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Zhang Mo: Contemporary Chinese Law and
Legal System

Contemporary Chinese Law and Legal System

Fundamentals, Civil Justice and Process

"To get rich is glorious," declared Deng Xiaoping, the architect of modern China's economic miracle - but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day "strike hard" campaigns against corruption under Xi Jinping. There are stories here of business 'fixers', corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China's urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

“To get rich is glorious,” declared Deng Xiaoping, the architect of modern China’s economic miracle – but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day “strike hard” campaigns against corruption under Xi Jinping. There are stories here of business ‘fixers’, corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China’s urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

Vice, Crime and Corruption in New China

Everything is Allowed, Nothing is Permitted

On Impunity, Pinochet in England and a Nazi in Patagonia

38 Londres Street

Property Rights and Conflict Over Land in China

Illiberal Law and Development

Trading Women's Rights in Transitions is about how women's rights are traded away by diplomatic actors directly in exchange for immediate political or other settlements, and indirectly in terms of being left off the international agenda with long-term consequences.

Trading Women's Rights in Transitions

Prosecuting the Powerful: War Crimes and the Battle for Justice

Demonstrating a wide array of influences-from Chinese calligraphy to Expressionism-Liu Wei's work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei's deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China's "cynical realism" movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Demonstrating a wide array of influences—from Chinese calligraphy to Expressionism—Liu Wei’s work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei’s deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China’s “cynical realism” movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Liu Wei

Power, Conflict and Warnings from History

The Coming Storm

Gao Pian's Trials of Allegiance

The Fall of the Tang

Anthem Critical Introductions

Anthem IGLP Rethinking Global Law and Policy Series

This book provides a critical introduction to the complex relationship between law and peace.

A Critical Introduction

Law and Peace

Melland Schill Perspectives on International Law

Cinematic Perspectives on International Law

The Palgrave Handbook of Arctic Policy and Politics

"A sweeping examination of how the religious landscape has changed in post-Mao China. In Religious Change in Post-Mao China, sociologist Yanfei Sun examines the transformation of major religions and the broader religious ecology in China in the wake of the death of Mao Zedong. Drawing on two decades of research that integrates ethnographic, historical, and comparative methods, this book explores the remarkable rise of Protestantism, the challenges faced by Catholicism, the revival of Chinese popular religion, the complex dynamics of Chinese Buddhism, and the unrealized potential of new religious movements. Why do some religions thrive and others struggle in post-Mao China? Sun describes both the internal institutional factors that allow some religions to flourish and the wider sociopolitical context that supports or discourages religious expansion. She thereby introduces an ambitious theoretical framework-one whose applicability extends beyond China, offering a template for analyzing religious dynamics in other parts of the world. A must-read for scholars of religious studies, sociology, and China studies, Religious Change in Post-Mao China not only provides critical insights into China's evolving religious landscape but also offers a powerful lens for examining the forces behind religious change, both past and present"--

Toward a New Sociology of Religion

Religious Change in Post-Mao China

Contemporary Chinese Law and Legal System

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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