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Poncet A: Doug Chiang: The Cinematic
Legacy (Volume I) & The Star Wars Legac

Doug Chiang: The Cinematic Legacy (Volume I) & The Star Wars Legacy (Volume II)

Marvel Studios proudly presents a collection of behind-the-scenes photographs from the set of the highly anticipated movie! In Marvel Studios’ THE FANTASTIC FOUR: FIRST STEPS, we are delighted to at last welcome the First Family into the Marvel Cinematic Universe! And, to celebrate, we have carefully curated many of the finest images captured by the on-set photographers into a stunning family photo album worthy of the Fantastic Four! Featuring action shots while the cameras roll and candid behind-the-scenes snaps of the movie’s stars — including Pedro Pascal (Reed Richards), Vanessa Kirby (Sue Storm), Joseph Quinn (Johnny Storm) and Ebon Moss-Bachrach (Ben Grimm) — as well as Director Matt Shakman and other creatives! Also includes special insights into the making of the film, in the tradition of MARVEL STUDIOS’ DEADPOOL &amp; WOLVERINE EXPOSED — PHOTOS FROM THE SET HC!

Marvel Studios' The Fantastic Four: First Steps - Family Portraits: Photos From The Set

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

A Tale of Rivalry and Genius

Michelangelo and Titian

An Artist in Changing Seasons

Constable's Year

IMAGINES – Classical Receptions in the Visual and Performing Arts

A cohesive, interdisciplinary study of the imaginative power screen media has to reshape our perception of Roman women, covering over 100 years with examples from silent cinema through to computer games.

Gender, History & Screen Media

Audio-Visual Roman Women

The Oral History of Gossip Girl

You Know You Love Me

The Works

Part of a brand new series celebrating the works of great artists, The Works: Mary Cassatt is an stunning book showcasing 50 of the artist's most compelling artworks. From the deep turquoise hues of the radical Little Girl in a Blue Armchair to the fresh, floral intimacy of Lilacs in a Window, this book showcases the beauty and complexity of Cassatt's style. Through detailed analyses of each artwork from acclaimed art historian Sally Grant, this is the ultimate introduction to Mary Cassatt. Perfect for budding and season art lovers, or anyone looking for a beautiful, bold book to adorn their shelves or coffee table. This volume is an essential tribute to a trailblazing icon of 19th century art.

The essential masterpieces

The Works: Mary Cassatt

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

The Monarch Files: A Monsterverse Manual

Here for All the Reasons is a collection of personal essays that explore the many reasons why The Bachelor franchise lives rent free in Bachelor Nation's hearts and minds.

#BachelorNation on Why We Watch

Here For All the Reasons

Mark Klett and William L. Fox: Marshall Islands

Doug Chiang: The Cinematic Legacy (Volume I) & The Star Wars Legacy (Volume II)

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