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Die blauen Schwerter

Meissen in der DDR

The Cat Who Saved the Library

The book explores contemporary Chinese society and its future direction based on direct and close scrutiny. Due to its distance and independent cultural development from the West, China has been the subject of an imagined world for many Westerners. However, the visions of Cathay could not justify the shape of Chinese civilisation. Only by contacting the nation and its people directly one can better understand its cultural essence and goals of development.

Building a Global Community for a Shared Future

Contemporary China and the World

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

Shakespeare and Adaptation

Gender, Sexuality, Race and Politics on Stage

Shakespeare and Ballet

Hollow Inside

Education and Society in China

This book examines and compares the identity, power and L2 Chinese teaching and learning of two ethnic minority groups in China: ethnic Koreans in Northeast China and South Asians (e.g. Indian, Pakistani, and Nepalese) in South China - Hong Kong.

This book examines and compares the identity, power and L2 Chinese teaching and learning of two ethnic minority groups in China: ethnic Koreans in Northeast China and South Asians (e.g. Indian, Pakistani, and Nepalese) in South China – Hong Kong.

Teaching and learning Chinese as a second language in China

Power, Identity and Second Language Learning

Tracing the rich tradition of Chinese patchwork art in domestic and rural spaces, from its ancient origins to its contemporary manifestations Patchwork design has a long history in China, dating back almost two thousand years to the arrival of Buddhism in the region. Across millennia, a thread can be followed from spiritual practitioners embracing patchwork textiles as a visual expression of their beliefs to patchwork's use in secular culture, where it was prized for its protective powers. Eventually, patchwork became a form of domestic decoration--and an outlet for artistic ingenuity--that continues in some areas of China's countryside today. Chinese Patchwork explores the creativity of 20th- and 21st-century Chinese makers who stitch fabric remnants into functional, decorative and auspicious articles for use in their homes and by their families. These objects display a wide variety of designs, patterns and techniques, and reflect both local tendencies and the individual aesthetics of the makers. Through a series of scholarly essays, museum curator Nancy Berliner illuminates the tradition and history behind the art form, as well as its links to Chinese visual culture; these texts are illustrated by stunning reproductions of lively and colorful patchwork examples. Interviews with contemporary makers offer readers firsthand insight into the practice and its intricacies. Additional photographs of the artists, their families and their works in situ by American photographer Lois Conner beautifully illustrate patchwork's bold visual presence in rural China.

Ancient Origins, New Expressions

Chinese Patchwork

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

Performance, Metaphor and Materiality in Contemporary Cloth

Indigo and Resist Dyeing

The Cambridge China Library

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958-1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958â€“1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Mao Zedong

Routledge Research in Asian Education

Despite its successful image, Japan has long seen its own education system as problematic. This book analyzes the trials and errors in Japanese education reforms during the last three decades, and is a call for wider exploration of the goals of education reform in our contemporary, interconnected global age.

Despite its successful image, Japan has long seen its own education system as problematic. This book analyzes the trials and errors in Japanese education reforms during the last three decades, and is a call for wider exploration of the goals of education reform in our contemporary, interconnected global age.

A Sociology of Education Reforms, Opportunities, and Mass Education

Japanese Education and Society in Transition

Silence

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Die blauen Schwerter

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Bibliografische Angaben

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