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Tannahill J: Draw Me Close

Draw Me Close

Student Editions

It's 1896 in Southern Rhodesia (now Zimbabwe) and Jekesai, a young Shona girl, escapes a forced arranged marriage by converting to Christianity and becoming a protégé to an African Evangelical. As anti-colonial sentiments spread throughout the native population, Jekesai is forced to choose between her family's traditions and her newfound faith. This Student Edition of Danai Gurira's 2012 play The Convert includes a commentary by Aviva Neff.

It's 1896 in Southern Rhodesia (now Zimbabwe) and Jekesai, a young Shona girl, escapes a forced arranged marriage by converting to Christianity and becoming a protégé to an African Evangelical. As anti-colonial sentiments spread throughout the native population, Jekesai is forced to choose between her family's traditions and her newfound faith.

This Student Edition of Danai Gurira's 2012 play The Convert includes a commentary by Aviva Neff.

The Convert

British Theatre and Young People gathers together new and original studies on the issues, theories, practices and perceptions which characterise British theatre about, for, by, and with young people in the 21st century.

British Theatre and Young People gathers together new and original studies on the issues, theories, practices and perceptions which characterise British theatre about, for, by, and with young people in the 21st century.Interrogating the critical relationship between theatre and young people today, the book brings together perspectives on theatre about, for, by, and with young people and presents it as an art form in its own right. The first part of the book focuses on applied and socially engaged theatre practice with young people, illustrating the ways in which theatre can highlight inclusivity, well-being, community and politics among young people. Part two presents essays on adaptation and appropriation, generally looking at how classic texts have been adapted for young audiences. Finally, the last part of the book looks at the ways in which British Youth Theatre and practice in the UK has impacted regional and national theatre scenes. Highlighting this rich and active community and practice, this edited collection paints a picture of the state of theatre for and by young people in the UK today.British Theatre and Young People is ideal for undergraduate and postgraduate students of theatre studies and applied theatre with an interest in British theatre.

Theory and Performance in the 21st Century

British Theatre and Young People

"A new Student Edition of Willy Russell's enduring 1983 play offering accessible and vivid insights through a C21st lens. The commentary conveys how groundbreaking the play was at the time in representing working-class lives on stage, as well as explicitly critiquing the British class system. Alongside delving into the themes, dramatic devices, context and characters of the play, students are encouraged to consider what it must have been like to be at the very first performance; draw comparisons between life then and now; and develop their own creative projects based on the story"--

Willy Russell’s 1983 play with music tells the story of twin brothers separated at birth because their mother cannot afford to keep them both. One of them is given away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a bloodbath. After its premiere at the Liverpool Playhouse, the musical has gone on to receive productions around the world and ran for decades in London’s West End, as well as extensively touring the UK. This revised Student Edition includes a commentary by Rebecca Hillman, which offers accessible and vivid insights into the play and the context in which it was written through a 21st-century lens. As well as helping us appreciate the play today, it also conveys how how ground-breaking Blood Brothers was at the time in representing working-class lives on stage, as well as explicitly exposing the flaws of the British class system.

Blood Brothers

Alongside Bruce Norris's Clybourne Park, Beneatha's Place imagines a life for Lorraine Hansberry's characters from A Raisin in the Sun beyond the confines of her play. 

Beneatha moves from 1950s America to Lagos with her Nigerian husband and then, in the second act, set in contemporary America, has become a college Dean of Social Sciences. Through this journey, Beneatha’s Place challenges today’s culture wars about colonial history and reckoning with the past.

This Student Edition, with an introduction and notes by Oladipo Agboluaje, offers a lens on the play's relationship to Hansberry's 1959 play and Clybourne Park; unpacks its engagement with the post-independence politics in Africa and pan-Africanism; considers how other plays to have dealt with these themes; and compares responses to the US and UK productions.

The edition includes original interviews with Kwame Kwei-Armah and actor Cherelle Skeete, who played the character of Beneatha in the UK premiere of the play.

Beneatha’s Place

Methuen Drama Play Collections

The first English-language anthology of Aristide Tarnagda's theatre, this book brings together six of the acclaimed West African playwright's recent French-language plays. Winner of ADELF's 2017 Grand prix littéraire d'Afrique noire (Best African Literary Work), Tarnagda blends poetic and colloquial registers to create powerful characters that resonate with the universal themes of longing, the need to be heard, and the realities of everyday life. This debut anthology now invites the anglophone world to encounter Tarnagda's theatre alongside voices of West African scholars and theatre artists whose short forwards and afterword contextualise each of the translated plays and his impactful theatre career. The plays include: And If I Killed Them All, Ma'am? (2013)Tears from the August Sky (2013)Sank, or the Patience of the Dead (2016)Ways of Loving (2017)Red Earth (2017)Musika (2019) Along with an introduction by Heather Jeanne Denyer and completed by images of these productions, The Plays of Aristide Tarnagda is a fantastic introduction to not only this acclaimed and beloved playwright, but also to the themes and joys of francophone African theatre.

The first English-language anthology of Aristide Tarnagda’s theatre, this book brings together six of the acclaimed West African playwright's recent French-language plays.

Winner of ADELF’s 2017 Grand prix littéraire d'Afrique noire (Best African Literary Work), Tarnagda blends poetic and colloquial registers to create powerful characters that resonate with the universal themes of longing, the need to be heard, and the realities of everyday life. This debut anthology now invites the anglophone world to encounter Tarnagda’s theatre alongside voices of West African scholars and theatre artists whose short forwards and afterword contextualise each of the translated plays and his impactful theatre career.
 
The plays include:
 
And If I Killed Them All, Ma’am? (2013)
Tears from the August Sky (2013)
Sank, or the Patience of the Dead (2016)
Ways of Loving (2017)
Red Earth (2017)
Musika (2019)

 Along with an introduction by Heather Jeanne Denyer and completed by images of these productions, The Plays of Aristide Tarnagda is a fantastic introduction to not only this acclaimed and beloved playwright, but also to the themes and joys of francophone African theatre.

Contemporary Francophone Theatre from Burkina Faso

The Plays of Aristide Tarnagda

Methuen Drama Engage

This book offers a captivating exploration of the evolving dynamics of language, dialogue and identity in modern theatre, highlighting the pioneering contributions of European playwrights Martin Crimp, Jon Fosse, Sarah Kane, Elfriede Jelinek and Roland Schimmelpfennig. The study reveals the complex interplay between written text and theatrical performance, upending traditional perceptions of language and personal identity. It demonstrates how the work of these writers serves as a catalyst for actors, directors and designers, and encourages a deep-dive into their creative processes by interrogating their boundary-pushing works. Covering the pivotal era of the 1990s and 2000s, the book considers the emergence of postdramatic theatre - in particular, the transition from conventional storylines and characters to avant-garde forms and narratives. It considers the role of language in crafting character identities and examines how contemporary textual approaches mirror and scrutinise the philosophical and aesthetic discussions of the late modern era. Ultimately, this book navigates the intricacies of modern dramaturgy and lauds the transformative potential of theatre to captivate and innovate, challenging a wide readership to re-evaluate the significance of dialogue and identity in contemporary theatre.

Language, Identity and Form in European Postdramatic Theatre

Traces of Dialogue

Yet it also has an unexpected ingredient: a beating heart.' ObserverNow collected with its sequel - Reasons to be Happy'A richly entertaining shard of tragicomedy.' Daily Telegraph

Yet it also has an unexpected ingredient: a beating heart.' ObserverNow collected with its sequel - Reasons to be Happy'A richly entertaining shard of tragicomedy.' Daily Telegraph

Neil LaBute: Plays 3

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi.
 
With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today.
 
This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East.
 
Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.

Until I Return: The Selected Plays of Ismail Khalidi

"Sonya Kelly’s rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years’ time as one of the hits of the decade." - Sunday Independent

 Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright.
 
 Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own? Furniture is a humorous, insightful, touching and often philosophical look at who we are and how we'd like to be perceived.
 
 Once Upon a Bridge (2021): A tale for a modern age. Early one morning on Putney Bridge, three strangers’ lives collided for one fleeting second. Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate, and other times we choose to dance.
 
 The Last Return (2022): Once upon a dreary night, five desperate strangers wait in line for a last minute ticket to the final performance of Oppenheimer's sold out smash hit. All they have to do is cross their fingers, be patient and wait their turn. But with more people waiting than tickets available, this is no time for patience, this is time for war. Who will triumph? Who will fail? And who will receive… The Last Return?
 
 All three plays were commissioned by Ireland's Druid Theatre and have premiered on stages and in digital productions around the world winning Fringe First Awards, multiple Irish Times Theatre Awards and a finalist for the Susan Smith Blackburn Prize. Featuring a new introduction, these plays are published together for the first time in one compelling collection.

Sonya Kelly’s Druid Plays

Analysing an expanding body of theatre and performance works, Science Fiction and Contemporary British Theatre examines how the themes and images of science fiction are enabling practitioners to intervene on the most urgent social and political issues of the present moment. By exploring the genre’s impact on the live theatrical event, the book presents an original and topical interrogation of issues that remain at the heart of the national and global political agenda, including military conflict, social injustice, economic inequality, migration, nationhood, anti-democratic populism, and climate collapse. The author draws upon a wide range of dramatic forms, from critically acclaimed plays by writers such as Alistair McDowall, Caryl Churchill, Dawn King, Anne Washburn and Ella Road, to devised work, site-specific performance, Shakespearean drama and physical theatre. The book's chapters are based on some of the genre’s most resonant images, including post-apocalyptic wildernesses, dystopian regimes and artificial lifeforms. Furthermore, by placing examples in dialogue with a range of theories and scholars, this book constructs an innovative interdisciplinary framework comprised of theatre studies, sociology, philosophy, economic and political science. Providing an engagingly written, intellectually rich and uniquely compelling analysis, Science Fiction and Contemporary British Theatre charts a new and growing landscape of scholarly research, and establishes science fiction as an exciting, expanding and urgent dramatic and political practice.

Science Fiction and Contemporary British Theatre

Elaine Romero is an award-winning and prolific Latina playwright with a career spanning more than thirty years. In her Border Trilogy-Wetback, Mother of Exiles, and Title IX-she presents a striking and prophetic vision of life along the US-Mexico border. 

Her plays tackle some of the most pressing issues of our time, including debates on undocumented immigration, gun safety and schools, and gender discrimination in the workplace. The heroines of the trilogy are Latina educators caught in different moments of political upheaval as they attempt to negotiate the crevices between the personal and the political. 
 
Wetback charts the intertwined fates of an accomplished Latina principal, a Chicana activist journalist, a Mexican undocumented worker, and a white supremacist superintendent and his two children. Mother of Exiles features an Ivy-league educated Latina who returns to teach theatre in her hometown, only to find that it is the moment the state has decided to arm teachers as the frontline of defense against school shootings. Title IX begins in 1972 when a teacher hesitates to use the law when she is sexually harassed in the workplace; the second part takes place in 2016, when her adult daughter seeks help through Title IX in a similar situation. All three plays interrogate race and gender in a society (and system) still struggling to see how the world we have created/legislated differs from the world in which we live.
 
In this, the first anthology of her work, Elaine Romero's plays introduced by Jimmy A. Noriega who contextualizes the plays alongside her remarkable life and achievements .

Elaine Romero is an award-winning and prolific Latina playwright with a career spanning more than thirty years. In her Border Trilogy—Wetback, Mother of Exiles, and Title IX—she presents a striking and prophetic vision of life along the US-Mexico border. 

Her plays tackle some of the most pressing issues of our time, including debates on undocumented immigration, gun safety and schools, and gender discrimination in the workplace. The heroines of the trilogy are Latina educators caught in different moments of political upheaval as they attempt to negotiate the crevices between the personal and the political. 
 
Wetback charts the intertwined fates of an accomplished Latina principal, a Chicana activist journalist, a Mexican undocumented worker, and a white supremacist superintendent and his two children. Mother of Exiles features an Ivy-league educated Latina who returns to teach theatre in her hometown, only to find that it is the moment the state has decided to arm teachers as the frontline of defense against school shootings. Title IX begins in 1972 when a teacher hesitates to use the law when she is sexually harassed in the workplace; the second part takes place in 2016, when her adult daughter seeks help through Title IX in a similar situation. All three plays interrogate race and gender in a society (and system) still struggling to see how the world we have created/legislated differs from the world in which we live.
 
In this, the first anthology of her work, Elaine Romero’s plays introduced by Jimmy A. Noriega who contextualizes the plays alongside her remarkable life and achievements .

Wetback; Mother of Exiles; Title IX

Elaine Romero: The Border Trilogy

Modern Plays

God seems to ask a lot of things of a lot of people The parishioners of All Hallows Church are putting on a production of Noah's Ark, one of a cycle of mystery plays performed by all the local parishes. The Bishop is hopeful the project will help paper over the cracks revealed by an unfortunate incident involving an evangelical, a glass of wine and an angry liberal. Rory, All Hallows' vicar, wants to keep a low profile, and his partner Simon is happy to provide musical accompaniment but would rather he wasn't given any lines, thank you very much. The congregation, however, have other plans. For Patricia, the show is an opportunity to show off the church's artistic talents, while the Curate, Hannah, hopes it will give her a chance to get to know the parishioners better. Meanwhile, Fin becomes ever more infuriated at Rory's hands-off approach and teenager Erin just hopes that this is a family where she might find a home. Above all, Rory wants to keep the ship - and his relationship - afloat. Can this battered vessel still offer its clergy and congregation sanctuary in the storm? Compassionate and funny, The Flock depicts the bumpy road to inclusion for this community, asking how we can live and worship alongside one another when our differences are so marked. How do we remain together when we're so far apart? This edition was published to coincide with the world premiere at Chichester Festival Theatre in August 2021.

God seems to ask a lot of things of a lot of people

The parishioners of All Hallows Church are putting on a production of Noah’s Ark, one of a cycle of mystery plays performed by all the local parishes. The Bishop is hopeful the project will help paper over the cracks revealed by an unfortunate incident involving an evangelical, a glass of wine and an angry liberal.

Rory, All Hallows’ vicar, wants to keep a low profile, and his partner Simon is happy to provide musical accompaniment but would rather he wasn’t given any lines, thank you very much.

The congregation, however, have other plans. For Patricia, the show is an opportunity to show off the church’s artistic talents, while the Curate, Hannah, hopes it will give her a chance to get to know the parishioners better. Meanwhile, Fin becomes ever more infuriated at Rory’s hands-off approach and teenager Erin just hopes that this is a family where she might find a home.

Above all, Rory wants to keep the ship – and his relationship – afloat. Can this battered vessel still offer its clergy and congregation sanctuary in the storm?

Compassionate and funny, The Flock depicts the bumpy road to inclusion for this community, asking how we can live and worship alongside one another when our differences are so marked. How do we remain together when we’re so far apart?
 
This edition was published to coincide with the world premiere at Chichester Festival Theatre in August 2021.

The Flock

Draw Me Close

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