartbreak, the power of using your voice and the will to build a life of one's own against the odds. It is also a powerful love letter to dedicated NHS workers from around the world, whose work touches countless lives every day. 'Captures with grace and profundity the experience of immigrants and health workers' TASH AW 'A beautifully immersive coming-of-age tale set amongst the brilliance and bleakness of 1970s London' LOUISE HARE

The vibrant 1970s set debut novel and love letter to the NHS that is captivating readers

Bethnal Green

'Audacious and instantly gripping . . . Whidbey is deeply satisfying' Catherine Chidgey, New York Times 'There is, to put it simply, no book quite like Whidbey' Vogue 'In the realm of Patricia Highsmith and Gone Girl' Chelsea Bieker 'A masterpiece' Carmen Maria Machado ---- You want to know who did it, but that was never the question. Or, it was never the right one. Birdie Chang doesn't know much about Whidbey Island, only that it is far. On the ferry, she has an unnerving encounter with a stranger, where she finds herself telling him everything: how she was sexually abused as a child, how the perpetrator now walks free, how the calls and emails from him haven't stopped and she is on the run; how she wants to kill him. The stranger poses a shocking question - if she agrees, he will murder the man who hurt her, with no strings attached. She gives him a name. On the other side of the country, Mary-Beth receives a phone call from the police: her only son has been murdered. What follows is a complex story of three women connected through one man: Birdie, a woman on the run from her past and her abuser; Mary-Beth, the abuser's loving mother; and Linzie, a former reality star turned bestselling memoirist, and another victim of the same man. Whidbey is a brilliant reimagining of the whodunnit - a searing, propulsive novel that asks who has real power over a story: the one who lives it, or the one who tells it? Women are rarely in receipt of what they are owed.

'In the realm of Patricia Highsmith and Gone Girl' (Chelsea Bieker)

Whidbey

And He Shall Appear

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