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Dem entführten Yuru gelingt es, mithilfe von Dera und Asumas Tsugai zu fliehen. Derweil rettet Asa die falsche Asa und im Kagemori-Anwesen entbrennt ein Kampf zwischen Gabby und dem Verräter Akio.

Yomi no Tsugai 08

Arakawa H: Das Band der Unterwelt 08

Das Band der Unterwelt 08

Lullaby of the Dawn

Ein verfluchtes Leben und eine Liebe, die alles verändert ...Auf einer entfernten Insel erhalten Auserwählte die Aufgabe, die Gesellschaft von den Kreaturen aus der See zu beschützen. Elva, dessen verfluchter Körper langsam unter ihm aufzugeben scheint, ist einer von ihnen. Als der Junge Alto von Elvas Schicksal erfährt, schwört er, ihm zu helfen und verspricht, für immer an seiner Seite zu bleiben. Acht Jahre später lebt das ungleiche Paar immer noch zusammen und obwohl es heißt, dass Elvas Körper dem Fluch in ein paar Jahren erliegen wird, beginnt er, sich aus einem unbekannten Grund zu erholen.Der fünfte Band der gefühlvollen Fantasy-Boys-Love-Serie!Weitere Informationen:<ul><li>Spice-Level: 1 von 5 Chilis. Erotik spielt in diesem Boys-Love-Titel eine kleinere Rolle. Ideal für Einsteiger*innen.</li><li>Die Serie gilt als noch nicht abgeschlossen</li></ul>Dies ist Band 6 der Serie.Ein gefühlvoller, epischer Boys Love-Manga in einem facettenreichen Fantasy-Setting.

Ein verfluchtes Leben und eine Liebe, die alles verändert 
 …Auf einer entfernten Insel erhalten Auserwählte die Aufgabe, die Gesellschaft von den Kreaturen aus der See zu beschützen. Elva, dessen verfluchter Körper langsam unter ihm aufzugeben scheint, ist einer von ihnen. Als der Junge Alto von Elvas Schicksal erfährt, schwört er, ihm zu helfen und verspricht, für immer an seiner Seite zu bleiben. Acht Jahre später lebt das ungleiche Paar immer noch zusammen und obwohl es heißt, dass Elvas Körper dem Fluch in ein paar Jahren erliegen wird, beginnt er, sich aus einem unbekannten Grund zu erholen.Der fünfte Band der gefühlvollen Fantasy-Boys-Love-Serie!Weitere Informationen:<ul><li>Spice-Level: 1 von 5 Chilis. Erotik spielt in diesem Boys-Love-Titel eine kleinere Rolle. Ideal für Einsteiger*innen.</li><li>Die Serie gilt als noch nicht abgeschlossen</li></ul>Dies ist Band 6 der Serie.Ein gefühlvoller, epischer Boys Love-Manga in einem facettenreichen Fantasy-Setting.

Lullaby of the Dawn 6

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

The Lady Killer

Die Schneiderei in der Fliedergasse - Neue Hoffnung

The Impossible Garden of Clara Thorne

An Iron Age goddess must grapple with becoming human in this delightful historical fantasy of myth and magic from the author of Greenteeth

Nightshade and Oak

The Lives of Guinevere

Sometimes legends don't tell the whole story. After the sudden death of her boyfriend, Vera would have been happy to spend her life completely unnoticeable, washing bedsheets and cleaning toilets in a Glastonbury hotel. But everything changes when a strange new guest reveals himself to be Merlin and drags her back to seventh century Camelot, a place she knows only from legends. He tells her that only Vera (or Queen Guinevere, as Merlin calls her) can right the course of history and save Arthur' s kingdom from the will of a power-hungry mage. There' s one enormous problem: Guinevere was the sole witness to the curse that's now draining the kingdom of its magic, and Vera doesn't remember anything from that life. And with Camelot' s peace ebbing ever closer to shattering, she's running out of time. Working with Merlin' s magic to retrieve her long-lost memories brings more questions than answers: why is it that King Arthur, who treats his subjects with such benevolence, can' t even stand to look at her? And why does that make Vera' s soul feel like it' s splitting in two? What robbed her of her memories in the first place . . . and, most importantly, why? As Vera is about to discover, in a world of legend and power, the secrets of her memories are only the beginning . . .

Arthurian legend meets time travel in this sweeping romantic fantasy

La Vie de Guinevere

Maiden

The Moonfall Series

¿Raeve and Kaan will return in the highly anticipated sequel to the #1 internationally bestselling phenomenon, When The Moon Hatched. Prepare for more danger, magic, romance and dragons!¿

The Ballad of Falling Dragons

Saltswept

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Das Band der Unterwelt 08

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