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Holland Merlin: After Oscar

After Oscar

The Legacy of a Scandal

A Forest History of Russia and its Empires

The Oak and The Larch

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

Essays in Austrian Literature

Silent Catastrophes

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

War, Culture and Society

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Comparing North and South Korean Writing

Literature and Cultural Identity during the Korean War

The Nine Lives of Muriel Spark

Like a Cat Loves a Bird

Drawing on theories of everyday life, Tara Thomson explores modernist fiction by women who were afforded new roles and opportunities in a world characterized by social and political change. At the same time the realities of women's everyday lives lagged behind the promises of modernity. Thomson reads the works of Dorothy Richardson, Virginia Woolf, Katherine Mansfield, and Elizabeth Bowen to explore the complex position of women with respect to everyday life throughout the interwar years. She focuses particularly on the unique narrative techniques these authors developed to reveal how everyday practices produce and are produced by ideology. Drawing on a substantial body of everyday theory, feminist theory, and the socio-historical contexts of modernism, Thomson's book asks what sustained attention to the everyday can tell us about the feminist aims of modernist fiction.

Modernism, Feminism and Everyday Life

This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antiwar and civil rights struggles that&nbsp;Time&nbsp;magazine would crown her "Queen of the Muckrakers"?&nbsp;Jessica Mitford, fifth of the six famous "Mitford Girls," was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the less advantaged. Her five beautiful sisters have been subjects of books and movies dedicated to their naughty, glamorous lives.&nbsp;Jessica-known as Decca-ran away to America to forge a wilder rebel's life. As this richly researched book details, Decca broke the Mitford mold-fighting fascism in the Spanish Civil War, becoming an American Communist and pioneering witty, wildly popular journalism, including her blockbuster&nbsp;The American Way of Death, placing her at the heart of social justice battles. Decca relentlessly injected laughter into her politics, encouraging the activists she influenced to do likewise.&nbsp;From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, Kaplan's passionate biography of an unlikely life demonstrates that Decca's social empathy was hard-won and self-taught, a model with particular relevance today and a powerful, modern example of female adventure and freedom.

The Fierce, Unruly Life of Jessica Mitford

Troublemaker

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O¿Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

A Portrait of John Singer Sargent

Beyond Beauty

Oxford World's Classics

Doctor Faustus

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

After Oscar

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