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Tannahill J: Draw Me Close

Draw Me Close

Theatre Makers

Notes from a Working-Class Playwright

Student Editions

Iphigenia in Splott is a one-woman play, first seen in 2015, loosely adapted from the ancient Greek tragedy by Euripides' Iphigenia in Aulis. The title character, Iphigenia (or "Effie"), finds escape from the harsh reality of her life in drink, drugs and one-night stands. The ancient Greek play is re-told against the backdrop of a crumbling welfare state and reveals the impact of austerity and social injustice on those who have little to lose. The play has enjoyed international acclaim, having been performed in Cardiff (Sherman Cymru ), London (Lyric Hammersmith &amp; National Theatre), Berlin (Schaubühne) and in New York (59E59 Theatres). In the UK, it won Best New Play at the UK Theatre Awards, 2015. This Student Edition of Gary Owen's critically celebrated play includes a commentary by Lucy Jackson, which considers:* The rules of Greek drama and how they inform this play;* Its basis in the Greek myth of Iphigenia and the Euripidean play Iphigenia at Aulis;* The context that unites a 21st-century audience with an audience in ancient Greece;* Modern and ancient notions of tragedy;* Owen's use of poetic verse compared with that used in ancient drama;* Various modern interpretations of the Iphigenia myth in theatre and literature; * Owen's representation of marginalised voices in the play and his portrait of working-class lives;* The notion of female sacrifice * Key productions of the play to date and notable staging choicesNotes to the play are included at the back of the edition to help students de-code some of the play's references.

Iphigenia in Splott

Methuen Drama Play Collections

This collection brings Crothers's best plays back into the public eye, outside of archives, to prove their continued relevance to life in the 21st century. The issues raised in plays such as Susan and God (1937), Mary the Third (1923), and A Man's World (1910) concern career versus motherhood/parenthood, marriage, the double standard, generational divisions providing representations that audiences today understand and appreciate. Rachel Crothers was considered in her own time to be "the most famous woman playwright in America" (Charles E. Barnum, Sunday Morning Star). At her peak, 26 of her plays graced Broadway and touring stages, on par with Eugene O'Neill's record, and Hollywood adapted more than half of those for the silver screen, making her one of the most prominent playwrights of the early 20th century. Forgotten Broadway is the first edited collection of plays by Crothers, demonstrating her impressive accomplishments as a writer-director during one of the most important periods of Broadway history. Known by her contemporaries as an "all-around woman of the theatre" due to her double duty as a writer and practitioner, despite all her successes, her plays have fallen out of print and are rarely produced in any theatrical setting.

This collection brings Crothers’s best plays back into the public eye, outside of archives, to prove their continued relevance to life in the 21st century. The issues raised in plays such as Susan and God (1937), Mary the Third (1923), and A Man’s World (1910) concern career versus motherhood/parenthood, marriage, the double standard, generational divisions providing representations that audiences today understand and appreciate.

Rachel Crothers was considered in her own time to be “the most famous woman playwright in America” (Charles E. Barnum, Sunday Morning Star). At her peak, 26 of her plays graced Broadway and touring stages, on par with Eugene O’Neill’s record, and Hollywood adapted more than half of those for the silver screen, making her one of the most prominent playwrights of the early 20th century. 

Forgotten Broadway is the first edited collection of plays by Crothers, demonstrating her impressive accomplishments as a writer-director during one of the most important periods of Broadway history. Known by her contemporaries as an "all-around woman of the theatre" due to her double duty as a writer and practitioner, despite all her successes, her plays have fallen out of print and are rarely produced in any theatrical setting.

He and She; A Little Journey; Mary the Third; Let Us Be Gay

Forgotten Broadway: The Selected Plays of Rachel Crothers

This anthology documents a decade of some of the UK's most exciting queer performances, through a combination of retrospective scripts, development material and visual documentation.

 Queer performances are expected to live a brief, bright life without leaving any textual record. Indeed, they rarely begin with complete scripts at all, being often developed instead by performance practices designed to fill noisy bars, clinking cabaret venues and fringe theatres, typically for short runs. This lack of textual documentation underplays the importance of writing to contemporary queer performances, while rendering them vulnerable to disappearance in the diaphanous archives of memory.
 
Writing Queer Performance: Contemporary Texts and Documents features eight seminal works, captured though performance texts and visual documentation, that ensures their accessibility long after the event of live performance. Supported by a contextualizing introduction, the anthology provides a panoramic view of contemporary preoccupations, processes and practices. 

The works include:
 Black (2013), Le Gateau Chocolat
Pull the Trigger (2016), Vijay Patel
Re-Member Me (2017), Dickie Beau
DollyWould (2017), Sh!t Theatre
NIGHTCLUBBING (2018), Ray Young
Pleasure Seekers (2022), Bourgeois &amp; Maurice
The Making of Pinocchio (2022), Rosana Cade and Ivor MacAskill
Ten Commandments (2022), David Hoyle

This anthology documents a decade of some of the UK’s most exciting queer performance, through a combination of retrospective scripts, development material and visual documentation.

Queer performance is expected to live a brief, bright life without leaving any textual record. Indeed, it rarely begins with a complete script at all, being often developed instead by performance practices designed to fill noisy bars, clinking cabaret venues and fringe theatres, typically for short runs. This lack of textual documentation underplays the importance of writing to contemporary queer performance, while rendering it vulnerable to disappearance in the diaphanous archives of memory.

Writing Queer Performance: Contemporary Texts and Documents features eight seminal works, captured through performance texts and visual documentation, that ensures their accessibility long after the event of live performance. Supported by a contextualizing introduction, the anthology provides a panoramic view of contemporary preoccupations, processes and practices.

Contemporary Texts and Documents

Writing Queer Performance

Cultural Histories of Theatre and Performance

The Victoria Theatre in Stoke-on-Trent, 1962-1986

Pioneering Theatre-in-the-Round

Revels Plays

By Thomas Norton and Thomas Sackville

Gorboduc

The first English-language anthology of Aristide Tarnagda’s theatre, this book brings together six of the acclaimed West African playwright's recent French-language plays. Winner of ADELF’s 2017 Grand prix littéraire d'Afrique noire (Best African Literary Work), Tarnagda blends poetic and colloquial registers to create powerful characters that resonate with the universal themes of longing, the need to be heard, and the realities of everyday life. This debut anthology now invites the anglophone world to encounter Tarnagda’s theatre alongside voices of West African scholars and theatre artists whose short forwards and afterword contextualise each of the translated plays and his impactful theatre career. The plays include: And If I Killed Them All, Ma’am? (2013) Tears from the August Sky (2013) Sank, or the Patience of the Dead (2016) Ways of Loving (2017) Red Earth (2017) Musika (2019) Along with an introduction by Heather Jeanne Denyer and completed by images of these productions, The Plays of Aristide Tarnagda is a fantastic introduction to not only this acclaimed and beloved playwright, but also to the themes and joys of francophone African theatre.

Contemporary Francophone Theatre from Burkina Faso

The Plays of Aristide Tarnagda

Modern Plays

Santi and Naz - one Sikh, one Muslim - are best friends living in a village in pre-partition India, coming of age and coming out in a country soon to be changed forever.

Santi & Naz

From seminal actor Lucian Msamati comes a fascinating behind-the-scenes account of working on a major production of one of the most iconic plays ever written - Samuel Beckett's Waiting for Godot.

Behind the Scenes of Beckett's Play

The Godot Diaries

The Malone Society

This Malone Society edition of Barnabe Barnes's The Devil's Charter (1607) is intended to supplement the important edition, published in 1904, of the play by R.B. McKerrow, the great editor of the works of Thomas Nashe. The new edition is based on a fresh examination of the twenty-three known copies of the quarto, which exhibit marked differences in relation to stop-press correction. The Introduction considers the play's printing history, its date and authorship, its performance, and later history. Particular attention is paid to the possibility that Robert Armin had a hand in several scenes in the play and to how Barnes's play may have come to be acted before King James I. Barnes is shown to have been familiar with Shakespeare's plays and, in particular, to have borrowed elements from Macbeth, Antony and Cleopatra, and All's Well that Ends Well.

By Barnabe Barnes

The Devil's Charter

NHB Modern Plays

A visceral and moving exploration of caring, belonging, and a queer Black woman's attempts to love herself. Premiered at the Bush Theatre, London, in 2025.

blackbird hour

Draw Me Close

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