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Keine ausführliche Beschreibung für "Forme, idei, evolüii în literaturile popoarelor romanice" verfügbar.

Keine ausführliche Beschreibung für "Forme, idei, evoluţii în literaturile popoarelor romanice" verfügbar.

Bahner W: Forme, idei, evoluţii în
literaturile popoarelor romanice

Forme, idei, evoluţii în literaturile popoarelor romanice

Postcolonial theory and its bedfellow, decolonial theory, are the most flourishing products of academia in recent times. Transcending their origins in universities and literary criticism, and clustering around what is coming to be known as 'theory from the Global South', their guiding assumptions have leaked into the public domain and become shibboleths with which to acknowledge historically victimised communities. With this success has come a disturbing trend: political activity operates based on clumsy victimhood analogies, and much of its rhetoric is deliberately anti-rational, reproducing and perpetuating the manufactured categories of racist and sectarian imaginations. Benjamin Zachariah examines this phenomenon and its worrying affinities with&nbsp;völkisch&nbsp;thinking. A product of nineteenth-century romantic nationalism,&nbsp;völkisch&nbsp;is an adjective that indicates a community of blood, soil and race. These aspects are less explicit in its newer guises, which instead invoke a community of collective memory and victimhood. Nonetheless, Zachariah argues, that older form of collective belonging remains embedded in apparently new attitudes: a compulsory community of both inherited victimhood and organic belonging. Striking and thought-provoking, this book is a major intervention for anyone concerned by the more insidious side of postcolonialism.

The Postcolonial Volk

Posen Library of Jewish Culture and Civilization

Encountering Christianity and Islam, 600-1200

The Posen Library of Jewish Culture and Civilization, Volume 3

Kritische Gesamtausgabe

Conditio Judaica

In diesem Band wird erstmals die teils nur noch fragmentarisch erhaltene Korrespondenz Gronemanns rekonstruiert und dadurch sein extensives Beziehungsnetzwerk erschlossen. Unter den Korrespondenzpartnern befanden sich bedeutende Politiker, Schriftsteller und Künstler, darunter u.a. bekannte Zeitgenossen wie die Zionisten Theodor Herzl, Max Nordau, Heinrich Loewe, Chaim Weizmann und David Ben-Gurion, oder die Schriftsteller Arthur Schnitzler, Richard Beer-Hofmann, Kurt Tucholsky, Else Lasker-Schüler, Arnold Zweig, und Shaul Tchernichovsky. Außerdem stand er in Kontakt mit den Künstlern des jiddischen Avantgardetheaters Wilnaer Truppe sowie des späteren hebräischen Nationaltheaters Habima, zu deren erfolgreichen Werdegang Gronemann maßgeblich beitrug. 
 
 Die Kommentare der vorliegenden Ausgabe erschließen das bisher unveröffentlichte Archivmaterial kritisch und kontextualisieren es in der zeitgenössischen und geisteswissenschaftlichen Rezeption.

Sammy Gronemann (1875–1952) is considered one of the foremost Zionist writers of German. This volume is the first to explore Gronemann's correspondence and, through it, his far-reaching network of relationships. His correspondents included important politicians, writers, and artists, such as contemporaries Theodor Herzl, Richard Beer-Hofmann, Albert Einstein, and Theodor Heuss.

Briefwechsel

Black Lives

The origins and influence of Jim, Mark Twain’s beloved yet polarizing literary figure &nbsp; “Astute. . . . Sheds new light on a much-studied character.”—Publishers Weekly &nbsp; Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers. &nbsp; Eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

The Life and Afterlives of Huckleberry Finn's Comrade

Environmental Cultures

Scottish Literature, Borders and the Environmental Imagination

Heresy, Sedition and Political Pathologies in the XVIth century

Social Diseases

IMAGINES – Classical Receptions in the Visual and Performing Arts

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Nothing at All

Neuausgabe des Bestsellers. Aus dem Spanischen, Galizischen und Katalanischen übersetzt

Märchen aus Spanien

Ecocriticism and Turkey

Orientalist Depictions of Arab Sexuality

Richard Burton, T.E. Lawrence and the Culture of Homoerotic Desire

"This book traces the development of Pushkin's heroines from his youthful Southern Poems to his last published work The Captain's Daughter, placing them within the context of the author's dominant genre models and his own life circumstances"-- Provided by publisher.

Freedom in a Female Frame

Pushkin's Heroines and the Life-Art Connection

Forme, idei, evoluţii în literaturile popoarelor romanice

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