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Morley Paul: Far Above The World / B

Far Above The World

The Time and Space of David Bowie

Take a lively look back at the most significant 12-month span in Kiss’s career, 50 years on, joining Paul, Gene, Ace, and Peter as they conquer the world. &nbsp; 1976 suffered no shortage of notable events…Cincinnati’s “Big Red Machine” beat the Yankees in the World Series. Jimmy Carter beat Gerald Ford at the ballot box. Rocky lit up the big screen. And some guy named Bruce Jenner lit up the Summer Olympics. And it was all set against the backdrop of the United States Bicentennial. Kiss stomped into the fray with their platform boots, barnstorming the world and still finding time to record and release two of their all-time bestselling albums. Formed in 1973, Kiss had already grabbed attention with their outrageous makeup, stage show, and (of course) music. But in 1976 the band truly took off, unleashing Destroyer and Rock and Roll Over in a span of just eight months and logging more than 100 performances in North America and Europe. In Kiss ’76, Martin Popoff presents month-by-month narratives following the band around the world, across stages and through studios. The book features: <ul><li>Detailed analyses of both albums, including the recording sessions, sleeve art, and each</li><li>Info panels detailing the albums’ personnel, key dates, and track listings</li><li>Listings of tour dates and venues</li><li>Exclusive author interview material from figures like guitarist Ace Frehley, producer Bob Ezrin, and collaborator Kim Fowley</li><li>Month-by-month sidebars offering concurrent world, entertainment, and music news, putting the band’s impressive achievements in the context of that momentous year</li><li>Stunningly illustrated pages featuring performance and offstage photography, as well as period memorabilia and flat art</li></ul> This nostalgic and handsomely produced book offers a unique look at a critical chapter in the band’s career, sure to appeal to the legions of Kiss fans.

Twelve Months That Defined the Hottest Band in the Land

Kiss '76

How Activist Artists Can Change the World

Useful Art

A serious, comprehensive, and engaging book for fans, students, scholars, or anyone who wants to know more about Leonard Cohen, a unique artist: a poet and novelist who became a rock star whose career peaked in his eighth decade, and whose popularity is still growing today.

The World of Leonard Cohen

Movement Training as a Catalyst for Change

Physicality and Acting

Heart Life Music&nbsp;shares the stories of a kid from small town East Tennessee with a dream fueled by the sports and music around him. When high school football came to an end, he knew there must be something more. In college, Kenny Chesney found himself on a barstool with a guitar and an unexpected connection between people, life, and songs. His heart caught fire. With Nashville's vibrant creative scene, characters, legends, and places now long gone from the city he encountered in those early days, Chesney explores the quest to find himself as an artist and a man, as well as a sense of home anywhere there's an ocean. These are the stories of the unlikely&nbsp;game changer who became the sound of coming of age in the 21st century, made friends with his heroes, rocked stadiums, and founded a No Shoes Nation.

Heart Life Music&nbsp;shares the stories of a kid from small town East Tennessee with a dream fueled by the sports and music around him. When high school football came to an end, he knew there must be something more. In college, Kenny Chesney found himself on a barstool with a guitar and an unexpected connection between people, life, and songs. His heart caught fire. With Nashville’s vibrant creative scene, characters, legends, and places now long gone from the city he encountered in those early days, Chesney explores the quest to find himself as an artist and a man, as well as a sense of home anywhere there’s an ocean. These are the stories of the unlikely&nbsp;game changer who became the sound of coming of age in the 21st century, made friends with his heroes, rocked stadiums, and founded a No Shoes Nation.

Heart Life Music

Kids, Wait Till You Hear This!

Raised on Radio

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Making the Rules

Elevator Repair Service

'Ted Kessler and Hamish MacBain are fantastic chaps. The Dudley Moore and Peter Cook of music journalism' - Liam Gallagher 'Something special: a book of wit and verve about why Oasis matter' - The Telegraph This Sunday Times top 10 bestseller is the definitive book about the music of Oasis, published in time for the reunion tour. A deeply researched tribute to the creative talent and star power of the Gallaghers, A Sound So Very Loud is crammed with unknown detail and the kind of anarchic, brilliantly funny anecdotes that only Oasis could generate. Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world. In this comprehensive telling of the Oasis story through their spectacular back catalogue. Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like 'Live Forever', 'Wonderwall' and 'Champagne Supernova' to the fan-favourite B-sides and deep cuts such as 'Acquiesce', 'The Masterplan' and 'Half the World Away'. With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is the book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself. 'Essential reading. Hamish and Ted have had front row tickets to the Oasis story from the very beginning. There's no one who knows more about the band, the music and its impact' - Mat Whitecross, director of Oasis: Supersonic

The Inside Story of Every Song Oasis Recorded

A Sound So Very Loud

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

One Hundred Lyrics and a Poem

Far Above The World

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