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Bailes Sara Jane: Elevator Repair
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Elevator Repair Service

Making the Rules

Forms of Drama

"Provides a clear guide to Kathakali, exploring the origin, evolution and characteristics of the form today and the ways it has adapted for a 21st-century audience. This introduction to this mode of dance drama traces the distinctive features of Kathakali - which is sometimes tightly structured with fixed conventions and sometimes fluid enough to incorporate flights of fancy. It charts how the form has changed over the centuries and assesses its cultural legacy today. It also includes translations of extracts from poems, plays and performance manuals, as well as interviews with actors and cultural historians"--

Authored by a leading exponent of the form, this book provides a clear guide to Kathakali, exploring its origin, evolution, and characteristics and the ways it has adapted for a 21st-century audience. Kathakali is an introduction to this vibrant mode of dance drama, which comes from Kerala in southwest India and combines poetry, music, rhythm, and dance to represent stories of gods, demons, and humans. Originating in the latter part of the 16th century, today Kathakali commands attention and involves practitioners from around the world. Largely drawing its stories from the Ramayana and the Mahabharata, it integrates music, dance, grand makeup, and costume to evoke the epic universe. This book illuminates how Kathakali combines associated literary texts, performative conventions, and practices from local and pan-Indian contexts. The actors use their whole body—deploying complex dance movements, interpretive gestures, and highly developed facial expressions—as a site to depict, elaborate, and interpret action. Encapsulating the world of Kathakali, its performative grammar, and the aesthetic theories that underpin it, this book examines its history as one of continual change. The book traces the distinctive features of Kathakali, which is sometimes tightly structured with fixed conventions, and sometimes fluid enough to incorporate imaginative flights of fancy. It assesses Kathakali’s cultural legacy and charts how the form has changed over the centuries. It also includes translations of extracts from poems, plays, and performance manuals, as well as interviews with actors and cultural historians.

Tradition, Innovations and Transitions in the Dance Drama of Kerala

Kathakali

Producing on Broadway: A Practical Guide to Modern Commercial Theater is the first ever in‐depth guide to becoming a successful theatrical producer. This book provides a thorough and detailed examination of the various skillsets that must be developed in order to be competitive in the business, and explains how those skills are applied in real life situations. Grounded soundly in the theory, history, realities, and aesthetics of the business, two-time Tony Award winning author John Pinckard explains each aspect of making a Broadway show happen, coloring the text with personal anecdotes and case studies of successful producers.

A Practical Guide to Commercial Theater

Producing on Broadway

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Digital Media, Projection Design, and Technology for Theatre, Second Edition comprehensively details the integration of digital media and projections in theatre and live performance, providing foundational skills, best practices, and real-world applications and considerations.

Digital Media, Projection Design, and Technology for Theatre, Second Edition comprehensively details the integration of digital media and projections in theatre and live performance, providing foundational skills, best practices, and real-world applications and considerations.

Digital Media, Projection Design, and Technology for Theatre

world of art

First published in 1979, this updated edition of the pioneering study in the World of Art series surveys a full century of performance, from the Futurist manifesto of 1909 through the second decade of the new millennium.

From Futurism to the Present

PERFORMANCE ART

Shakespeare in Performance

Troilus and Cressida

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

The Routledge Companion to Digital Humanities in Theatre and Performance

Isms

The description for this book, Ono-isms, will be forthcoming.

The description for this book, Ono-isms, will be forthcoming.

Ono-isms

Offering a unique documentation of a 7-year arts-based programme of community research and activism in a Ugandan community, this book presents the voices and insights of those involved in the form of articles and creative works.

We Are Walukuba

Community-based Arts, Research and Activism in Uganda

"This book examines Israeli and Palestinian theatrical work using both historicized socio political contexts and subject matters as well as poststructuralist/ textual, linguistic questions of literary representation and cultural production as discourse, seeking to find the dialectical relationship between these two approaches in postcolonial studies in general and in reading the artistic work of the Israeli/Palestinian conflict in specific. This research bridges the gap between the discursive and material aspects of the conflict's narratives. In doing so, it enriches our understanding of how rhetoric, discourse, and cultural expressions have both shaped and been shaped by the conflict's evolution. By delving into the theatrical works of Israeli and Palestinian artists, this study offers a fresh perspective on the power of artistic representation as a form of resistance and response to colonial discourse. This investigation has the potential to not only illuminate the intricate interplay between textual representations and historical realities but also to challenge the prevailing theoretical dichotomies within postcolonial studies. By transcending the limitations of the discursive-poststructuralist debate and the complexities of Marxist-Postcolonial tensions, this study paves the way for a more holistic and nuanced understanding of the Israeli-Palestinian conflict within the broader framework of colonial history and cultural production. Ultimately, this research stands to reshape how we analyze and appreciate the role of artistic expression in negotiating complex socio-political narratives, offering new insights for scholars in postcolonial studies, theatre studies, and beyond"--

This book delves into the complex narratives surrounding the ongoing Israeli-Palestinian dispute through the unique lens of theatre. This ground-breaking exploration employs postcolonial theory to analyze a diverse array of theatrical works by Israeli, Palestinian, and Western playwrights. By juxtaposing portrayals of significant events such as the Nakba or the Israeli War of Independence, the Intifadas, and the experiences of diaspora and exile, Harras provides a nuanced examination of how these events are represented on stage. The book reveals the profound impact of language in constructing and contesting historical narratives and underscores theatre's role as a space for cultural critique and self-reflection. This comprehensive study offers new insights into the power of artistic expression to challenge historical dichotomies and encourage a deeper understanding of this enduring conflict. Essential for scholars of Postcolonial Studies, Middle East Studies, and the Performing Arts, this work invites readers to reconsider the conflict through the transformative lens of theatre.

Identity, Resistance and Contested Narratives

Theatre and the Israel-Palestine Conflict

'The best non-fiction book I've ever read. It's magical. Stunning' Dan Schreiber, No Such Thing As a Fish 'A pop biography for people who don't read pop biographies' Dorian Lynskey, Guardian 'Brilliant, discursive and wise' Ben Goldacre 'Utterly irresistible and totally brilliant' The Quietus 'A thing of endlessly fascinating, utterly demented genius' Alexis Petridis They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. This is not just the story of The KLF. It is a book about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave, the alchemical symbolism of Doctor Who and the special power of the number twenty-three. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology. 10th ANNIVERSARY EDITION UPDATED WITH NEW MATERIAL

Chaos, Magic and the Band who Burned a Million Pounds

The KLF

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