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Contributions to Security and Defence Studies

Marcos Alan Ferreira

Criminal Non-State Actors

Historical Developments and Impacts in South America

&lt;p&gt;.- &lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;Introduction: criminal entities as a distinct typology of non-state actors and its role in South America.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Conceptualizing Criminal Non-State Actors.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Governance Capacities and Criminal Non-State Actors: dominating the local to expand globally.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Pioneering Criminal Non-State Actors in South America: the rise and downfall of Colombia drug cartels and their consequences.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Comando Vermelho: from a prison gang to a transnational criminal organization.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Brazilian Criminal Organizations as Transnational Non-State Actors: the Primeiro Comando da Capital (PCC).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;.- Brazilian Amazon as locus of Criminal Non-State Actors in South America.&lt;/span&gt;&lt;/p&gt;

"A son embarks on a journey involving a disappearing suitcase, secret police, and a strange letter, while pursuing a father who appears to have fallen victim to Alzheimer's disease. A man inherits a deserted island and is drawn into the mysterious, possibly deadly affairs of a strange couple on a sailboat. A gold miner in a remote Amazon outpost escapes from a murderous foreman by building an improbable machine. A writer chases the evasive opening sentence of his novel while locked down in his Rio de Janeiro apartment with his wife, until she usurps the narrative. In the four tales that comprise As If by Magic, Edgard Telles Ribeiro invites us into labyrinthine worlds where what we perceive is only the beginning of the story"--

As If by Magic

Latin America–European Union Relations in the Twenty-First Century

By analyzing the key theories of political behavior in the context of Latin America, Orlando Pérez illustrates the impact, nature, and limits of democratization. This book is the first comprehensive attempt to analyze empirically the factors that determine citizen participation in the region using theoretically grounded and empirically sound longitudinal data.

By analyzing the key theories of political behavior in the context of Latin America, Orlando Pérez illustrates the impact, nature, and limits of democratization. This book is the first comprehensive attempt to analyze empirically the factors that determine citizen participation in the region using theoretically grounded and empirically sound longitudinal data.

The Citizen in Transition

Political Behavior in Latin America

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

José Basílio da Gama's Brazilian Goldmines

How Politics Shape Narco-Strategies and Violence in Central America

The Art of Trafficking

Cambridge Latin American Studies

A Study in Ethnographic and Spatial History

The Making of Brazilian Amazonian Societies

The Human Tradition around the World series

The Human Tradition in Colonial Latin America

Rural Livelihoods Beyond Coca in Colombia's Peace Laboratory

Governing the Excluded

Routledge Interdisciplinary Perspectives on Literature

This book explores the ways in which Latin American writers produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. It proposes productive dialogues and polemics with the fields of war literature and global modernisms.

This book explores the ways in which Latin American poets, novelists, journalists, public intellectuals, and a vast number of unknown soldier-memorialists produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind presents a unified Latin American corpus that sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. The book interrogates wars (and world wars in particular) as they break down and rearrange the spatial meaning of particular world mappings, and how Latin American writers anxious about their place in the universalized order of modernity might have perceived these shifts as an opportunity to negotiate symbolic re-inscriptions of their political and aesthetic horizon. Looking at texts on ruins and trenches, on spies and politics, on everyday life and affective engagements with the traumatic core of the war, this book unveils a historical and literary archive that reconceptualizes and expands the globality of World War I, inscribing Latin American writers in its discursive making. It proposes productive dialogues and polemics with the fields of British, French, and German war literature (whether modernist, moralist, or sentimental), as well as with the emerging critical discourses of postcolonial war literature and global modernisms.

On the Globality of World War I

Latin American Literature and the Great War

Handbooks of Ibero-American Studies

Handbook of Borders in Ibero-America

The Margellos World Republic of Letters

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil &nbsp; “Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.”—Literary Hub, “Most Anticipated Books of 2024” &nbsp; In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of “speaking place.” A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. &nbsp; Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies&nbsp;different from those we’ve inherited, and to speak a more humane world into being.

Where We Stand

The Making of an Icon

Frida

Criminal Non-State Actors

Bibliografische Angaben

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Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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